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Barbra Streisand - Just For The Record... (4xCD, Comp, DAD + Box) (Near Mint (NM or M-))

Barbra Streisand - Just For The Record... (4xCD, Comp, DAD + Box) (Near Mint (NM or M-))

Columbia

$10.00 USD
$10.00 USD
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Media Condition:  Near Mint (NM or M-)
Sleeve Condition: Very Good Plus (VG+)
Country:    US  
Released:  1991
Genre:       Pop, Stage & Screen
Style:         Ballad, Vocal
Location:   

Comments:

 

Notes:

Recordings from 1955 to 1989

Track Notes (Recording studios and locations):
CD1 - The 60's...(Part I)
1-1:  1955.  Nola Recording Studios, New York City.  Recorded December 29 1955
1-2:  The Jack Paar Show.  NBC-TV, New York City.  Broadcast April 5 1961
1-3:  P.M. East.  Group W Television, New York City.  Broadcast October 1961-January 1962
1-4:  I Can Get It For You Wholesale.  Sam S. Shubert Theatre / Broadway Theatre, New York City.  March 22-December 9 1962
1-5:  The Garry Moore Show.  CBS-TV, New York City.  Broadcast May 29 1962
1-6 to 1-13:  Bon Soir.  Greenwich Village, New York City.  Recorded November 1962
1-14:  The Tonight Show.  NBC-TV, New York City.  Broadcast November 1962-February 1963
1-15:  The Barbra Streisand Album.  Columbia Records, New York City.  Released February 1963
1-16:  The Second Barbra Streisand Album.  Columbia Records, New York City.  Released August 1963
1-17:  The Ed Sullivan Show.  CBS-TV, New York City.  Broadcast June 9 1963
1-18 to 1-20:  The Judy Garland Show.  CBS-TV, New York City.  Broadcast October 6 1963

CD2 - The 60's...(Part II)
2-1, 2-2:  Funny Girl - Broadway.  Winter Garden Theatre, New York City.  March 26 1964-December 26 1965
2-3:  Columbia Records, New York City.  Released September 1964
2-4.1:  Family Recording (Barbra's mother).  New York City.  Recorded Spring 1965
2-4.2 to 2-4.6:  My Name Is Barbra.  CBS-TV, New York City.  Broadcast April 28 1965
2-5:  1965 Emmy Awards.  The 17th Annual Emmy Awards, NBC-TV, New York City.  Broadcast September 12 1965
2-6:  My Name Is Barbra, Two.  Columbia Records, New York City.  Released October 1965
2-7:  30th Street Studio, New York City.  Recorded December 14 1965
2-8, 2-9:  Harold Sings Arlen (With Friend).  Columbia Records, New York City.  Released April 1966
2-10, 2-11:  Color Me Barbra.  CBS-TV, New York City.  Broadcast March 30 1966
2-12, 2-13:  Belle Of 14th Street.  CBS-TV, New York City.  Broadcast October 11 1967
2-14:  A Happening In Central Park.  CBS-TV, New York City.  Broadcast September 15 1968
2-15, 2-16:  Funny Girl - The Movie.  Columbia Pictures, Hollywood.  Released Fall 1968
2-17:  1969 Academy Awards.  ABC-TV, Los Angeles.  Broadcast April 14, 1969
2-18 to 2-21: Friars Club Tribute.  Waldorf-Astoria, New York City.  Recorded May 16 1969
2-22:  20th Century-Fox, Los Angeles.  Previewed Summer 1969
2-23:  On A Clear Day You Can See Forever.  Paramount Pictures, Hollywood.  Completed Summer 1969
2-24: International Hotel / Las Vegas.  Recorded July 30 1969

