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Various - Harley-Davidson Road Songs Vol. 2 (2xCD, Comp) (Near Mint (NM or M-))

Various - Harley-Davidson Road Songs Vol. 2 (2xCD, Comp) (Near Mint (NM or M-))

The Right Stuff,Harley-Davidson

$7.00 USD
$7.00 USD
Sale Sold out

Media Condition:  Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)
Country:    US  
Released:  1998
Genre:       Rock
Style:         Classic Rock, Glam, Hard Rock, Prog Rock

Comments:
*** BUY ANY 4 RECORD for ONLY $5.00 Shipping & Handling fee ***
 

Notes:

Track 1-1 ℗ 1973, 1991 Queen Productions Ltd. Courtesy of Hollywood Records.

Track 1-2 ℗ 1982 EMI Records.

Track 1-3 ℗ 1973 Warner Bros. Records Inc. Produced under license from Warner Bros. Records Inc.

Track 1-4 ℗ 1973 PolyGram Records, Inc. Courtesy of Polydor Records, under license from PolyMedia, a division of PolyGram Group Distribution, Inc.

Track 1-5 courtesy of Experience Hendrix, L.L.C., under license from Universal Music Special Markets, Inc.

Track 1-6 ℗ 1972 Mercury Records. Courtesy of Mercury Records, under license from PolyMedia, a division of PolyGram Group Distribution, Inc.

Track 1-7 ℗ 1975 Sony Music Entertainment Inc. Under license from Sony Music Special Products, a division of Sony Music, a group of Sony Music Entertainment Inc.

Track 1-8 ℗ 1979 A&M Records, Inc. Courtesy of A&M Records, Inc., under license from PolyMedia, a division of PolyGram Group Distribution, Inc.

Track 1-9 ℗ 1983 Chrysalis Records, Inc.

Track 1-10 ℗ 1983 Mercury Records. Courtesy of Mercury Records, under license from PolyMedia, a division of PolyGram Group Distribution, Inc.

Track 1-11 ℗ 1972 Warner Bros. Records Inc. Produced under license from Warner Bros. Records Inc.

Track 1-12 ℗ 1977 Sony Music Entertainment Inc. Under license from Sony Music Special Products, a division of Sony Music, a group of Sony Music Entertainment Inc.

Track 1-13 ℗ 1973 Capitol Records, Inc.

Track 1-14 ℗ 1982 Chrysalis Records, Inc.

Track 1-15 ℗ 1979 Atco Recording Corp. Produced under license from Elektra Entertainment Group.

Track 2-1 ℗ 1974 Chrysalis Records Ltd.

Track 2-2 ℗ 1987 The David Geffen Company. Courtesy of Geffen Records, Inc., under license from Universal Music Special Markets, Inc.

Track 2-3 ℗ 1979 Sony Music Entertainment Inc. Under license from Sony Music Special Products, a division of Sony Music, a group of Sony Music Entertainment Inc.

Track 2-4 courtesy of MCA Records, Inc., under license from Universal Music Special Markets, Inc.

Track 2-6 ℗ 1981 A&M Records, Inc. Courtesy of A&M Records, Inc. under license from PolyMedia, a division of PolyGram Group Distribution, Inc.

Track 2-7 ℗ 1976 Bearsville Records. Courtesy of Bearsville Records by special arrangement with Rhino Entertainment Company.

Track 2-8 ℗ 1977 Warner Bros. Records Inc. Produced under license from Warner Bros. Records Inc.

Track 2-9 ℗ 1979 Swan Song Inc. Produced under license from Elektra Entertainment Group.

Track 2-11 ℗ 1986 Capitol Records, Inc.

Track 2-13 ℗ 1981 Sony Music Entertainment Inc. (United Kingdom) Ltd. Under license from Sony Music Special Products, a division of Sony Music, a group of Sony Music Entertainment Inc.

Track 2-14 ℗ 1973 MCA Records, Inc. Courtesy of MCA Records, Inc. under license from Universal Music Special Markets, Inc.

Track 2-15 ℗ 1973 MCA Records, Inc. Courtesy of MCA Records, Inc. under license from Universal Music Special Markets Inc.

Mastering at DigiPrep.

On inlay and inside booklet:
© H-D. This compilation ℗© 1998 The Right Stuff. Manufactured by The Right Stuff, a division of Capitol Records, Inc. Printed in the U.S.A

On discs:
© H-D. This compilation ℗© 1998 The Right Stuff. Made in U.S.A.

