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The Beatles - Anthology 1 (2xCD, Album) (Near Mint (NM or M-))

The Beatles - Anthology 1 (2xCD, Album) (Near Mint (NM or M-))

Capitol Records,Apple Records

$10.00 USD
$10.00 USD
Sale Sold out

Media Condition:  Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)
Country:    US  
Released:  1995
Genre:       Rock, Non-Music
Style:         Interview, Rock & Roll, Pop Rock

Comments:
*** BUY ANY 4 RECORD for ONLY $5.00 Shipping & Handling fee ***
 

Notes:

A 2 CD rarities collection. Issued in a double fat boy white jewel case and includes a 46 page booklet that includes liner notes and photos. 1-1 Recorded in New York, circa 1977, and Sussex, England, February/March 1994 1-2 John Lennon speaking to Jann Wenner of Rolling Stone, 8 December 1970, New York City 1-3 & 1-4 Recorded At Philips Sound Recording Service, Liverpool, 1958 1-5 Paul McCartney speaking to Mark Lewisohn, 3 November 1994, London 1-6 to 1-8 Recorded in Liverpool, 1960 1-9 Paul McCartney speaking to Malcolm Threadgill, 27 October 1962, Hulme Hall, Port Sunlight, Cheshire 1-10 to 1-12 Recorded at Friedrich-Ebert-Halle, Hamburg, 22 June 1961 1-13 John Lennon speaking to David Wigg, 15 October 1971, New York City 1-14 Brian Epstein reading from his autobiography "A Cellarful Of Noise", recorded at EMI Studios, London, 13 October 1964 1-15 to 1-19 Recorded at Decca Studios, London, 1 January 1962 1-20 Brian Epstein reading from his autobiography "A Cellarful Of Noise", recorded at EMI Studios, London, 13 October 1964 1-21 & 1-22 Recorded at EMI Studios, London, 6 June 1962 1-23 Recorded at EMI Studios, London, 4 September 1962 1-24 Recorded at EMI Studios, London, 11 September 1962 1-25 & 1-26 Recorded at EMI Studios, London, 5 March 1963 1-27 Recorded at BBC Maida Vale Studios, London, 2 July 1963 1-28 Recorded at London Palladium, 13 October 1963 1-29 John Lennon speaking to Jann Wenner of Rolling Stone, 8 December 1970, New York City 1-30 to 1-34 Recorded at Karlaplansstudion, Stockholm, 24 October 1963 2-1 to 2-3 Recorded at Prince Of Wales Theatre, London, 4 November 1963 2-4 to 2-7 Recorded at ATV Studios, Borehamwood, 2 December 1963 2-8 Recorded at Pathé Marconi, Paris, 29 January 1964 2-9 Recorded at CBS Television Studio, New York, 9 February 1964 2-10 & 2-11 Recorded at EMI Studios, London, 25 February 1964 2-12 Recorded at EMI Studios, London, 16 April 1964 2-13 to 2-16 Recorded at IBC Studios, London, 19 April 1964 2-17 & 2-18 Recorded at EMI Studios, London, 1 June 1964 2-19 & 2-20 Recorded at EMI Studios, London, 3 June 1964 2-21 & 2-22 Recorded at EMI Studios, London, 14 August 1964 2-23 Recorded at EMI Studios, London, 30 September 1964 2-24 & 2-25 Recorded at EMI Studios, London, 6 October 1964 2-26 Recorded at EMI Studios, London, 18 October 1964 Publishing: Track 1-1 