CD3 - The 70's...
3-1, 3-2:  Columbia Recording Studio, Hollywood.  Recorded March 10 1970
3-3:  Columbia Records, Los Angeles.  Released October 1970
3-4: The Burt Bacharach Special.  CBS-TV, Los Angeles.  Broadcast March 14 1971
3-5:  Columbia Recording Studio, Hollywood.  Recorded April 20 1971
3-6:  Barbra Joan Streisand.  Columbia Records, Los Angeles.  Released August 1971
3-7:  What's Up, Doc? (with Ryan O'Neal).  Warner Bros., Burbank.  Released March 1972
3-8:  Duet with Michel Legrand (demo) / album version.  At home with Alan & Marilyn Bergman and Michel Legrand.  The Bergman home, Beverly Hills.  Recorded Summer 1972
3-9:  Up The Sandbox.  First Artists / Warner Bros., Burbank.  Released December 1972
3-10, 3-11:  T.T.G. Recording Studio, Hollywood.  Recorded April 19 1973
3-12:  Soundtrack version.  Columbia Pictures, Burbank.  Released Fall 1973
3-13:  Barbra Streisand... And Other Musical instruments.  CBS-TV, London.  Broadcast November 2 1973
3-14, 3-15:  Butterfly (Unreleased Material).  United Western Recording, Hollywood.  Recorded March 25 1974
3-16:  A Star Is Born (film dialogue / alternate soundtrack version).  A&M Recording Studios, Hollywood.  Recorded Spring 1976
3-17:  A Star Is Born (demo / soundtrack version).  Warner Bros. Studios, Burbank.  Production January-November 1976
3-18:  1977 Academy Awards.  The Oscars.  ABC-TV, Los Angeles.  Broadcast March 28 1977
3-19:  The Stars Salute Israel At 30.  ABC-TV, Los Angeles.  Broadcast May 8 1978

CD4 - The 80's...
4-1:  1980 Grammy Awards.  CBS-TV, Los Angeles.  Broadcast February 27 1980
4-2:  ACLU Tribute To Alan & Marilyn Bergman (live / single).  Dorothy Chandler Pavilion, Los Angeles.  Recorded June 1 1980
4-3:  Columbia Records, Los Angeles.  Released October 1980.  Produced for Barry Gibb Productions and Karlbhy Productions.
4-4, 4-5:  Yentl (demo).  Audition Tape.  The Bergman Home, Beverly Hills.  Recorded Spring 1981.
4-6:  Yentl (demo / soundtrack version).  Audition Tape.  The Bergman Home, Beverly Hills.  Recorded Spring 1981 / Film: MGM/UA, Culver City, California.  Released November 1983
4-7:  Lion Share Recording Studio, Los Angeles.  Recorded August 7 1985
4-8, 4-9:  The Broadway Album.  Columbia Records, Los Angeles.  Released November 1985
4-10:  One Voice.  Malibu, California.  September 6 1986
4-11:  Nuts (End Credits).  Warner Bros., Burbank.  Released December 1987
4-12:  Nuts.  Emotion.  Columbia Records, Los Angeles.  Recorded June 26 1984
4-13:  Back To Broadway.  MGM / Lorimar Recording Studios, Culver City California.  April 18, 1988
4-14:  Duet.  Lorimar Recording Studios, Culver City California.  April 21, 1988

Assembled and Remixed at B&J Studios using the C.A.P. System.
Additional Mixing:  Cherokee Recording Studios, Conway Recording Studios
Mastered at Bernie Grundman Mastering Studio
Equipment supplied by Monster Cable, New England Digital and B.A.S.E.

