Fully Serviced
All items are meticulously serviced and restored to meet factory specifications
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Columbia
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
Country: US
Released: 1978
Genre: Rock, Pop
Style: Pop Rock, Ballad
Comments:
Notes:
Sleeve is made of thick card, inner sleeve is made of thin card, and it has a Columbia "six eye" centre label. First issue has NO barcode on back of textured cover. Alternative catalogue # on labels, side 1, AL34975, side 2, BL34975. Also on labels '℗ 1977, 1978 CBS Inc.' "T" in runouts denotes a [l403953 pressing. Recorded at: Muscle Shoals Sound Studios, Muscle Shoals, Alabama; CBS Recording Studios, New York City; Lombard Sound, Dublin, Ireland; The Village Recorder, Westwood, California; Rudy Records, San Francisco, California; Cherokee Recording Studios, Hollywood, California; A&R Recording, Inc., New York City Mixed at: Cherokee Recording Studio #3, Hollywood, California "(What A) Wonderful World" mixed at A&R Recording, Inc., New York City Mastered At: The Mastering Lab, Hollywood, California; This album was produced from December 7, 1976 through December 23, 1977. Second release, including the single "(What A) Wonderful World." Lyrics included on the dust sleeve. Some of the track durations on the labels are shown differently to those on the back of the sleeve, as follows" Track A3 - 3.26 Track A4 - no timing shown at all Track A5 - 6.09 Track A6 - 3.55 Track B1 - 3.30 Track B2 - 4.46 Track B3 - 2.30 Track B4 - 3.40 Track B6 - 3.10 Publishing information on Inner Sleeve: Side 1, track 1 - © 1974 Canopy Music, Inc. (ASCAP) Used by permission. All rights reserved. Side 1, track 2 - © 1967 The EMP Company (BMI) Used by permission. All rights reserved. Side 1, track 3 - © 1974 White Oak Songs (ASCAP) Used by permission. All rights reserved. Side 1, tracks 4 & 6 - © 1968 Canopy Music, Inc. (ASCAP) Used by permission. All rights reserved. Side 1, track 5 - Copyright 1972 by Leeds Music Corporation (ASCAP), New York, N.Y. Used by permission. All rights reserved. Side 2, track 1 - © 1959 Kags Music Corp. (BMI) Used by permission. All rights reserved. Side 2, track 2 - © 1972 Canopy Music, Inc. (ASCAP) Used by permission. All rights reserved. Side 2, track 3 - © 1968 Canopy Music, Inc. (ASCAP) Used by permission. All rights reserved. Side 2, tracks 4 & 5 - © 1977 White Oak Songs (ASCAP) Used by permission. All rights reserved. Side 2, track 6 - © 1971 Canopy Music, Inc. (ASCAP) Used by permission. All rights reserved. Other information on back of Inner Sleeve: Jimmy Webb appears courtesy of Atlantic Records Pete Carr appears courtesy of Big Tree Records The Chieftains appear courtesy of Island Records Limited by kind permission of Claddagh Records David Crosby appears courtesy of Atlantic Records and ABC Records Inc. Stephen Bishop appears courtesy of ABC Records Inc. Bob Dorough appears courtesy of Laissez-Faire Records Tommy Vig appears courtesy of Dobre Records Bill Payne appears courtesy of Warner Brothers Records Inc. Joe Farrell appears courtesy of Warner Brothers Records Inc. Richard Tee appears courtesy of Warner Brothers Records Inc. Stephen Gadd appears courtesy of Warner Brothers Records Inc. Ralph MacDonald appears courtesy of Marlin Records
A1. Crying In My Sleep 4:04
A2. Marionette 2:33
A3. Shine It On Me 3:27
A4. Watermark 2:44
A5. Saturday Suit 3:25
A6. All My Love's Laughter 3:58
B1. (What A) Wonderful World 3:14
B2. Mr. Shuck 'n' Jive 4:47
B3. Paper Chase 2:40
B4. She Moved Through The Fair 3:47
B5. Someone Else (1958) 2:15
B6. Wooden Planes 3:09
Barcode and Other Identifiers:
Matrix / Runout T1 PAL-34975-1AF
Matrix / Runout o TML-S
Matrix / Runout o TML-M
Matrix / Runout T1 PBL 34975 2H
Matrix / Runout o TML-M
Matrix / Runout o TML-S
Matrix / Runout O T1 PAL-34975-1AF TML-M C3
Matrix / Runout O T2 PBL 34975 2H TML-S A>
Rights Society ASCAP
Rights Society BMI
Manufactured By Columbia Records
Manufactured By CBS Inc.
Phonographic Copyright (p) CBS Inc.
Copyright (c) CBS Inc.
Pressed By Columbia Records Pressing Plant, Terre Haute
Recorded At Muscle Shoals Sound Studios
Recorded At CBS Studios, New York
Recorded At Lombard Studios
Recorded At The Village Recorder
Recorded At Rudy Records
Recorded At Cherokee Studios
Recorded At A&R Studios
Mixed At Cherokee Studios
Mixed At A&R Studios
Mastered At The Mastering Lab
Mastered At Customatrix
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There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.
Why Vintage Audio Still Matters
In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.
Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.
The Philosophy of Refurbishment
Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.
Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.
The Turntable Store refurbishing process.. step by step
Step 1: The Initial Encounter
When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.
Instead:
Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.
Step 2: Deep Cleaning & Control Detox
Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.
The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.
Step 3: Electrical Resurrection
This is where science meets art:
Step 4: Cosmetic Glory
Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.
Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.
Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.
Step 5: Calibration & Sonic Check
After the repair and cleaning, it’s time to dial in the performance:
When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.
Our promise for Audiophile-Level Results
Why It’s Worth It
The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.
And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.
We have a 14-day return policy, which means you have 14 days after receiving your item to request a return.
To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.
To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address:
The Turntable Store
45 Market Square
Manheim PA 17545
If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.
You can always contact us for any return question at theturntablestore@gmail.com.
Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.
Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item.
Unfortunately, we cannot accept returns on sale items or gift cards.
Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.
European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.
Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.
We ensure our customers have the best shopping experience
All items are meticulously serviced and restored to meet factory specifications
We pack with precision and ship in brand new, appropriately sized, boxes.
Be in the know with timely notifications on your order, starting from acceptance to tracking numbers, allowing you to stay connected with your purchase