Fully Serviced
All items are meticulously serviced and restored to meet factory specifications
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Epic,Epic
Media Condition: Near Mint (NM or M-)
Sleeve Condition: Very Good Plus (VG+)
Country: US
Released: 1982
Genre: Funk / Soul, Pop
Style: Funk, Disco, Soul
Comments:
*** BUY ANY 4 RECORD for ONLY $5.00 Shipping & Handling fee *** Record appears NM/M (-). Sleeve is high end VG+ with some minor ring wear on back cover.
Notes:
This pressing DOES list "Michael Jackson" as a co-producer on the back cover unlike an earlier cover version that is missing the credit [r=2911293. Issued in a gatefold sleeve, with printed inner sleeve with lyrics, credits and illustrations. "P" etched or “ᴘ” stamped in runouts denotes [l447694, pressing. First catalog number on jacket spine, labels Second catalog number inside gatefold, inner sleeve Recorded and mixed using the Acusonic Recording Process. Recorded at Westlake Audio, Los Angeles, CA. Additional sound sources recorded at Ocean Way Recording Studios, Los Angeles, CA. ℗ © 1982 CBS Inc. Manufactured by Epic Records/CBS Inc. A1, A3, B1, B2: ©1982 Mijac Music (BMI) Administered by Warner-Tamerlane Publishing Corp. A2, A4, B5: ©1982 Rodsongs (PRS) Administered by Almo Music Corp. (ASCAP) in the U.S. and Canada; In the remaining territories by Rondor Music (London) Ltd. (PRS) B3: ©1982 Porcara Music and John Bettis Music (ASCAP) John Bettis Music administered by WB Music Corp. B4: ©1982 Eiseman Music Co., Inc., Hen-Al Music, Kings Road Music (BMI) and YellowBrick Road Music (ASCAP) Quincy Jones and James Ingram appear courtesy of Qwest Records David Paich, Steve Porcaro, Jeff Porcaro and Steve Lukather appear courtesy of Columbia Records Louis Johnson and Janet Jackson appear courtesy of A&M Records, Inc. Greg Phillinganes appears courtesy of Planet Records (5) Paulinho da Costa appears courtesy of Pablo Records, Inc. Eddie Van Halen appears courtesy of Warner Bros. Records Inc. Howard Hewett appears courtesy of Solar Records Bill Wolfer appears courtesy of Constellation Records Michael Boddicker appears courtesy of Boddifications
A1. Wanna Be Startin' Somethin' 6:02
A2. Baby Be Mine 4:20
A3. The Girl Is Mine 3:42
A4. Thriller 5:57
B1. Beat It 4:17
B2. Billie Jean 4:57
B3. Human Nature 4:05
B4. P.Y.T. (Pretty Young Thing) 3:58
B5. The Lady In My Life 4:57
Barcode and Other Identifiers:
Barcode 0 7464-38112-1
Barcode 074643811217
Rights Society BMI
Rights Society ASCAP
Rights Society PRS
Matrix / Runout AL 38112
Matrix / Runout BL 38112
Pressing Plant ID P
Matrix / Runout PAL 38112-2AK C2
Matrix / Runout PBL 38112-2DB B1
Matrix / Runout P PAL38112-2DC
Matrix / Runout P PBL38112-2CB
Matrix / Runout P PAL38112-2BJ
Matrix / Runout P PBL38112-2CM
Matrix / Runout P PAL38112-2CK
Matrix / Runout PBL38112-2BD
Matrix / Runout P ᴩ PAL38112-2D
Matrix / Runout P PBL38112-2AG
Matrix / Runout P PAL 38112-2DG
Matrix / Runout P PBL 38112-2DG
Matrix / Runout o P PAL 38112-2CD I
Matrix / Runout P O PBL 38112-2CM I
Matrix / Runout P PAL 38112-2CF
Matrix / Runout P PBL 38112-2BE
Matrix / Runout P o PAL 38112-2DH
Matrix / Runout o P PBL 38112-2EA
Matrix / Runout P PAL 38112-2ED
Matrix / Runout P PBL 38112-3D
Matrix / Runout P ᴩ o PAL 38112-2D
Matrix / Runout ᴩ o PBL 38112-2BC
Matrix / Runout P o PAL 38112-2CF 1 D
Matrix / Runout P o PBL 38112-2CM B
Matrix / Runout P PAL 38112-2DH I D p
Matrix / Runout P o PBL 38112-2BD I 0
Matrix / Runout P ᴩ o PAL 38112-2D
Matrix / Runout o ᴩ PBL 38112-2AH
Matrix / Runout P ᴩ PAL 38112-2B C
Matrix / Runout P o PBL 38112-2BE A
Matrix / Runout P o PAL 38112-2BB
Matrix / Runout P o PBL 38112-2CN I
Matrix / Runout ᴩ P PAL 38112-2A F
Matrix / Runout P o PBL 38112-2CJ C
Matrix / Runout P PAL38112-2CM
Matrix / Runout P o PBL38112-2BE
Matrix / Runout P p PAL 38112-2B I D
Matrix / Runout o p PBL 38112-2AH I D
Matrix / Runout P PAL 38112-2DG
Matrix / Runout P PAL38112-2CM