Publishers:
1-1, 1-19.4, 2-4.2, 3-6, 3-7, 4-14:  WB Music Corp. / ASCAP
1-2, 1-19.1, 2-8:  Harwin Music / ASCAP
1-3:  Famous Music Corporation / ASCAP
1-4, 1-8, 1-10, 1-19.3, 2-1, 2-11, 2-15, 2-16, 2-18, 2-23:  Chappell & Co. / ASCAP
1-5, 1-7, 1-20.2:  Warner Bros. Inc. / ASCAP
1-6, 2-12.1, 2-22:  Edwin H. Morris & Co., a division of MPL Communications Inc. and Chappell & Co. / ASCAP
1-9, 4-13:  Frank Music Corp. / ASCAP
1-11:  Bourne Co. / ASCAP
1-12, 1-16, 2-4.3:  A-M Music Co. - Administered by Chappell & Co. / ASCAP
1-13, 1-19.6:  Bambalina Music Publishing Co. & Warner Bros. Inc. / ASCAP
1-14:  Wolfland Music / ASCAP
1-15:  Mills Music, Inc. / ASCAP
1-17:  Arko Music Corp. / ASCAP
1-18:  Paladin Music Co., Inc. / ASCAP
1-19.2:  Morley Music Co. / ASCAP
1-19.5, 2-2.1, 2-9, 4-10:  EMI Feist Catalog Inc. / ASCAP
1-19.7:  Warner Bros. Inc & Arthur Schwartz Music Ltd. / ASCAP
1-19.8, 2-4.6:  Chappell & Co., Henderson Music Co. & Stephen Ballentine Publishing Co. - Administered by The Songwriters' Guild Of America / ASCAP
1-20.1:  S.A. Music Co. & Warner Bros. Inc. / ASCAP
2-2.2, 3-19:  Traditional
2-3:  Chappell & Co. and Wonderful Music Corp. / ASCAP
2-4:  Fisher Music Group and Shapiro, Bernstein & Co., Inc. / ASCAP
2-4.3, 4-7:  MCA Music Publishing, a division of MCA Inc. / ASCAP
2-6:  Edwin H. Morris & Co., a division of MPL Communications Inc. / ASCAP
2-7:  Notable Music Co., Inc. & Lyda Enterprises - Administered by WB Music Corp. / ASCAP
2-10.1:  Tylerson Music / ASCAP
2-10.2:  TRO-Musical Comedy Productions / BMI
2-12.2:  unknown
2-13:  EMI Robbins Catalog Inc. / ASCAP
2-14:  BJS Music Corp. / ASCAP
2-19:  Sands Music Corp. / ASCAP
2-21, 4-8:  Williamson Music Co. / ASCAP
2-24.1:  Duchess Music Corporation / BMI
2-24.2:  Rytvoc, Inc., Better Half Music & Bourne Co. / ASCAP
3-1:  Fred Ahlert Music Corp. & Senor Music / ASCAP
3-2:  TRO-Devon Music, Inc. / BMI
3-3:  EMI Blackwood Music Inc. / BMI
3-4:  New Hidden Valley Music & Casa David Music / ASCAP
3-5:  Irving Music, Inc. / BMI
3-8:  EMI U Catalog Inc. / ASCAP
3-9:  BJS Music Corp. and Diana Music Corp. / ASCAP
3-10, 3-11, 4-5:  Threesome Music Co. & F-Sharp Productions Ltd.
3-12, 4.2.2:  Colgems-EMI Music Inc. / ASCAP
3-13:  Sony Tree Publishing Co., Inc. / BMI, Beachaven Music Corp. & Jarest Music Co. / ASCAP
3-14:  Edward B. Marks Co. / BMI
3-15.1:  Alley Music Corp. & Trio Music Co., Inc. - Administered by Hudson Bay Music Inc. / BMI
3-16:  First Artists Music Co. & BJS Music Corp. - Administered by WB Music Corp. / ASCAP, and Stuck On Music - Administered by Warner-Tamerlane Publishing Corp. / BMI
3-17:  First Artists Music Co., BJS Music Corp. & WB Music Corp. / ASCAP
4-1:  Stonebridge Music & Threesome Music Co. / ASCAP
4-2.1:  PolyGram International Publishing, Inc., Red Bullet Music & Threesome Music Co. / ASCAP
4-3:  Gibb Brothers Music - Administered by Careers-BMG Music Publishing Inc. / BMI
4-4, 4-6:  EMI April Music Inc. on behalf of Emanuel Music, Threesome Music Co. & F-Sharp Productions Ltd. / ASCAP
4-9:  Rilting Music, Inc. & Revelation Music Publishing Corp. / ASCAP
4-11:  Emanuel Music / ASCAP
4-12:  Emanuel Music & Warm Springs Music / ASCAP

 