by Lenono Music (Administered by Sony Songs Inc.) Track 1-3 by MPL Communications, Inc. and Wren Music Company Tracks 1-4, 1-7 & 1-8 by MPL Communications, Inc. Tracks 1-6 & 1-10 by Unichappell Music Inc. Track 1-11 by Warner Bros. inc./Edwin H. Morris & Company, A Division of MPL Communications, Inc. Track 1-12 by Tonika Musikverlag Horst Bussow. All Rights for the U.S.A., Canada and Mexico controlled and administered by Screen Gems-EMI Music, inc. Tracks 1-15 & 1-16 by Jerry Leiber Music/Mike Stoller Music/Chappell & co. (ASCAP) Track 1-17 by Mills Music, Inc. and Jerry Vogel Music. Tracks 1-18, 1-19, 1-25, 1-26, 1-28, 2-4, 2-8 to 2-12, 2-17, 2-18, 2-20 & 2-23 to 2-25 by Northern Songs Ltd. All rights controlled and administered by EMI Blackwood Music Inc., under license from ATV Music (BMI). Track 1-21 by Promotora Hispano Americana de Musica, S.A. Administered by Peer International Corporation. Track 1-22 by MPL Communications Ltd. and Lenono Publishing. All rights for MPL Communications Ltd. in the U.S.A. and Canada controlled and administered by Beechwood Music Corporation. Tracks 1-23 & 1-24 by Songs of Polygram International, inc. Track 1-27 by Unichappell Music/Chappell & Co. Tracks 1-30, 1-31, 2-1 & 2-13 by Northern Songs Ltd., London, England. All rights for the U.S.A., it's territories and possessions and Canada assigned and controlled by Gil Music, 1650 Broadway, New York, NY 10019. Track 1-32 by Jobete Music Co. Inc., and Stone Agate Music Co. Inc. Track 1-33 by Jobet Music Co. Inc. Track 1-34 by Isalee Music Company Track 2-2 by Frank Music Corp. and MeredithWilson Music. Track 2-3 by Screen Gems-EMI Music Inc., Unichappell Music Inc., and Sloopy II Inc. All rights for the U.S.A. controlled and administered by Screen Gems-EMI Music Inc, and Sloopy II Inc. Track 2-5 by Northern Songs Ltd. Controlled and administered in the United States and Canada by Music Corporation of America Inc. Track 2-7 Public Domain - U.S. only Track 2-14 by Venice Music Inc. All rights controlled and administered by EMI Blackwood Music Inc., under license from ATV Music (BMI) Track 2-15 by Longitude Music Co. Track 2-16 by Longitude Music Co. All rights administered by Longitude Music Co. Track 2-19 by Dick James Music Ltd. Track 2-21 by Lowery Music Co., Inc. Track 2-22 by Trio Music Co., Inc./Fort Knox Music Inc./Medal Music (BMI) Track 2-26 by "Kansas" Jerry Leiber Music/Mike Stoller Music/Nancy Nathan Goldstein (ASCAP). "Hey, Hey, Hey, Hey" by Venice Music Inc. All rights controlled and administered by EMI Blackwood Music Inc,, under license from ATV Music (BMI) Manufactured by Capitol Records, Inc., 1750 Vine Street, Hollywood, California 90028. Printed in U.S.A. ℗ 1995 The Copyright in this compilation is owned by Apple Corps Ltd / EMI Records Ltd. © 1995 Apple Corps Ltd. under exclusive license to [l63404