Matrix / Runout P o PAL 38112-2BB I J
Matrix / Runout P o PBL 38112-2CJ I C
Matrix / Runout P PAL 38112-2ED
Matrix / Runout P PBL 38112-3B
Matrix / Runout A P PBL 38112-2BA
Matrix / Runout P PBL 38112-2CN
Matrix / Runout P PAL 38112-2BH
Matrix / Runout P PBL 38112-2CN
Matrix / Runout P o PAL 38112-2DH
Matrix / Runout P o PBL 38112-3D
Matrix / Runout P PAL38112-2CM
Matrix / Runout P PBL38112-2CM
Matrix / Runout P o PAL 38112-2BA I A
Matrix / Runout P o PBL 38112-2CM I A
Matrix / Runout P o PAL 38112-2EB A
Matrix / Runout P o PBL 38112-3D
Matrix / Runout PAL 38112-2EF 1 A P o
Matrix / Runout PBL 38112-3C 1 A P o
Matrix / Runout P 0 PAL 38112-2DN
Matrix / Runout 0 P PBL 38112-2EB
Matrix / Runout P o PAL 38112-2DH
Matrix / Runout P o PBL 38112-3B
Record Company CBS Inc.
Phonographic Copyright (p) CBS Inc.
Copyright (c) CBS Inc.
Produced For Quincy Jones Productions
Recorded At Westlake Audio
Recorded At Ocean Way Recording
Manufactured By Epic Records
Manufactured By CBS Inc.
Mastered At Customatrix
Pressed By Columbia Records Pressing Plant, Pitman
Published By Mijac Music
Published By Warner-Tamerlane Publishing Corp.
Published By Rodsongs
Published By Almo Music Corp.
Published By Rondor Music (London) Ltd.
Published By Porcara Music
Published By John Bettis Music
Published By WB Music Corp.
Published By Eiseman Music Co., Inc.
Published By Hen-Al Music
Published By Kings Road Music
Published By Yellow Brick Road Music
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There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.
Why Vintage Audio Still Matters
In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.
Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.
The Philosophy of Refurbishment
Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.
Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.
The Turntable Store refurbishing process.. step by step
Step 1: The Initial Encounter
When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.
Instead:
Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.
Step 2: Deep Cleaning & Control Detox
Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.
The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.
Step 3: Electrical Resurrection
This is where science meets art:
Step 4: Cosmetic Glory
Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.
Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.
Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.
Step 5: Calibration & Sonic Check
After the repair and cleaning, it’s time to dial in the performance:
When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.
Our promise for Audiophile-Level Results
Why It’s Worth It
The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.
And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.
We have a 14-day return policy, which means you have 14 days after receiving your item to request a return.
To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.
To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address:
The Turntable Store
45 Market Square
Manheim PA 17545
If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.
You can always contact us for any return question at theturntablestore@gmail.com.
Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.
Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item.
Unfortunately, we cannot accept returns on sale items or gift cards.
Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.
European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.
Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.
We ensure our customers have the best shopping experience
All items are meticulously serviced and restored to meet factory specifications
We pack with precision and ship in brand new, appropriately sized, boxes.
Be in the know with timely notifications on your order, starting from acceptance to tracking numbers, allowing you to stay connected with your purchase