Dave Matthews Band - Come Tomorrow (CD, Album) (Mint (M))

Dave Matthews Band - Come Tomorrow (CD, Album) (Mint (M))

RCA,Bama Rags Records

Regular price $4.00 USD
Sale price $4.00 USD Regular price
Sale Sold out

Media Condition:  Mint (M)
Sleeve Condition: Mint (M)
Country:    US  
Released:  
2018-06-08
Genre:       Jazz, Rock, Pop
Style:         Alternative Rock, Jazz-Rock, Pop Rock

Comments:

 

Notes:

Disc Made in Germany. Packaged in USA. (P)&(C) 2018 Bama Rags Recordings, LLC Mastered at Euphonic Masters Tracks 1, 3, 7, 8, 10 written in 2015 Tracks 4, 9, 12 written in 2017 Tracks 2, 6 written in 2006 Track 5 written in 2016 Track 11 written in 2008 Tracks 13, 14 written in 2018 Track 1 Recorded at Studio X and London Bridge Studio, Seattle, Wa, Haunted Hollow, Charlottesville, VA and The Village, Los Angeles, CA Mixed at The Village, Los Angeles, CA Track 2 Recorded at Haunted Hollow, Charlottesville, VA. Mixed at The Mill, Charlottesville, VA Track 3 Recorded at Studio X, Seattle, WA, and United Sound Studios, Hollywood, CA Mixed at United Recording, Hollywood, CA Track 4 Recorded at The Church, Seattle, WA / Mixed at The Village, Los Angeles, CA Track 5 Recorded at The Mill and Haunted Hollow, Charlottesville, VA, London Bridge Studio and Synergy Studio, Seattle, WA and The Village, Los Angeles, CA Track 6 Recorded at Haunted Hollow, Charlottesville, VA. Mixed at The Mill, Charlottesville, VA Track 7 Recorded at Studio X, Seattle, WA / Mixed at The Village, Los Angeles, CA Track 8 Recorded at Studio X, Seattle, WA, and United Sound Studios, Hollywood, CA and The Village, Los Angeles, CA Mixed at The Village, Los Angeles, CA Track 9 Recorded at Studio X, Seattle, WA, and United Sound Studios, Hollywood, CA Mixed at The Village, Los Angeles, CA Track 10 Recorded at Studio X, Seattle, WA, / Mixed at The Village, Los Angeles, CA Track 11 Recorded at Haunted Hollow, Charlottesville, VA / Additional recording at The Village, Los Angeles, CA and Hill House Studio, Laurel Canyon, CA Track 12 Recorded at The Mill and Studio Zen 3000, Charlotesville, VA, London Bridge Studio, Seattle, WA, and The Village, Los Angeles, CA Mixed at The Village, Los Angeles, CA Track 13 Recorded at London Bridge Studio and Synergy Studio, Seattle, WA, The Barn, Maple Valley, WA and The Village, Los Angeles, CA Mixed at The Village, Los Angeles, CA Track 14 Recorded at London Bridge Studio, Seattle, WA and The Village, Los Angeles, CA Mixed at The Village, Los Angeles, CA

 

1. Samurai Cop (Oh Joy Begin) 4:22
2. Can't Stop 4:44
3. Here On Out 3:19
4. That Girl Is You 3:17
5. She 3:52
6. Idea Of You 4:45
7. Virginia In The Rain 6:10
8. Again And Again 4:26
9. Bkdkdkdd 0:27
10. Black And Blue Bird 3:34
11. Come On Come On 4:40
12. Do You Remember 4:17
13. Come Tomorrow 4:46
14. When I'm Weary 1:57

 

Barcode and Other Identifiers:

Barcode 889854124229
Barcode 8 89854 12422 9
Mastering SID Code IFPI LP 73
Mould SID Code IFPI 071Z
Matrix / Runout 57021421/88985412422RD1 21
Rights Society ASCAP
Rights Society BMI

 

Record Company Sony Music Entertainment
Record Company RCA Trademark Management S.A.
Record Company Bama Rags, Inc.
Phonographic Copyright (p) Bama Rags Recordings, LLC
Copyright (c) Bama Rags Recordings, LLC
Manufactured By RCA Records
Distributed By RCA Records
Recorded At The Mill, Charlottesville, VA
Recorded At Studio Zen 3000, Charlottesville, VA
Recorded At London Bridge Studio
Recorded At The Village Recorder
Recorded At Synergy Studio, Seattle, WA
Recorded At The Barn, Maple Valley, WA
Recorded At Studio X
Recorded At Haunted Hollow
Recorded At United Recording Studios
Recorded At The Church, Seattle, WA
Recorded At The Hill House, Laurel Canyon
Mixed At The Village Recorder
Mixed At The Mill, Charlottesville, VA
Mixed At United Recording Studios
Mastered At Euphonic Masters
Published By Colden Grey, Ltd.
Published By David J. Matthews
Published By Carter Beauford
Published By Stefan Lessard
Published By The LeRoi Moore Family Trust
Published By Boyd Tinsley
Published By Bat Future Music
Published By Peachblossom Creek Publishing
Published By Beam On Music
Published By Sweet Vape Publishing
Published By Otani Music
Published By Rashawn Horn Music
Pressed By Arvato

Data provided by Discogs

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There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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