Christina Aguilera - Back To Basics (CD, Album + CD, Album, Enh) (Very Good Plus (VG+))

Christina Aguilera - Back To Basics (CD, Album + CD, Album, Enh) (Very Good Plus (VG+))

RCA,BMG

Regular price $5.00 USD
Sale price $5.00 USD Regular price
Sale Sold out

Media Condition:  Very Good Plus (VG+)
Sleeve Condition: Very Good (VG)
Country:    US  
Released:  
2006-08-15
Genre:       Hip Hop, Jazz, Funk / Soul, Pop
Style:         Jazz-Funk, Ballad, Pop Rap, Contemporary R&B

Comments:

 

Notes:

The RCA Records Label is a Unit of SONY BMG MUSIC ENTERTAINMENT ● Tmk(s) ® Registered ● (RCA logo) Marca(s) Registrada(s) RCA Trademark Management S.A. ● BMG logo is a registered trademark of Bertelsmann Music Group, Inc. ● ℗ & © 2006 RCA Records, a unit of Sony BMG Music Entertainment ● Manufactured and Distributed by SONY BMG MUSIC ENTERTAINMENT, 550 Madison Avenue, New York, 10022-3211. 1.1: Contains a sample from "The Thrill Is Gone (Live)" as performed by B.B. King, The Crusaders and The Royal Philharmonic Orchestra under license from MCA Records, a division of Universal Music Enterprises. 1.2: Contains a sample from "Glad" written by Steve Winwood as performed by Traffic, published by F.S. Music Ltd. (PRS) (adm. by Warner-Tamerlane Publishing Corp.), used courtesy Of Polydor Records (UK) 1.3: Contains a sample from "Charley" written by Don Costa as performed by Don Costa Orchestra, published by Dotted Lion Music/Tancy Music Co./Famous Music Corp. (ASCAP) (adm. by Chappell & Co., Inc.), under license from Warner Bros. Entertainment. ● Contains a sample from "Troglodyte" written by James Castor, Langdon Fridie, Jr., Douglas Gibson, Harry Jensen, Robert Manigault and Gerald Thomas as performed by The Jimmy Castor Bunch, published by Taking Care Of Business Music (adm. by Minder Music Ltd.) (BMI), used courtesy of RCA Records, a division of Sony BMG Music Entertainment. 1.4: Contains a sample from "Hippy Skippy Moon Strut," written by Harold Beatty as performed by Moon People, published by Iza Music Corp. (adm. by The Clyde Otis Music Group, Inc.) (BMI), under license from Argon Productions. ● Contains a sample from "The Cissy's Thang" as performed by The Soul Seven, published by Soultex Publishing Company, under license from Soultex Records/Now-Again Records. 1.5: Contains a sample from "Nearer To You" written by Allen Toussaint as performed by Betty Harris, published by Screen Gems-EMI Music, Inc. (BMI), under license from Charly Acquisitions Limited. 1.6: Contains a sample from "Window Raisin' Granny" written by William Guest, M. Knight, Edward Patton and Gladys Knight as performed by Gladys Knight and the Pips, published by WEMG Music, Inc. (BMI), under license from Buddha Records, a division of Sony BMG Music Entertainment ● Contains a sample from "So Seductive" written by Marvin Bernard, Michael Harper and Curtis Jackson as performed by Tony Yayo, published by Universal Music Publishing Corp. o/b/o itself, 50 Cent Music and the publishing designee for Marvin Bernard and EMI April Music, Inc. (ASCAP), under license from Interscope Records, a division of Universal Music Enterprises. 1.7: Contains a sample from "Vois Sur Ton Chemin" written by Bruno Coulais and Christophe Barratier published by Sony/ATV Tunes, LLC (ASCAP), used courtesy of Warner Music France/Galatee Films 1.9: Contains a sample of "Sentimentale" from "Suite For Flute And Jazz Piano Trio" written and performed by Claude Bolling, published by Caïd Music (ASCAP), under license from Frémeaux & Associés. 1.12: Contains a sample from "The Best Thing You Ever Had" written by George Henry Jackson as performed by Candi Station, published by Screen Gems-EMI Music (BMI) (adm. by Screen Gems-EMI Music Publishing, Inc.), under license from EMI Music Special Markets, a division of Capitol Records, Inc. 1.13: Contains a sample from "Can't Hold Us Down" as performed by Christina Aguilera, used courtesy of RCA Records, a division of Sony BMG Music Entertainment ● Contains a sample from "Genie In A Bottle" written by Pamela Sheyne, David Frank and Steven Kipner published by BMG Music Publishing International Ltd. c/o Zomba Songs, a division of Zomba Enterprises, Inc. (BMI), EMI April Music, Inc. o/b/o itself, Stephen A. Kipner Music and Griff Griff music (ASCAP) used courtesy of RCA Records, a division of Sony BMG Music Entertainment. ● Contains a sample from "Think Big" written by Mark Richardson, Sean Hamilton and Tracey Horton as performed by Pudgie The Fat Bastard featuring the Notorious B.I.G. published by Old Nigger Spirituals (BMI), Dee Rock Music (ASCAP), Bow Down Music (BMI), EMI April Music, Inc. (ASCAP), under license from A&M Records, a division of Universal Music Enterprises. 2.3: Contains a sample from "Tarzan & Jane Swingin' On A Vine" from Run To Cadence With The U.S. Marines Vol. II, used courtesy of Documentary Recordings. Mastered at Bernie Grundman Mastering, Los Angeles, CA F.U.S.S. stands for: "F*ck You Scott Storch" Oh Mother: with this song Christina thanks her mother for divorcing her father, because he was an abuser. Here To Stay: this song was used in a Pepsi commercial. Thank You (Dedication to Fans...): uses fragments of her song "Genie in a Bottle" and voicemail messages by fans. The Right Man: this song is about her wedding day in November 2006.

