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All items are meticulously serviced and restored to meet factory specifications
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Oppo
The DV-983H provides one of the best user interfaces we’ve ever seen on any universal player, and the remote is quite cleverly designed, as well. Highlights include:
Although the DV-983H remote control is not illuminated, it does provide luminous, glow-in-the-dark control buttons, which is the next best thing. About the only thing things the user interface lacks are channel-level test tones, and variable crossover frequencies for subwoofers (both are features some of the best players in this class provide).
Let me cut straight to the chase. On our benchmark tests, conducted using the Silicon Optix HQV Benchmark DVD Ver. 4, Oppo’s DV-983H passed every single test on the disc with essentially letter perfect results. You read that right; there are no video performance quibbles or caveats to discuss here, because the Oppo “aced” every test we threw at it. The Oppo’s performance would do credit to a player several times its price, and it’s a stunning achievement for one selling for under $400.
Real world DVD tests further confirmed that the DV-983H is one outstanding DVD player—hands down the top video performer in our survey. With the player’s upscaling controls set for 1080i output, I watched movie after movie, mesmerized by the DV-983H’s smooth, film-like presentation and exceptionally good resolution and detail.
In the “Cool As Water” scene from House of Flying Daggers, the protagonists Jin (Takeshi Kaneshiro) and Xiao Mei (Ziyi Zhang) don garments whose surfaces reveal rich colors and intricate, brocade-like textures—colors and textures that most players tend to soften to some degree. But not so, the Oppo; it captured the fine, inner details in the surfaces of those fabrics and presented them with the sort of precision and clarity you’d expect from a topographic relief map. Everywhere I looked the player seemed to find new details or shades of coloring to reveal, consistently making images look richer, more three-dimensional and more finely detailed.
It is no exaggeration to say that the DV-983H will tempt you to fall in love with well filmed tight close ups, because it makes facial details and expressions fairly jump off the screen. A particular scene in Gandhi floored me with images of an emaciated and fasting Gandhi (Ben Kingsley) explaining to his follower Meerabahen (Geraldine James) why he believes good will always triumph over evil in the end. The Oppo caught the gritty textures of the stubble in Gandhi’s beard, and the combination of determination and profound sorrow in his eyes. At the same time, the player also caught the softer textures of Meerabahen’s face and the fine wisps of her hair protruding from beneath her shawl as she leaned forward to listen to Gandhi’s words. The point, I think, is that when onscreen image details get this good, films can move us in deeper and more intimate ways.
More so than most players, the DV-983H shows how a good upscaling player can give DVDs a new lease on life—not quite elevating them to the level of Blu-ray discs, of course, but making them look better than we might ever have thought possible.
The Oppo is also one of the two or three best sounding players in our survey thanks to its uncanny combination of resolution, rich tonal colors, and overarching three-dimensionality. While some might find the player’s tonal balance exhibits faint traces of brightness (at least for CD playback), the richness of the player’s tonal colors tends to offset any tendency toward an edgy or “cold” sound. And, as you shift toward higher resolution DVD-Audio and SACD material, the player sounds even better—most notably by producing huge, wide-open, holographic soundstages.
Finally, the Oppo stands as a sonic “gift that keeps on giving,” because it can decode HDCD discs. You may be surprised to discover that certain ostensibly “standard” CDs have, in fact, been HDCD encoded, and once you hear the heightened resolution that HDCD encoding offers, you’ll appreciate the Oppo’s decoding capabilities even more.
As I played the track “Timeless” from Larry Coryell, Badi Assad, and John Abercrombie’s Three Guitars [Telarc, multichannel SACD], I sat back and marveled at the huge sound the Oppo produced. On the track I’ve referenced, Coryell is seated at the left, Abercrombie on the right, and Assad in the center of a wide stage. As the song unfolds, the instrumentalists take turns soloing while their compatriots contribute atmospheric textures and phrases. The effect is not unlike finding yourself seated front row, center seat, at a magical concert performed just for you. While all of the players in this survey sounded good on this track, the Oppo helped it expand to fill a huge, yet quite believable, 3D space that I personally found enchanting.
Similarly, the Oppo sounded remarkably detailed and spacious on the Goodwin/Minnesota performance of Tavener’s Icons of Eros from the Reference Recordings 30th Anniversary Sampler disc—an HDCD-encoded recording. The piece is an unusual one, juxtaposing angular string passages with a rhythmic percussion motif that builds in intensity until it climaxes with a choral shout that seems to reverberate forever in the cathedral-like recording space. The DV-983H did an unexpectedly fine job of conveying the sense of “air” in the recording, letting you feel as much as hear the acoustics of the space.
In many ways the Oppo sounds more like a pricey high-end player than it does a unit priced under $400. True, this mean the player sometimes exposes the flaws in so-so recordings, but that’s a tradeoff that—in the Oppo’s case—we can live with (remember, the DV-983H isn’t so much “unforgiving” as it is honest).
Oppo’s flagship DV-983H is, by any standard, an outstanding DVD player, and a very fine audio player, too. If you’d like to get a good, big taste of what pricey high-end players are like, yet without breaking the bank, look no further.
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There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.
Why Vintage Audio Still Matters
In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.
Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.
The Philosophy of Refurbishment
Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.
Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.
The Turntable Store refurbishing process.. step by step
Step 1: The Initial Encounter
When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.
Instead:
Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.
Step 2: Deep Cleaning & Control Detox
Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.
The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.
Step 3: Electrical Resurrection
This is where science meets art:
Step 4: Cosmetic Glory
Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.
Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.
Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.
Step 5: Calibration & Sonic Check
After the repair and cleaning, it’s time to dial in the performance:
When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.
Our promise for Audiophile-Level Results
Why It’s Worth It
The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.
And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.
We have a 14-day return policy, which means you have 14 days after receiving your item to request a return.
To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.
To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address:
The Turntable Store
45 Market Square
Manheim PA 17545
If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.
You can always contact us for any return question at theturntablestore@gmail.com.
Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.
Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item.
Unfortunately, we cannot accept returns on sale items or gift cards.
Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.
European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.
Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.
We ensure our customers have the best shopping experience
All items are meticulously serviced and restored to meet factory specifications
We pack with precision and ship in brand new, appropriately sized, boxes.
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