1983 Klipschorn Speakers * Signed by Paul Klipsch himself * AK-3 Prototype ?

1983 Klipschorn Speakers * Signed by Paul Klipsch himself * AK-3 Prototype ?

Klipsch

Regular price $4,500.00 USD
Sale price $4,500.00 USD Regular price
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A legend says that Paul Klipsch himself sometimes worked on the assembly line to build or sign either prototypes or special orders for customers. The pair of Klipschorn speakers that we have for sale appears to be one of the latter. Both speakers bear his signature and are dated May 25, 1983.

This pair of Klipschorn speakers is in perfect working condition. They have the AK-3 crossover, which makes us think they might be a prototype since the AK-3 didn't become standard on the Klipschorn until 1989.

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The Klipschorn

Klipschorn speaker system

The Klipschorn, or K-Horn, loudspeaker is the flagship product of Klipsch Audio Technologies. It was patented by founder Paul W. Klipsch in 1946 and has been in continuous production in the company's Hope, Arkansas, plant since then—the longest run in speaker production history. Although the Klipschorn's basic design is more than seventy years old, it has received periodic minor modifications. 

The Klipschorn's large (51” H (129 cm) x 31” W (79 cm) x 28” D (72 cm)) enclosure houses a three-way design: separate drivers—the woofer, the squawker, and the tweeter, respectively—handle the bass, midrange, and treble portions of the sound signal.

Two rectangular horn lenses coupled to compression drivers handle the midrange and treble, while a 15” cone woofer is mounted in a folded bass bin compartment below. The folds open at the rear of the horn cabinet structure, utilizing the room walls and floor as continuations of horn structure, thereby increasing the effective length and size of the horn, thus lowering its cut-off frequency and, likewise, its lowest usable tone.

The body of the speaker cabinet forms a horn. The “K-Horn” shape is like a baseball diamond: the pointy rear is open and exposed, the flat front covered with a wood panel and the top enclosed in cloth. The speaker sits in the corner of two adjoining walls, using the walls and floor boundaries as extensions of the horn. Technically speaking, the K-Horn's folded bass "corner horn" can be described as a bifurcated trihedral (floor and two walls to form the trihedral corner) exponential wave transmission line.

This design results in extremely high efficiency. One watt RMS produces a 105 decibel at 1 meter sound pressure level (SPL), which is approximately 14–20 decibels higher than conventional speakers. Such sensitivity requires less amplifier power to achieve the same loudness. (Paul Klipsch demonstrated that the Klipschorn could reproduce concert-level dynamics powered by as little as 1 watt per channel.) The K-Horn encourages the use of low-powered amplifiers. The growing popularity in the audiophile community of single-ended valve (vacuum tube) amplifiers has sparked renewed interest in the Klipschorn and other highly sensitive Klipsch models.

Utilizing the room walls and floor boundaries as extensions of the bass horn helps extend the speaker's frequency response down into the 35 Hz range, considerably lower than would be possible otherwise. Because of the folded horn, the woofer cone moves no more than a few millimeters.

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There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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