 

1-1. The Beatles - Free As A Bird 4:24
1-2. John Lennon - Speech: John Lennon 0:12
1-3. The Quarrymen - That'll Be The Day 2:07
1-4. The Quarrymen - In Spite Of All The Danger 2:44
1-5. Paul McCartney - Speech: Paul McCartney 0:17
1-6. The Beatles - Hallelujah, I Love Her So 1:13
1-7. The Beatles - You'll Be Mine 1:38
1-8. The Beatles - Cayenne 1:13
1-9. Paul McCartney - Speech: Paul 0:07
1-10. The Beatles - My Bonnie 2:42
1-11. The Beatles - Ain't She Sweet 2:13
1-12. The Beatles - Cry For A Shadow 2:22
1-13. John Lennon - Speech: John 0:10
1-14. Brian Epstein - Speech: Brian Epstein 0:18
1-15. The Beatles - Searchin' 2:59
1-16. The Beatles - Three Cool Cats 2:25
1-17. The Beatles - The Sheik Of Araby 1:43
1-18. The Beatles - Like Dreamers Do 2:35
1-19. The Beatles - Hello Little Girl 1:40
1-20. Brian Epstein - Speech: Brian Epstein 0:32
1-21. The Beatles - Besame Mucho 2:37
1-22. The Beatles - Love Me Do 2:31
1-23. The Beatles - How Do You Do It 1:57
1-24. The Beatles - Please Please Me 1:59
1-25. The Beatles - One After 909 (False Starts) 2:23
1-26. The Beatles - One After 909 2:55
1-27. The Beatles - Lend Me Your Comb 1:49
1-28. The Beatles - I'll Get You 2:08
1-29. John Lennon - Speech: John 0:12
1-30. The Beatles - I Saw Her Standing There 2:48
1-31. The Beatles - From Me To You 2:05
1-32. The Beatles - Money (That's What I Want) 2:52
1-33. The Beatles - You Really Got A Hold On Me 2:58
1-34. The Beatles - Roll Over Beethoven 2:21
2-1. The Beatles - She Loves You 2:50
2-2. The Beatles - Till There Was You 2:54
2-3. The Beatles - Twist And Shout 3:05
2-4. The Beatles - This Boy 2:22
2-5. The Beatles - I Want To Hold Your Hand 2:36
2-6. The Beatles - Speech: Eric Morecambe And Ernie Wise 2:05
2-7. The Beatles - Moonlight Bay 0:49
2-8. The Beatles - Can't Buy Me Love 2:10
2-9. The Beatles - All My Loving 2:19
2-10. The Beatles - You Can't Do That 2:42
2-11. The Beatles - And I Love Her 1:52
2-12. The Beatles - A Hard Day's Night 2:43
2-13. The Beatles - I Wanna Be Your Man 1:47
2-14. The Beatles - Long Tall Sally 1:45
2-15. The Beatles - Boys 1:49
2-16. The Beatles - Shout 1:31
2-17. The Beatles - I'll Be Back (Demo) 1:12
2-18. The Beatles - I'll Be Back (Complete) 1:57
2-19. The Beatles - You Know What To Do 1:58
2-20. The Beatles - No Reply (Demo) 1:36
2-21. The Beatles - Mr Moonlight 2:47
2-22. The Beatles - Leave My Kitten Alone 2:56
2-23. The Beatles - No Reply 2:29
2-24. The Beatles - Eight Days A Week (False Starts) 1:25
2-25. The Beatles - Eight Days A Week 2:47
2-26. The Beatles - Kansas City / Hey-Hey-Hey-Hey! 2:44

 

Barcode and Other Identifiers:

