Aerosmith - Big Ones (CD, Comp, Club, RM, BMG) (Near Mint (NM or M-))

Aerosmith - Big Ones (CD, Comp, Club, RM, BMG) (Near Mint (NM or M-))

Geffen Records

Regular price $5.00 USD
Sale price $5.00 USD Regular price
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Media Condition:  Near Mint (NM or M-)
Sleeve Condition: Very Good Plus (VG+)
Country:    US  
Released:  
1994
Genre:       Rock
Style:         Hard Rock
Location:   

Comments:

 

Notes:

Standard jewel case with a black tray and 16-panel foldout sheet
This version has no barcode

BMG Catalog Numbers: D 106271 on back; D106271 on disc

[Foldout Sheet
Track 1 
© 1994 Swag Song Music, Inc./Tranquility Base Songs adm. by WB Music Corp. ASCAP/Ranch Rock Music adm. by Warner-Tamerlane Publishing Corp. BMI
Track 2
© 1989 Swag Song Music, Inc. ASCAP
From the album Pump
Track 3 
© 1987 Aero Dynamics Music Publishing, Inc./Almo Music Corp./Testatyme Music/The Makiki Publishing Co. Ltd./Knighty Knight Music adm. by Arista Music, Inc. ASCAP
From the album Permanent Vacation
Track 4 
© 1989 Swag Song Music, Inc./EMI April Music Inc./Desmobile Music Co., Inc. ASCAP.
From the album Pump
Track 5
© 1987 Aero Dynamics Music Publishing, Inc./EMI April Music Inc./Desmobile Music Co., Inc. ASCAP. From the album Permanent Vacation
Track 6 
© 1989 Swag Song Music, Inc. ASCAP.
From the album Pump
Track 7 
© 1992 Swag Song Music, Inc./MCA Music Publishing, a division of MCA Inc./T. Rhodes Songs ASCAP.
From the album Get a Grip
Track 8 
© 1992 Swag Song Music, Inc./Colgems-EMI Music, Inc./Super Supa Songs ASCAP.
Special thanks for "Who Threw The Whiskey In The Well". Published by Warner Bros. Inc./Scarsdale Music Corp. ASCAP/Fort Knox Music Inc./Trio Music Co., Inc. BMI.
All Rights on behalf of Scarsdale Music Corp. adm. by Warner Bros. Inc. 
From the album Get a Grip
Track 9 
© 1994 Swag Song Music, Inc./MCA Music Publishing, a division of MCA Inc./T. Rhodes Songs ASCAP
Track 10 
© 1992 Swag Song Music, Inc./Almo Music Corp./Testatyme Music ASCAP.
From the album The Beavis and Butthead Experience
Track 11 
© 1989 Swag Song Music, Inc./Almo Music Corp./Testatyme Music ASCAP
From the album Pump
Track 12 
© 1992 Swag Song Music, Inc./EMI April Music Inc./Desmobile Music Co., Inc. ASCAP
From the album Get a Grip
Track 13 
© 1992 Swag Song Music, Inc./Almo Music Corp./Testatyme Music ASCAP.
From the album Get a Grip
Track 14 
© 1987 Aero Dynamics Music Publishing, Inc./EMI April Music Inc./Desmobile Music Co., Inc. ASCAP 
From the album Permanent Vacation
Track 15 
© 1992 Swag Song Music, Inc./MCA Music Publishing, a division of MCA Inc./Beef Puppet Music ASCAP.
From the album Get a Grip

Swag Song Music, Inc. and Aero Dynamic Music Publishing, Inc. administered by EMI April Music Inc.

℗ 1994 Geffen Records, Inc.
Made in U.S.A.

