NaN -Infinity

Various - The Crow (Original Motion Picture Soundtrack) (CD, Album, SRC) (Very Good Plus (VG+))

Atlantic,Interscope Records

Price

$7.00 USD

Sale Sold out

Media Condition:  Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
Country:   US
Released:  1994
Genre: Electronic, Rock, Stage & Screen
Style: Soundtrack, Alternative Rock, Industrial, Goth Rock, Heavy Metal

Comments:
***BUY ANY 4 RECORDS for ONLY $5.00 Shipping & Handling fee!***

Notes:

[Booklet 1. © 1993 Fiction Songs, Ltd., ASCAP Recorded At outside Studios & Comforts Place, London The Cure courtesy of Fiction Records Ltd. (Worldwide) And Elektra Entertainment (U.S. And Canada), Warner Music (Australia and New Zealand) And Polydor Records (All other territories) ℗ 1993 Fiction Records Ltd. 2. © 1993 Sensory Deprivation Music / Threptos Music / Warner-Tamerlane Publishing Corp. / PressmanCherryBlossom, BMI Mixed At Platinum Island Studios, Recorded At Jim Brady Recording Studios Machines of Loving Grace courtesy of Mammoth Records ℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. 3. © 1993 EMI Virgin Music, Inc. s/ Floatland Music / WB Music Corp. / PresmanCherry Music, ASCAP Recorded at Record Plant, Mixed at Can-Am Recorders ℗ 1993 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. 4. Fractured Music (All rights controlled by Zomba Music Publishers, Ltd.) ASCAP/PRS Recorded at Pig Beverly HIlls Nine Inch Nails courtesy of Nothing/TVT/Interscope records ℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. 5. ℗ 1993 Sony Songs Inc. / Retribution Music / Warner-Tamerlane Publishing Corporation / PressmanCherryBlossom, BMI Recorded at Dub City Music, Bremen, Germany All sounds made by guitar, bass, drums and vocals Rage Against The Machine courtesy of Epic Associated ℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. 6. ℗ 1993 Gorno Music, ASCAP/Humidor, BMI Recorded at Joe's, Milwaukee, WI Mixed at DV's Perversion Room, Milwaukee, WI Violent Femmes Courtesy of Slash Records ℗ 1993 Slash Records 7. © 1977 Revega Music Co. / Stanphyl Music, Inc. ASCAP Rollins Band Courtesy of The Imago Recording Company ℗ 1992 The Imago Recording Company 8. © 1993Warner-Tamerlane Publishing Corporation / Ver Music / Headlift Music / PressmanCherryBlossom, BMI Recorded at Power Station and Sound on Sound, NYC Mixed at Soundtrack Helmet Courtesy of Interscope records ℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. 9. © 1986 Richie Dagger Music, BMI Pantera courtesy of East West Records America ℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. 10. © 1993 For Love Not Lisa Music / Vis A Vis Entertainment / WB Music Corp. / PressmanCherryMusic, ASCAP Recorded at Crystal Studios, Hollywood For Love Not Lisa appears courtesy of Eastwest Records, America ℗ 1993 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. 11. © 1993 EMI Virgin Songs, Inc. obo itself and Pill Krazed Music / Warner Tamerlane Publishing Corporation / PressmanCherryBlossom, BMI My Life With The Thrill Kill Kult appears courtesy of Interscope Records ℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. 12. © 1993 Honey Songs / BMG Songs, Inc. / AB Music Corp. / PressmanCherryMusic, ASCAP Recorded at The Drugstore, London The Jesus And Mary Chain courtesy of Blanco Y Negro / Warner Music U.K. / American Recordings for the U.S. / WEA International, Inc. for the rest of the world. ℗ 1993 Warner Music Ltd. 13. © 1993 EMI Virgin Songs, Inc. obo itself and Milk Alive Music, BMI Engineered at Hammersound, Chatsworth, CA Medicine courtesy of American Recordings ℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. 14. WB Music Corp. / PressmanCherryMusic, ASCAP / SPK Music / Wing-it Music, SOCAN Jane Sieberry courtesy of Reprise Records ℗ 1994 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States. [Disc Face This compilation ℗ 1994 [l23937 for the United States and [l1255 for the world outside of the United States. All rights reserved. A [l2346 Company. Made in U.S.A. By WEA Manufacturing Inc. [back cover [l23937 75 Rockefeller Plaza, Nae York, New York, A [l2346 Company. This compilation ℗ © 1994 [l23937 for the United States and [l1255 for the world outside of the United States. Printed in the U.S.A. Track 11 is an overhaul of My Life with the Thrill Kill Kult's, "Nervous Xians," from the "Some Have To Dance... Some Have To Kill" 12". The insert sleeve is a 4-panel 2 sided mini poster. Embossed "W" [Warner logo on back case.

