Melos 200 Watt * Tube Power Amplifier * 65lb *

Melos 200 Watt * Tube Power Amplifier * 65lb *

Melos

Regular price $1,100.00 USD
Sale price $1,100.00 USD Regular price
Sale Sold out

 

 

So, this is a curious beast.... with a big emphasis on the beast part. Those with as much gray hair as I have now, might well remember that Melos had a run for a hot minute through the early/mid 90s as a tube amplification challenger who, for at least awhile there, was more successful (both critically and in sales) than all but ARC & CJ. Then and now, the formula for competing against those two 800lb gorillas in that space hasn't much changed. Invariably it involves some combination of devising a more clever mousetrap and/or a general value proposition of simply trying to offer more for less. And then as now, many have tried and failed because, for one reason or another, that doesn't usually prove to be a very sustainable business model. But.... BUT.... some of those mousetraps are unusually innovative indeed. There's way more going on with the Melos here than maybe initially meets the eye, and that might be especially compelling in some applications....

WHY THE MELOS 200 STEREO TRIODE?
In a nutshell.... 200 watts per channel of sheer triode-connected tube horsepower, without needing to take out a 2nd mortgage, courtesy of some really creative topology and component decisions. Note: I'll pause here briefly and state that I've seen where some have challenged that the amp can't possibly have that kind of output. I'm just the guy in the room, telling you how it is. I've benched it and not only does it more than comfortably belt that out, some earlier variants were actually rated at 280W and that was later dialed back to help improve thermal dissipation. You might ask then, how can that be? Is the Melos powered by a Stark Industries Arc reactor? No.... but this is where the clever part comes in. The amp is actually a hybrid. But not a hybrid in the conventional sense like you and me have come to expect. It's not a tube front-end driving a solid state output stage. The signal path gain stages are all triode tube based, from input to output. However the input 12AX7 is direct coupled to a unity gain MOSFET cathode follower which in turn is coupled to a 12AT7 that feeds a high voltage phase inverter which also has a unity gain
MOSFET follower as the driver for the output tubes. So, tube-like MOSFETS as source followers, sandwiched between tube gain stages before and after! And having that high-current, low impedance source is the secret sauce in then screen driving the triode connected pair of 6KG6A (EL509/EL519) tubes per channel to their full output capability. Finally, in an equally unusual wrinkle, the Melos also utilizes TOROIDAL type output transformers! The sum of all that is a hybrid that doesn't identifiably sound like one at all. I've owned a bunch of them, including the big Counterpoints (SA20/SA220) that benefit from tube rectification in addition to tube inputs/drivers, as well as the Classic 60 that's probably the most similar topologically, with a hybrid front end plus a quad of 6550s at the output, and the Melos is simply different (though I'll confess I am really curious how the Classic 150 would compare). For lack of a better word, the Melos breathes in that way that only big tube amps really can. It sounds in every way like an all tube amplifier.... swaggering and vivid, but also with well above average drive and grip and extension on the bottom end, at least as tubes go. Dollar for dollar I can't imagine a better suited, more wildly capable choice for Maggies or older Watkins based full range Infinities. It's a match straight from Hollywood casting. Go ahead and compare to even what you get in a Chi-Fi amp for this price. If you know a more outright powerful, better performing tube amp for less, you should buy it.... : )

Out of stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

View full details

We strive to provide the best quality customer experience

We ensure our customers have the best shopping experience

Fully Serviced

All items are meticulously serviced and restored to meet factory specifications

Well Cared Shipping

We pack with precision and ship in brand new, appropriately sized, boxes.

Information flow

Be in the know with timely notifications on your order, starting from acceptance to tracking numbers, allowing you to stay connected with your purchase