Permanent Vacation [Tracks 3, 5, 14
Recorded at Little Mountain Sound Studios, Vancouver, B.C., Canada (March - May 1987)

Pump [Tracks 2, 4, 6, 11
Recorded at Little Mountain Sound Studios, Vancouver, B.C., Canada (April - June 1989)

Get A Grip [Tracks 7, 8, 12, 13, 15
Recorded at Little Mountain Sound Studios, Vancouver B.C., Canada (September - November 1992) and at +A&M Studios, Los Angeles, CA (January - February 1992)

Mastered at Sterling Sound, New York

"Deuces Are Wild"
From the album The Beavis And Butt-Head Experience
Recorded at Little Mountain Sound Studios, Vancouver, B.C., Canada (May 1989)

"Walk On Water" and "Blind Man"
Recorded at Power Station, New York (April 1994) and at Capri Digital Studios, The Isle of Capri, Italy (June 1994)

Tom Keenlyside appears courtesy of Zebra Records/MCA Records, Inc.
Drew Arnott appears courtesy of Current Records

[Back
With a unique new remastering process using Apogee's UV22 Super CD Encoding, Aerosmith's Big Ones feature every fine detail of the original master recordings.

Manufactured and Distributed in the United States by Uni Distribution Corp.
© 1994 Geffen Records, Inc. ℗ 1994, 1993, 1989, 1987 Geffen Records, Inc.
Made in U.S.A.

Mfd. for BMG Direct Marketing, Inc. under License

[Disc
© 1994 Geffen Records, Inc. ℗ 1994, 1993, 1989, 1987 Geffen Records, Inc. Manufactured and Distributed in the United States by Uni Distribution Corp. Made in USA.

 

1. Walk On Water 4:54
2. Love In An Elevator 5:22
3. Rag Doll 4:24
4. What It Takes 5:10
5. Dude (Looks Like A Lady) 4:23
6. Janie's Got A Gun 5:29
7. Cryin' 5:07
8. Amazing 5:55
9. Blind Man 3:57
10. Deuces Are Wild 3:33
11. The Other Side 4:03
12. Crazy 5:14
13. Eat The Rich 4:09
14. Angel 5:04
15. Livin' On The Edge 6:20

 

Barcode and Other Identifiers:

SPARS Code AAD
Matrix / Runout D106271 DISC MFG., INC. (H4) W.O. 102766-4
Matrix / Runout D106271 DISC MFG., INC. (H4) W.O. 102766-5

 

Record Company Diogenes Productions Inc.
Licensed To BMG Direct Marketing, Inc.
Licensed To BMG Direct Marketing, Inc.
Distributed By Uni Distribution Corp.
Manufactured By Uni Distribution Corp.
Manufactured For BMG Direct Marketing, Inc.
Phonographic Copyright (p) Geffen Records, Inc.
Copyright (c) Geffen Records, Inc.
Copyright (c) Swag Song Music, Inc.
Copyright (c) Tranquility Base Songs
Copyright (c) WB Music Corp.
Copyright (c) Ranch Rock Music
Copyright (c) Warner-Tamerlane Publishing Corp.
Copyright (c) Aero Dynamics Music Pub., Inc.
Copyright (c) Almo Music Corp.
Copyright (c) Testatyme Music
Copyright (c) Makiki Publishing Co. Ltd.
Copyright (c) Knighty-Knight Music
Copyright (c) Arista Music, Inc.
Copyright (c) EMI April Music Inc.
Copyright (c) Desmobile Music Co., Inc.
Copyright (c) MCA Music Publishing
Copyright (c) MCA Inc.
Copyright (c) Taylor Rhodes Songs
Copyright (c) Colgems-EMI Music Inc.
Copyright (c) Super Supa Songs
Copyright (c) Beef Puppet Music
Published By Warner Bros. Inc.
Published By Scarsdale Music Corp.
Published By Fort Knox Music, Inc.
Published By Trio Music Co., Inc.
Recorded At Little Mountain Sound Studios
Recorded At A&M Studios
Recorded At Power Station
Recorded At Capri Digital Studios
Mixed At Can-Am Recorders
Mastered At Sterling Sound
Pressed By Disc Manufacturing, Inc., Huntsville

Data provided by Discogs

In stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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Fully Serviced

All items are meticulously serviced and restored to meet factory specifications

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We pack with precision and ship in brand new, appropriately sized, boxes.

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