 

1-1. Intro (Back To Basics) 1:47
1-2. Makes Me Wanna Pray 4:10
1-3. Back In The Day 4:13
1-4. Ain't No Other Man 3:48
1-5. Understand 3:46
1-6. Slow Down Baby 3:29
1-7. Oh Mother 3:46
1-8. F.U.S.S. 2:21
1-9. On Our Way 3:36
1-10. Without You 3:56
1-11. Still Dirrty 3:46
1-12. Here To Stay 3:19
1-13. Thank You (Dedication To Fans...) 4:59
2-1. Enter The Circus 1:42
2-2. Welcome 2:42
2-3. Candyman 3:14
2-4. Nasty Naughty Boy 4:45
2-5. I Got Trouble 3:44
2-6. Hurt 4:03
2-7. Mercy On Me 4:33
2-8. Save Me From Myself 3:13
2-9. The Right Man 3:51
. Bonus Video
Video. Back To Basics 10:07

 

Barcode and Other Identifiers:

Barcode 828768263921
Barcode 8 2876 82639-2 1
Matrix / Runout 82876826392D1 [Sonopress Arvato Logo] + + FA55501
Mastering SID Code IFPI LB48
Mould SID Code IFPI 10K1
Mould SID Code IFPI 1082
Mould SID Code IFPI 1086
Mould SID Code IFPI 10E8
Other 82876-82639-2(1)
Matrix / Runout 82876826392D2 [Sonopress Arvato Logo] + + F997301
Mastering SID Code IFPI L028
Mould SID Code IFPI 10K1
Mould SID Code IFPI 10C5
Mould SID Code IFPI 1078
Mould SID Code IFPI 1073
Mould SID Code IFPI 10E6
Mould SID Code IFPI 10J4
Other 82876-82639-2(2)

 

Phonographic Copyright (p) RCA Records
Copyright (c) RCA Records
Manufactured By Sony BMG Music Entertainment
Distributed By Sony BMG Music Entertainment
Pressed By Sonopress Arvato, USA
Pressed By Sonopress Arvato, USA

Data provided by Discogs

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There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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