1 5

The Beatles - Anthology 2 (2xCD, Album) (Very Good Plus (VG+))

The Beatles - Anthology 2 (2xCD, Album) (Very Good Plus (VG+))

Capitol Records,Apple Records

$15.00 USD
$15.00 USD
Sale Sold out

Media Condition:  Very Good Plus (VG+)
Sleeve Condition: Near Mint (NM or M-)
Country:    US  
Released:  1996-03-18
Genre:       Rock
Style:         Rock & Roll, Pop Rock

Comments:
*** BUY ANY 4 RECORD for ONLY $5.00 Shipping & Handling fee ***
 

Notes:

A 2 CD collection of rarities. Comes with a large color booklet. ℗ 1996 The copyright in this compilation is owned by Apple Corps Ltd. / EMI Records Ltd. © 1996 Apple Corps Ltd. under exclusive license to EMI Records Ltd. 1-1 Recorded in New York, circa 1979 and Sussex, England, February 1995 1-2 Recorded at EMI Studios, London, 16 February 1965) 1-3 Recorded at EMI Studios, London, 14 June 1965 1-4 & 1-5 Recorded at EMI Studios, London, 18 February 1965 1-6 Recorded at EMI Studios, London, 20 February 1965 1-7 Recorded at EMI Studios, London, 14 June 1965 1-8 Recorded at EMI Studios, London, 15 June 1965 1-9 to 1-12 Recorded at ABC Theatre, Blackpool, 1 August 1965 1-13 Recorded at Shea Stadium, New York, 15 August 1965 1-14 Recorded at EMI Studios, London, 12 October 1965 1-15 Recorded at EMI Studios, London, 24 October 1965 1-16 Recorded at EMI Studios, London, 4 November 1965 1-17 Recorded at EMI Studios, London, 6 April 1966 1-18 Recorded at EMI Studios, London, 7 April 1966 1-19 Recorded at EMI Studios, London, 20 April 1966 1-20 Recorded at EMI Studios, London, 21 April 1966 1-21 Recorded at EMI Studios, London, 28 April 1966 1-22 & 1-23 Recorded at EMI Studios, London, 29 April 1966 1-24 & 1-25 Recorded at Nippon Budokan Hall, Tokyo, 30 June 1966 2-1 Recorded at 'Kenwood', Weybridge, Surrey, November 1966 2-2 Recorded at EMI Studios, London, 24 November 1966 2-3 Recorded at EMI Studios, London, 29 November and 9 December 1966 2-4 Recorded at EMI Studios, London, 29 and 30 December 1966; 4, 5, 6, 9, 10, 12 and 17 January 1967 2-5 Recorded at EMI Studios, London, 19 and 20 January and 10 February 1967 2-6 Recorded at EMI Studios, London, 8 and 16 February 1967 2-7 Recorded at EMI Studios, London, 13 and 14 February and 20 April 1967 2-8 & 2-9 Recorded at EMI Studios, London, 17 and 20 February 1967 2-10 Recorded at EMI Studios, London, 1 and 2 March 1967 2-11 Recorded at EMI Studios, London, 15, 16 and 22 March and 3 April 1967 2-12 Recorded at EMI Studios, London, 1 April 1967 2-13 Recorded at EMI Studios, London, 17 May and 7, 8 June 1967, 30 April 1969 2-14 Recorded at EMI Studios, London, 5 September 1967 2-15 Recorded at EMI Studios, London, 6 September 1967 2-16 Recorded at EMI Studios, London, 16 September 1967 2-17 Recorded at EMI Studios, London, 25 September 1967 2-18 Recorded at EMI Studios, London, 2 and 19 October 1967 2-19 Recorded at EMI Studios, London, 3 and 6 February 1968 2-20 Recorded at EMI Studios, London, 3 February 1968

 

1-1. Real Love 3:54
1-2. Yes It Is 1:50
1-3. I'm Down 2:53
1-4. You've Got To Hide Your Love Away 2:44
1-5. If You've Got Trouble 2:48
1-6. That Means A Lot 2:26
1-7. Yesterday 2:33
1-8. It's Only Love 1:58
1-9. I Feel Fine 2:15
1-10. Ticket To Ride 2:44
1-11. Yesterday 2:42
1-12. Help! 2:54
1-13. Everybody's Trying To Be My Baby 2:45
1-14. Norwegian Wood (This Bird Has Flown) 1:59
1-15. I'm Looking Through You 2:53
1-16. 12-Bar Original 2:55
1-17. Tomorrow Never Knows 3:14
1-18. Got To Get You Into My Life 2:54
1-19. And Your Bird Can Sing 2:13
1-20. Taxman 2:32
1-21. Eleanor Rigby (Strings Only) 2:06
1-22. I'm Only Sleeping (Rehearsal) 0:40
1-23. I'm Only Sleeping (Take 1) 2:59
1-24. Rock And Roll Music 1:39
1-25. She's A Woman 2:54
2-1. Strawberry Fields Forever (Demo Sequence) 1:42
2-2. Strawberry Fields Forever (Take 1) 2:34
2-3. Strawberry Fields Forever (Take 7 & Edit Piece) 4:13
2-4. Penny Lane 3:12
2-5. A Day In The Life 5:04
2-6. Good Morning Good Morning 2:40
2-7. Only A Northern Song 2:43
2-8. Being For The Benefit Of Mr. Kite! (Takes 1 And 2) 1:05
2-9. Being For The Benefit Of Mr. Kite! (Take 7) 2:33
2-10. Lucy In The Sky With Diamonds 3:05
2-11. Within You Without You (Instrumental) 5:27
2-12. Sgt. Pepper's Lonely Hearts Club Band (Reprise) 1:27
2-13. You Know My Name (Look Up The Number) 5:43
2-14. I Am The Walrus 4:01
2-15. The Fool On The Hill (Demo) 2:48
2-16. Your Mother Should Know 3:02
2-17. The Fool On The Hill (Take 4) 3:44
2-18. Hello, Goodbye 3:17
2-19. Lady Madonna 2:22
2-20. Across The Universe 3:28