1. The Cure - Burn 6:39
2. Machines Of Loving Grace - Golgotha Tenement Blues 3:58
3. Stone Temple Pilots - Big Empty 4:55
4. Nine Inch Nails - Dead Souls 4:52
5. Rage Against The Machine - Darkness 3:41
6. Violent Femmes - Color Me Once 4:10
7. Rollins Band - Ghostrider 5:44
8. Helmet (2) - Milktoast 3:59
9. Pantera - The Badge 3:53
10. For Love Not Lisa - Slip Slide Melting 5:45
11. My Life With The Thrill Kill Kult - After The Flesh 2:58
12. The Jesus And Mary Chain - Snakedriver 3:39
13. Medicine (2) - Time Baby III 3:50
14. Jane Siberry - It Can't Rain All The Time 5:34

Barcode and Other Identifiers:

Barcode 0 7567-82519-2 4
Barcode 0075678251924
Barcode 075678251924
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M2S1
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M2S2
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M2S3
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M2S9
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M2S10
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M2S11
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M5S8
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M2S17
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M2S25
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M2S4
Matrix / Runout [Specialty Records Corporation Logo] 3 85219-2 SRC@@01 M2S12
Pressing Plant ID [Specialty Records Corporation Logo]

Record Company Interscope Records
Phonographic Copyright (p) Atlantic Recording Corporation
Copyright (c) Atlantic Recording Corporation
Phonographic Copyright (p) WEA International Inc.
Copyright (c) WEA International Inc.
Made By WEA Manufacturing Inc.
Pressed By Specialty Records Corporation
Mastered At Precision Mastering
Recorded At Outside Studios
Recorded At Comforts Place
Copyright (c) Fiction Records Ltd.
Copyright (c) Sensory Deprivation Music
Copyright (c) Threptos Music
Copyright (c) Warner-Tamerlane Publishing Corp.
Copyright (c) PressmanCherryBlossom Music
Copyright (c) Fiction Songs Ltd.
Mixed At Platinum Island Studios
Recorded At Jim Brady Recording Studios
Phonographic Copyright (p) Atlantic Recording Corporation
Phonographic Copyright (p) WEA International Inc.
Copyright (c) EMI Virgin Music, Inc.
Copyright (c) Floated Music
Copyright (c) Wb Music Corp.
Recorded At Record Plant, Los Angeles
Mixed At Can-Am Recorders
Published By Fractured Music
Published By Zomba Music Publishers Ltd.
Recorded At Pig (3)
Phonographic Copyright (p) Sony Songs Inc.
Phonographic Copyright (p) Retribution Music (2)
Recorded At Dub City Music
Mixed At DV's Perversion Room
Copyright (c) Gorno Music
Phonographic Copyright (p) Humidor
Copyright (c) Revega Music
Copyright (c) Stanphyl Music, Inc.
Produced For The Imago Recording Company
Recorded At Power Station
Recorded At Sound On Sound, New York
Recorded At Soundtrack Studios
Copyright (c) Ver Music
Copyright (c) Headlift Music
Copyright (c) Richie Dagger Music
Copyright (c) For Love Not Lisa Music
Copyright (c) Vis A Vis Entertainment
Recorded At Crystal Sound
Copyright (c) EMI Virgin Songs, Inc.
Copyright (c) Pill Krazed Music
Copyright (c) Honey Songs
Copyright (c) BMG Songs, Inc.
Recorded At The Drugstore
Phonographic Copyright (p) Warner Music Ltd.
Copyright (c) EMI Virgin Songs, Inc.
Copyright (c) Milk Alive Music
Recorded At Hammersound, Chatsworth
Copyright (c) SPK Music
Copyright (c) Wing-it Music

Data provided by Discogs

Product variants

In stock

Pickup available at 45 Market Square

Usually ready in 24 hours

Our Vintage Audio Refurbishment Philosophy and Process

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

We inspect for corrosion, burnt resistors, and leaking capacitors.
We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.

Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.

Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.

Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

We do adjust bias and DC offset on amplifiers for stable operation.
On turntables, we re-lube bearings, replace belts, and check speed accuracy.
On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! )

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.

Our promise for Audiophile-Level Results

We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.

Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

Return and Refund Policy

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return.

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address:

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.

Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item.

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

View full details

We strive to provide the best quality customer experience

We ensure our customers have the best shopping experience

Fully Serviced

All items are meticulously serviced and restored to meet factory specifications

Well Cared Shipping

We pack with precision and ship in brand new, appropriately sized, boxes.

Information flow

Be in the know with timely notifications on your order, starting from acceptance to tracking numbers, allowing you to stay connected with your purchase

Country/region

Various - The Crow (Original Motion Picture Soundtrack) (CD, Album, SRC) (Very Good Plus (VG+))