Isaac Hayes - Black Moses (2xLP, Album, Fol) (Very Good (VG))

Isaac Hayes - Black Moses (2xLP, Album, Fol) (Very Good (VG))

Enterprise

Regular price $30.00 USD
Sale price $30.00 USD Regular price
Sale Sold out

Media Condition:  Very Good (VG)
Sleeve Condition: Very Good (VG)
Country:    US  
Released:  
Nov 1971
Genre:       Funk / Soul
Style:         Soul

Comments:
One record is NM while the other is VG.. Sleeve has a punch hole.
 

Notes:

Auto-coupled:
Side 1 (A) and 4 (D) are found on record one.
Side 2 (B) and 3 (C) are found on record two.

Original sleeve folds out into a cross-shaped poster of Isaac Hayes. Original copies came with a custom single hard paper inner sleeve that had the image Isaac Hayes head on the front and the credits on the back (same as found on the cross shaped fold out cover). This was provided to buyers because the label figured many would unfold and hang the cover as a poster. Only one custom inner sleeve was provided to place both LPs inside in case this was done. Some copies also came with a 4X6 inch color foldout advertising and exclusive Ebony Magazine subscription offer to members of the Isaac Hayes Movement.

Recorded at Stax Records with the Dolby System
Liner notes: Chester Higgins, Senior Editor, Jet Magazine

Publishing:
A1: Jobete Music, Portable Music, BMI
A2: Blue Seas, Jac Music, U. S. Songs, ASCAP
A3: Su-Ma Music, BMI
A4: Curtom Music, Conrad Music, Ada Music, BMI
B1: Parabut Music, Downstairs Music, BMI
B2a: East/Memphis Music, BMI
B2b: Klondike Music, BMI
B3: Curtom Music, BMI
B4: East/Memphis Music, BMI
C1a: East/Memphis Music, BMI
C1b: Tangerine Music Corp., BMI
C2: Buckhorn Music Publ., BMI
C3: Blue Seas Music, Jac Music, Edwin H. Morris Co., ASCAP
D1: Veytig Music, Escort Music, BMI
D2a: East/Memphis Music, BMI
D2b: Assorted Music, Parabut Music, BMI
D3: Porpete Music, BMI

 

A1. Never Can Say Goodbye 5:07
A2. (They Long To Be) Close To You 8:57
A3. Nothing Takes The Place Of You 5:29
A4. Man's Temptation 5:02
B1. Never Gonna Give You Up 5:42
. Medley
B3. Need To Belong To Someone 5:15
B4. Good Love 6-9969 5:15
. Medley
C2. For The Good Times 5:20
C3. I'll Never Fall In Love Again 5:02
D1. Part-Time Love 8:30
. Medley
D3. Going In Circles 7:02

 

Barcode and Other Identifiers:

Other ENS 2-5003-1
Other ENS 2-5003-2
Rights Society BMI
Rights Society ASCAP
Matrix / Runout (ES-0333) A4RS-4564
Matrix / Runout (ES-0334) A4RS-4565
Matrix / Runout (ES-0335) A4RS-4566
Matrix / Runout (ES-0336) A4RS-4567
Matrix / Runout A4RS-4564-1 C ES 0333 I A3
Matrix / Runout A4RS-4565-1 D ES-0334 A2 I
Matrix / Runout A4RS-4566-1 D ES-0335 I A5
Matrix / Runout A4RS-4567-1 D ES 0336 I A1
Matrix / Runout A4RS-4564-1 D ES 0333 I A1
Matrix / Runout A4RS-4565-1 C ES-0334 I A4
Matrix / Runout A4RS-4566-1 C ES-0335 I A1
Matrix / Runout A4RS-4567-1 D ES 0336 I A3
Matrix / Runout A 4RS-4564-1 D ES 0333 I A4
Matrix / Runout A 4RS-45650-1 C ES 0334 I A4
Matrix / Runout A 4RS-4566-1 C̶D ES-0355 I A3
Matrix / Runout A 4RS-4567-1 D ES 0336 I A1

 

Published By Jobete Music
Published By Portable Music
Published By Blue Seas Music, Inc.
Published By JAC Music Co., Inc.
Published By U.S. Songs
Published By Su-Ma Music
Published By Curtom Music
Published By Conrad Music
Published By Ada Music (2)
Published By Parabut Music
Published By Downstairs Music
Published By East/Memphis Music
Published By Klondike Music
Published By Tangerine Music
Published By Buckhorn Music Publishing Company, Inc.
Published By Edwin H. Morris & Co.
Published By Veytig Music
Published By Escort Music
Published By Assorted Music
Published By Porpete Music
Recorded At Stax Records
Pressed By RCA Records Pressing Plant, Indianapolis

Data provided by Discogs

In stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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