 

Barcode and Other Identifiers:

Barcode 7 2438-34448-2 3
Barcode 724383444823
Other 1-884409-21-0
Rights Society BMI
Rights Society ASCAP
Matrix / Runout 34449 RE-1 1-1-13
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34450 1-2-30
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34449 RE-1 1-1-25
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34450 1-2-28
Mastering SID Code L043
Mould SID Code none
Matrix / Runout 34449 RE-1 1-2-13 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34450 1-1-11 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34449 RE-1 1-1-11
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34450 1-2-7
Mastering SID Code none
Mould SID Code ifpi165N
Matrix / Runout 34449 RE-1 1-2-8 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34450 1-1-13 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34449 RE-1 1-1-22 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34450 1-1-44 MASTERED BY EMI MFG.
Mastering SID Code none
Mould SID Code none
Matrix / Runout 34449 RE-1 1-1-23 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34450 1-2-39 MASTERED BY EMI MFG.
Mastering SID Code none
Mould SID Code none
Matrix / Runout 34449 RE-1 1-2-12 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34450 1-2-28 MASTERED BY EMI MFG.
Mastering SID Code none
Mould SID Code none
Matrix / Runout 34449 RE-1 1-2-41 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34450 1-2-7 MASTERED BY EMI MFG.
Mastering SID Code none
Mould SID Code ifpi165N
Matrix / Runout 34449 RE-1 1-1-31 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34450 1-2-30 MASTERED BY EMI MFG.
Mastering SID Code none
Mould SID Code none
Matrix / Runout 34449 RE-1 1-1-9 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34450 1-2-8 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34449 RE-1 1-2-10 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34450 1-2-38 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34449 RE-1 1-18 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34450 1-1-4 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34449 RE-1 1-2-5 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34450 1-2-39 MASTERED BY EMI MFG.
Mastering SID Code none
Mould SID Code none
Matrix / Runout 34449 RE-1 1-1-16 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code ifpi 165K
Matrix / Runout 34450 1-2-6 MASTERED BY EMI MFG.
Mastering SID Code none
Mould SID Code none
Matrix / Runout 34449 RE-1 1-1-19 MASTERED BY EMI MFG
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34450 1-1-4 MASTERED BY EMI MFG
Mastering SID Code none
Mould SID Code none
Matrix / Runout 34449 RE-1 1-1-20 MASTERED BY EMI MFG
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34450 1-2-20 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34449 RE-1 1-1-21 MASTERED BY EMI MFG
Mastering SID Code IFPI L03
Mould SID Code none
Matrix / Runout 34450 1-2-32 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code ifpi165N
Matrix / Runout 34449 RE-1 1-1-9 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code ifpi 165K
Matrix / Runout 34450 1-2-8 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34450 1-2-15 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code none
Matrix / Runout 34450 1-2-8 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code ifpi 1633

 

Phonographic Copyright (p) The John Lennon Estate
Phonographic Copyright (p) Paul McCartney
Phonographic Copyright (p) George Harrison
Phonographic Copyright (p) Ringo Starr
Licensed To EMI Records Ltd.
Phonographic Copyright (p) Lumiere / Movie Acquisition
Licensed To Apple Corps Ltd.
Phonographic Copyright (p) Apple Corps Ltd.
Phonographic Copyright (p) EMI Records Ltd.
Copyright (c) Apple Corps Ltd.
Published By ONO Music
Published By Northern Songs
Licensed From Sony/ATV Songs LLC
Licensed From ATV Music Corp.
Licensed From Sony/ATV Tunes LLC
Published By Carl Perkins Music Inc.
Published By Lenono Music
Published By MPL Communications Ltd.
Published By Harrisongs Ltd.
Published By Startling Music Ltd.
Published By Arc Music Corp.
Published By Isalee Music Publishing Co.
Manufactured By Capitol Records, Inc.
Recorded At EMI Studios
Recorded At ABC Theatre
Recorded At Shea Stadium
Recorded At Budokan
Recorded At Kenwood Surrey
Glass Mastered At EMI MFG.

Data provided by Discogs

Out of stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.
View full details

We strive to provide the best quality customer experience

We ensure our customers have the best shopping experience

Fully Serviced

All items are meticulously serviced and restored to meet factory specifications

Well Cared Shipping

We pack with precision and ship in brand new, appropriately sized, boxes.

Information flow

Be in the know with timely notifications on your order, starting from acceptance to tracking numbers, allowing you to stay connected with your purchase