Ludwig van Beethoven, Renate Krahmer, Ingeborg Springer, Eberhard Büchner, Günther Leib, Rundfunkchor Leipzig, Eva Ander, Reinhard Ulbricht, Joachim Bischof, Dietrich Fischer-Dieskau, Edith Mathis, Julia Hamari, Alexander Young, RIAS-Kammerchor, Karl En

Ludwig van Beethoven, Renate Krahmer, Ingeborg Springer, Eberhard Büchner, Günther Leib, Rundfunkchor Leipzig, Eva Ander, Reinhard Ulbricht, Joachim Bischof, Dietrich Fischer-Dieskau, Edith Mathis, Julia Hamari, Alexander Young, RIAS-Kammerchor, Karl En

Deutsche Grammophon

Regular price $25.00 USD
Sale price $25.00 USD Regular price
Sale Sold out

Media Condition:  Mint (M)
Sleeve Condition: Very Good (VG)
Country:    US  
Released:  
1972
Genre:       Classical, Folk World & Country
Style:         Vocal, Folk

Comments:
***BUY ANY 4 RECORDS for ONLY $5.00 Shipping & Handling fee!***
 

Notes:

Issued as a box-set, LP's and booklet are stored in a removable (slide out) tray. Made in U.S.A. Includes 8 page booklet Cover Deutsche Grammophon with Gesellschaft Labels only have Deutsche Grammophon. Stereo in red print. Center-labels: Straight borders

 

A1. 1. Music, Love and Wine, Op. 108 No. 1
A2. 2. The Highland Watch, Op. 108 No. 22
A3. 3. Constancy WoO 155 No. 22
A4. 4. Once more I hail Thee, WoO 152 No. 3
A5. 5. Bonny Laddie, Highland Laddie, Op. 108 No. 7
A6. 6. Behold, my Love, Op. 108 No. 9
A7. 7. The Pulse of an Irishman, WoO 154 No. 4
A8. 8. The Elfin Fairies, WoO 154 No. 1
B1. 9. Ye Shepherds of this pleasant Vale, WoO 156 No. 4
B2. 10. Sunet, Op. 108 No. 2
B3. 11. He promis'd me at parting, WoO 154 No. 12
B4. 12. Enchantress, Farewell, Op. 108 No. 18
B5. 13. Put round the bright wine, WoO 154 No. 6
B6. 14. Robin Adair, WoO 157 No. 7
B7. 15. Duncan Gray, WoO 156 No. 2
B8. 16. Faithful Johnnie, Op. 108 No. 20
C1. 17. Could this ill Word, Op. 108 No. 16
C2. 18. Highlander's Lament, WoO 157 No. 9
C3. 19. Oh, sweet were the Hours, Op. 108 No. 3
C4. 20. The Miller of Dee, WoO 157 No. 5
C5. 21. Farewell Bliss and Farewell Nancy, WoO 152 No. 20
C6. 22. O Sanctissima, WoO 157 No. 4
C7. 23. Oh, had my fate been join'd with Thine, Op. 108 No. 12
D1. 24. O Charlie is my Darling, WoO 157 No. 3
D2. 25. To the Blackbird, WoO 155 No. 20
D3. 26. Come fill, fill my good Fellow, Op. 108 No. 13
D4. 27. Lochnagar, WoO 156 No. 9
D5. 28. Sion, the Son of Evan, WoO 155 No. 1
D6. 29. The Return to Ulster, WoO 152 No. 1
E1. 30. The Maid of Isla, Op. 108 No. 4
E2. 31. The sweetest Lad was Jamie, Op. 108 No. 5
E3. 32. Dim, dim is my eye, Op. 108 No. 6
E4. 33. The Lovely Lass of Inverness, Op. 108 No. 8
E5. 34. Sympathy, Op. 108 No. 10
E6. 35. Oh, Thou art the Lad of my Heart, Op. 108 No. 11
E7. 36. Oh, how can I be blithe and glad, Op. 108 No. 14
F1. 37. O Cruel was my Father, Op. 108 No. 15
F2. 38. O Mary, at the window be, Op. 108 No. 17
F3. 39. O swiftly glides the bonny boat, Op. 108 No. 19
F4. 40. Jeannie's Distress, Op. 108 No. 21
F5. 41. The Shepherd's Song, Op. 108 No. 23
F6. 42. Again my Lyre, Op. 108 No. 24
F7. 43. Sally in our Alley, Op. 108 No. 25
G1. 44. Danish: Ridder Stig tjener
G2. 45. German: Horch auf, mein Liebchen
G3. 46. German: Wegen meiner bleib d'Fraula
G4. 47. Tyrolean: Wann i in de Fruh aufsteh
G5. 48: Tyrolean Carpet Seller's Song: I bin a Tyroler Bua
G6. 49: Tyrolean: A Madel, ja a Madel
G7. 50: Tyrolean: Wer solche Buema afipackt
G8. 51: Tyrolean (Aria): Ih mah di nit nehma
G9. 52: Polish: Oj, Oj upilem
G10. 53: Polish: Poslza baba
G11. 54: Portuguese (Cancion): Ja no quiero embarcarme
G12. 55: Portuguese (Duet): Seus lindos olhos
H1. 56: Russian: Vo lesoschke komarochkov
H2. 57: Russian: Akh rechenki, rechenki
H3. 58: Russian: Kak poshli nashi podrushki
H4. 59: Russian (Air cosaque): Schone Minka, ich muss scheiden
H5. 60: Swedish Lullaby: Lilla Carl, sov sott i frid
H6. 61: Swiss (Duet): An a Bergli bin i gesasse
H7. 62: Spanish (Bolero a solo): Una paloma blanca
H8. 63: Spanish (Bolero a due): Coma la mariposa
H9. 64: Spanish (Tiranilla espanola): La tirana se embarca
H10. 55: Hungarian Grape-Picking Song: Edes kinos emlekezet
H11. 56: Italian (Canzonetta veneziana): Da brava, Catina
I1. 57: Soprano Aria, "Primo Amore", WoO 92
I2. 58: Bass Aria, "Prufung des Kussens", WoO 89
I3. 59: Trio (Soprano, Tenor, Bass), "Tremate, empi, tremate", Op. 116
J1. 60: Duet for Soprana and Tenor, "Ne' giorni tuoi fellici" WoO 93
J2. 61: Soprano Aria, "No, nonturbati", WoO 92 a
J3. 62: Tenor Aria, "O welch ein Leben", WoO 91
J4. 63: Soprano Aria, "Soll ein Schuh nicht drucken", WoO 91
J5. 64: Bass Aria, "Mit Madeln sich vertragen", WoO 90

 

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There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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Fully Serviced

All items are meticulously serviced and restored to meet factory specifications

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We pack with precision and ship in brand new, appropriately sized, boxes.

Information flow

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