Barcode 7 2438-34445-2 6
Barcode 724383444526
Other CDP 7243 8 34446 2 5
Other CDP 7243 8 34447 2 4
Other 1-884409-15-6
Mastering SID Code IFPI L043
Matrix / Runout 34446 1-3-53 MASTERED BY EMI MFG.
Mould SID Code ifpi 165K
Matrix / Runout 34446 • 1-5-6 MASTERED BY EMI MFG.
Mould SID Code ifpi 165N
Matrix / Runout 34446 1-1-52 MASTERED BY EMI MFG.
Mould SID Code [unknown]
Matrix / Runout 34446 1-4-16 MASTERED BY EMI MFG.
Mould SID Code ifpi 165N
Matrix / Runout 34446 1-5-13 MASTERED BY EMI MFG.
Mould SID Code none
Matrix / Runout 34446 1-3-3 MASTERED BY EMI MFG.
Mould SID Code ifpi 165M
Matrix / Runout 34446 1-1-26 MASTERED BY EMI MFG.
Mould SID Code [unknown]
Matrix / Runout 34446 1-3-40 MASTERED BY EMI MFG.
Mould SID Code none
Matrix / Runout 34446 1-2-35 MASTERED BY EMI MFG.
Mould SID Code ifpi 165H
Matrix / Runout 34446 1-2-31 MASTERED BY EMI MFG.
Mould SID Code ifpi 1654
Matrix / Runout 34446 1-3-23 MASTERED BY EMI MFG.
Mould SID Code none
Matrix / Runout 34446 1-2-40 MASTERED BY EMI MFG.
Mould SID Code IFPI I65N
Matrix / Runout 34446 1-2-41 MASTERED BY EMI MFG.
Mould SID Code ifpi 1654
Matrix / Runout 34446 1-3-21 MASTERED BY EMI MFG.
Mould SID Code none
Matrix / Runout 34446 1-1-18 MASTERED BY EMI MFG.
Mould SID Code IFPI 165P
Matrix / Runout 34446 1-5-3 MASTERED BY EMI MFG.
Mould SID Code none
Matrix / Runout 34446 1-1-21 MASTERED BY EMI MFG.
Mould SID Code ifpi 165L
Matrix / Runout 34446 1-2-46 MASTERED BY EMI MFG.
Mould SID Code ifpi 165N
Matrix / Runout 34446 1-2-20 MASTERED BY EMI MFG.
Mould SID Code none
Matrix / Runout 34446 1-2-7 MASTERED BY EMI MFG.
Mould SID Code none
Mastering SID Code IFPI L043
Matrix / Runout 34447 1-3-51 MASTERED BY EMI MFG.
Mould SID Code ifpi 163A
Matrix / Runout 34447 • 1-7-8 MASTERED BY EMI MFG.
Mould SID Code ifpi 163A
Matrix / Runout 34447 • 1-2-5 MASTERED BY EMI MFG.
Mould SID Code [unknown]
Matrix / Runout 34447 1-5-17 MASTERED BY EMI MFG.
Mould SID Code none
Matrix / Runout 34447 1-3-36 MASTERED BY EMI MFG.
Mould SID Code none
Matrix / Runout 34447 1-2-20 MASTERED BY EMI MFG.
Mould SID Code none
Matrix / Runout 34447 1-2-28 MASTERED BY EMI MFG.
Mould SID Code ifpi 165P
Matrix / Runout 34447 1-2-1 MASTERED BY EMI MFG.
Mould SID Code ifpi 1654
Matrix / Runout 34447 1-2-20 MASTERED BY EMI MFG.
Mould SID Code ifpi 165K
Matrix / Runout 34447 1-1-6 MASTERED BY EMI MFG.
Mould SID Code ifpi 165K
Matrix / Runout 34447 1-5-9 MASTERED BY EMI MFG.
Mould SID Code ifpi 165N
Matrix / Runout 34447 1-8-2 MASTERED BY EMI MFG.
Mould SID Code none
Matrix / Runout 34447 1-5-17 MASTERED BY EMI MFG.
Mould SID Code none
Matrix / Runout 34447 1-2-16 MASTERED BY EMI MFG.
Mould SID Code none
Matrix / Runout 34447 1-2-20 MASTERED BY EMI MFG.
Mould SID Code IFPI 165K
Matrix / Runout 34447 1-7-4 MASTERED BY EMI MFG.
Mould SID Code none
Matrix / Runout 34447 1-8-6 MASTERED BY EMI MFG.
Mould SID Code ifpi 165K
Matrix / Runout 34447 1-2-6 MASTERED BY EMI MFG.
Mould SID Code none
Matrix / Runout 34447 1-2-29 MASTERED BY EMI MFG.
Mould SID Code none
Matrix / Runout 34447 1-1-1 MASTERED BY EMI MFG.
Mould SID Code none

 

Manufactured By Capitol Records, Inc.
Phonographic Copyright (p) Apple Corps Ltd.
Phonographic Copyright (p) EMI Records Ltd.
Copyright (c) Apple Corps Ltd.
Licensed To EMI Records Ltd.
Glass Mastered At EMI MFG.

Data provided by Discogs

Out of stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.
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Fully Serviced

All items are meticulously serviced and restored to meet factory specifications

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We pack with precision and ship in brand new, appropriately sized, boxes.

Information flow

Be in the know with timely notifications on your order, starting from acceptance to tracking numbers, allowing you to stay connected with your purchase