Bruce Springsteen - The Promise (2xCD, Album) (Near Mint (NM or M-))

Bruce Springsteen - The Promise (2xCD, Album) (Near Mint (NM or M-))

Columbia

Regular price $8.00 USD
Sale price $8.00 USD Regular price
Sale Sold out

Media Condition:  Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)
Country:    US  
Released:  
2010-11-12
Genre:       Rock
Style:         Classic Rock

Comments:
*** BUY ANY 4 RECORD for ONLY $5.00 Shipping & Handling fee ***
 

Notes:

There is 22 seconds of silence between "City of Night" and "The Way" (which are part of the same "track"). Recorded at Atlantic Studios 1977, the Record Plant, NY 1977 and Thrill Hill Recording @ Stone Hill Studio 2010 Mixed at Mix This! Mastered at Gateway Mastering, Portland, ME The only tracks included in 1977 condition are 1-3 Outside Looking In, 1-10 Candy's Boy, 2-2 Ain't Good Enough For You and 2-11b The Way. All others have modern elements added. 1-1 Racing In the Street 78 was recorded November 28-30 or December 6 or 9, 1977 at The Record Plant Violin by David Lindley 2010 note: album version completed August 30, 1977, this was fresh take on the song 3 months later, vintage except for overdubbed violin 1-2 Gotta Get That Feeling August 12, 1977 at the Record Plant with vocals and horns added 2010 1-3 Outside Looking In recorded September 27, 1977 (first version rec June 1, 1977 and much bootlegged) 1-4 Someday (We'll Be Together) recorded September 29-30, 1977 with 2010 vocals and background singers overdubbed 1-5 One Way Street recorded at Atlantic Studios on June 17, 1977; with vocals and horns added 2010 1-6 Because The Night recorded at the Record Plant on September 27, 1977; uses Patti Smith's lyrics and 2010 vocal take 1-7 Wrong Side Of The Street recorded at the Record Plant on October 14, 1977 with 2010 vocal take overdubbed 1-8 The Brokenhearted was recorded at the Record Plant on November 29, 1977; modern horn section added 2010 1-9 Rendezvous was recorded June 1-17, 1977 at Atlantic Studios with 2010 vocal added 1-10 Candy's Boy from June 27, 1977 with alternate lyrics 2-1 Save My Love written 1976, new lyrics added and track recorded on July 22, 2010 2-2 Ain't Good Enough For You recorded Sept 26, 1977 2-3 Fire recorded June 17, 1977 Atlantic Studios with new vocal recorded 2010 2-4 Spanish Eyes recorded June 30, 1977 at Atlantic Studios, 2010 vocals and band elements overdubbed 2-5 It's A Shame recorded June 14, 1977 at Atlantic Studios. horns other band vocal elements added 2010 2-6 Come On (Let's Go Tonight) cut on either December 9 and 29, 1977; David Lindley, violin added 2010 poss vocal and guitar overdub 2-7 Talk To Me recorded October 14, 1977, with new vocals and horns added 2010 2-8 The Little Things (My Baby Does) recorded August 15, 1977 at either Atlantic or Record Plant, new vocal and band elements.2010 2-9 Breakaway was recorded at Atlantic Studios on June 1, 1977, new vocals have been added and some modern band elements. 2-10 The Promise base track from September 28, 1977 with strings added, background vocals, guitar overdubbed 2010 edited from 7:09 to 5:54, deleting key elements of final verse 2-11a City of Night recorded October 14, 1977 edited intro section 2010 2-11b The Way was recorded at the the Record Plant on August 15, 1977 © & ℗ Bruce Springsteen / Distributed by Columbia Records, A Division of Sony Music Entertainment

 

1-1. Racing In The Street ('78) 6:50
1-2. Gotta Get That Feeling 3:19
1-3. Outside Looking In 2:18
1-4. Someday (We'll Be Together) 5:38
1-5. One Way Street 4:20
1-6. Because The Night 3:25
1-7. Wrong Side Of The Street 3:36
1-8. The Brokenhearted 5:19
1-9. Rendezvous 2:39
1-10. Candy's Boy 4:39
2-1. Save My Love 2:38
2-2. Ain't Good Enough For You 4:03
2-3. Fire 4:10
2-4. Spanish Eyes 3:50
2-5. It's A Shame 3:16
2-6. Come On (Let's Go Tonight) 2:20
2-7. Talk To Me 4:22
2-8. The Little Things (My Baby Does) 3:19
2-9. Breakaway 5:32
2-10. The Promise 5:54
2-11a. City Of Night 3:00
2-11b. The Way (Hidden Track) 3:45

 

Barcode and Other Identifiers:

Barcode 8 8697-76177-2 0
Matrix / Runout DIDX-512768 3 B05
Mastering SID Code IFPI L329
Mould SID Code IFPI 50ED
Matrix / Runout DIDX-512769 3 B05
Mould SID Code IFPI 50FE
Matrix / Runout DIDX-512768 3 A03
Mastering SID Code IFPI L329
Mould SID Code IFPI 10J2
Matrix / Runout DIDX-512769 2 A02
Mastering SID Code IFPI L329
Mould SID Code IFPI 10K0
Matrix / Runout DIDX-512768 3 A03
Mastering SID Code IFPI L329
Mould SID Code IFPI 10J7
Matrix / Runout DIDX-512769 2 A06
Mastering SID Code IFPI L329
Mould SID Code IFPI 10J2

 

Copyright (c) Bruce Springsteen
Phonographic Copyright (p) Bruce Springsteen
Recorded At Record Plant, N.Y.C.
Recorded At Thrill Hill Recording
Distributed By Columbia Records
Mixed At Mix This!
Mastered At Gateway Mastering
Pressed By Sony DADC
Pressed By Sony DADC

Data provided by Discogs

In stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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All items are meticulously serviced and restored to meet factory specifications

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