The release is housed in a standard jewel case with a flip tray to hold both discs, includes front and rear inserts. The 24-page booklet contains the liner notes, credits and photographs of Harley-Davidson bikes and related items. There is no copyright information listed in the booklet for tracks 2-5, 2-10 and 2-12. The hype sticker affixed to the jewel case states: “Contains 2 CD’s Featuring the music of: [a283557, [a29815, [a110593, [a46373 and others 7243-4-96686-2-1”. Tracks 1-16 and 2-16 are not mentioned anywhere on the release, the tracks consist of the sound of a motorcycle engine revving.

 

1-1. Queen - Keep Yourself Alive
1-2. George Thorogood & The Destroyers - Bad To The Bone
1-3. Montrose (2) - Bad Motor Scooter
1-4. Gregg Allman - Midnight Rider
1-5. Jimi Hendrix - Look Over Yonder
1-6. Uriah Heep - Easy Livin'
1-7. Ted Nugent - Motor City Madhouse
1-8. Styx - Renegade
1-9. Billy Idol - Rebel Yell
1-10. Rainbow - Street Of Dreams
1-11. Deep Purple - Highway Star
1-12. Eddie Money - Two Tickets To Paradise
1-13. Grand Funk Railroad - We're An American Band
1-14. Pat Benatar - Shadows Of The Night
1-15. Blackfoot (3) - Highway Song
1-16. No Artist - Motor Sound
2-1. Robin Trower - Day Of The Eagle
2-2. Whitesnake - Here I Go Again
2-3. Molly Hatchet - Flirtin' With Disaster
2-4. Steppenwolf - Magic Carpet Ride
2-5. Steve Miller Band - Livin' In The U.S.A.
2-6. 38 Special (2) - Hold On Loosely
2-7. Foghat - Drivin' Wheel
2-8. Alice Cooper - Under My Wheels
2-9. Bad Company (3) - Gone, Gone, Gone
2-10. The Spencer Davis Group - I'm A Man
2-11. Great White - Face The Day
2-12. Jethro Tull - Locomotive Breath
2-13. Judas Priest - Heading Out To The Highway
2-14. James Gang - Walk Away
2-15. Lynyrd Skynyrd - Free Bird
2-16. No Artist - Motor Sound

 

Barcode and Other Identifiers:

Barcode 7 2434-96686-2 1
Barcode 724349668621
Matrix / Runout 724 349702929RP1 MASTERED BY EMI MFG.
Matrix / Runout 1-1-6
Mastering SID Code IFPI L044
Mould SID Code ifpi 1644
Matrix / Runout 724349703025 MASTERED BY EMI MFG.
Matrix / Runout 2-1-4
Mastering SID Code IFPI L044
Mould SID Code ifpi 1622
Matrix / Runout 724 349702929RP1 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code IFPI 1661
Matrix / Runout 724349703025 MASTERED BY EMI MFG.
Mastering SID Code IFPI L043
Mould SID Code IFPI 1661

 

Phonographic Copyright (p) Queen Productions Ltd.
Phonographic Copyright (p) EMI Records
Phonographic Copyright (p) Warner Bros. Records Inc.
Phonographic Copyright (p) PolyGram Records, Inc.
Phonographic Copyright (p) Mercury Records
Phonographic Copyright (p) Sony Music Entertainment Inc.
Phonographic Copyright (p) A&M Records, Inc.
Phonographic Copyright (p) Chrysalis Records, Inc.
Phonographic Copyright (p) Capitol Records, Inc.
Phonographic Copyright (p) Atco Recording Corporation
Phonographic Copyright (p) Chrysalis Records Ltd.
Phonographic Copyright (p) The David Geffen Company
Phonographic Copyright (p) MCA Records, Inc.
Phonographic Copyright (p) Bearsville Records
Phonographic Copyright (p) Swan Song Inc.
Phonographic Copyright (p) Sony Music Entertainment (UK) Ltd.
Phonographic Copyright (p) The Right Stuff
Copyright (c) Harley-Davidson
Copyright (c) The Right Stuff
Licensed From Hollywood Records
Licensed From Warner Bros. Records Inc.
Licensed From Polydor Records
Licensed From Experience Hendrix, L.L.C.
Licensed From Universal Music Special Markets, Inc.
Licensed From Mercury Records
Licensed From Sony Music Special Products
Licensed From A&M Records, Inc.
Licensed From Elektra Entertainment Group
Licensed From Geffen Records, Inc.
Licensed From Bearsville Records
Licensed Through Polymedia
Licensed Through Universal Music Special Markets, Inc.
Licensed Through Rhino Entertainment Company
Manufactured By The Right Stuff
Distributed By The Right Stuff
Record Company PolyGram Group Distribution, Inc.
Record Company Sony Music
Record Company Sony Music Entertainment Inc.
Record Company Capitol Records, Inc.
Glass Mastered At EMI MFG.
Mastered At DigiPrep

Data provided by Discogs

Out of stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.
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All items are meticulously serviced and restored to meet factory specifications

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