. The 60's...(Part I)
1-1. You'll Never Know 2:58
1-2. A Sleepin' Bee 3:03
1-3. Moon River 1:50
1-4. Miss Marmelstein 3:21
1-5. Happy Days Are Here Again 3:18
1-6. Keepin' Out Of Mischief Now 1:45
1-7. I Hate Music 1:21
1-8. Nobody's Heart (Belongs To Me) 2:03
1-9. Value 1:40
1-10. Cry Me A River 3:28
1-11. Who's Afraid Of The Big Bad Wolf? 2:10
1-12. (I Had Myself A) True Love 4:28
1-13. Lover, Come Back To Me 1:48
1-14. Spring Can Really Hang You Up The Most 2:56
1-15. My Honey's Lovin' Arms 2:14
1-16. Any Place I Hang My Hat Is Home 2:44
1-17. When The Sun Comes Out 3:05
1-18. Be My Guest 2:28
. Judy Garland Medley #1 4:34
. Judy Garland Medley #2 2:30
. The 60's...(Part II)
2-1. I'm The Greatest Star 3:25
. My Man / Auld Lang Syne
2-3. People 3:40
. Act II Medley: My Name is Barbra 3:37
2-5. 1965 Emmy Awards 1:45
2-6. He Touched Me 3:09
2-7. You Wanna Bet 2:27
2-8. House Of Flowers 2:44
2-9. Ding-Dong! The Witch Is Dead 1:54
. Circus Medley: Color Me Barbra 3:23
2-11. Starting Here, Starting Now 2:52
. A Good Man Is Hard To Find / Some Of These Days
2-13. I'm Always Chasing Rainbows 2:33
2-14. Sleep In Heavenly Peace (Silent Night) 2:58
2-15. Don't Rain On My Parade 2:44
2-16. Funny Girl 2:42
2-17. 1969 Academy Awards 1:58
2-18. Come Rain Or Come Shine 1:43
2-19. Time After Time 1:56
2-20. Untitled 1:13
2-21. The Sweetest Sounds 2:01
2-22. Hello, Dolly 3:47
2-23. On A Clear Day (You Can See Forever) 2:09
. Las Vegas Medley 4:07
. The 70's...
3-1. The Singer 2:41
3-2. I Can Do It 2:38
3-3. Stoney End 2:58
3-4. (They Long To Be) Close To You 3:01
3-5. We've Only Just Begun 2:26
3-6. Since I Fell For You 3:24
3-7. You're The Top 4:08
3-8. What Are You Doing The Rest Of Your Life 3:36
3-9. If I Close My Eyes 2:24
3-10. Between Yesterday And Tomorrow 3:31
3-11. Can You Tell The Moment? 2:26
3-12. The Way We Were 3:51
3-13. Cryin' Time 2:17
3-14. God Bless The Child 3:32
. Medley 5:18
3-16. Lost Inside Of You 3:34
3-17. Evergreen 3:13
3-18. 1977 Academy Awards
3-19. Hatikvah 1:54
. The 80's...
4-1. You Don't Bring Me Flowers 3:36
. The Way We Weren't / The Way We Were
4-3. Guilty 4:28
4-4. Papa, Can You Hear Me? 2:32
4-5. The Moon And I 3:01
4-6. A Piece Of Sky 3:49
4-7. I Know Him So Well 4:13
4-8. If I Loved You 2:38
4-9. Putting It Together 4:19
4-10. Over The Rainbow 3:50
4-11. Theme From Nuts 3:43
4-12. Here We Are At Last 3:19
4-13. Warm All Over 2:49
4-14. You'll Never Know 4:07

 

Barcode and Other Identifiers:

Rights Society ASCAP
Rights Society BMI
Other CK48645
Other CK48646
Other CK48647
Other CK48648
Matrix / Runout DIDP 076289
Matrix / Runout DIDP 076290
Matrix / Runout DIDP 076291
Matrix / Runout none
Matrix / Runout DIDP-076289 2
Matrix / Runout DIDP-076290 2
Matrix / Runout DIDP-076291 2
Matrix / Runout DIDP-076292 1
Other ☆ [D logo] ☆

 

Copyright (c) Sony Music Entertainment Inc.
Phonographic Copyright (p) Sony Music Entertainment Inc.
Manufactured By Columbia Records
Published By WB Music Corp.
Published By Harwin Music
Published By Famous Music Corporation
Published By Chappell & Co.
Published By Warner Bros. Inc.
Published By Edwin H. Morris & Co.
Published By MPL Communications Inc.
Published By Frank Music Corp.
Published By Bourne Co.
Published By A-M Music Corp.
Published By Bambalina Music Publishing Co.
Published By Wolfland Music
Published By Mills Music, Inc.
Published By Arko Music Corp.
Published By Paladin Music Co., Inc.
Published By Morley Music Co.
Published By EMI Feist Catalog, Inc.
Published By Arthur Schwartz Music Ltd.
Published By Henderson Music Co.
Published By Stephen Ballentine Publishing Co.
Published By The Songwriters Guild of America
Published By S.A. Music Co.
Published By Wonderful Music Corp.
Published By Fisher Music Group
Published By Shapiro, Bernstein & Co., Inc.
Published By MCA Music Publishing
Published By MCA Inc.
Published By Notable Music Co., Inc.
Published By Lyda Enterprises
Published By Tylerson Music
Published By TRO-Musical Comedy Productions
Published By EMI Robbins Catalog Inc.
Published By BJS Music Corp.
Published By Sands Music Corp.
Published By Williamson Music Co.
Published By Duchess Music Corp.
Published By Rytvoc, Inc.
Published By Better Half Music
Published By Fred Ahlert Music Corp.
Published By Senor Music
Published By TRO-Devon Music, Inc.
Published By EMI Blackwood Music Inc.
Published By New Hidden Valley Music
Published By Casa David Music
Published By Irving Music, Inc.
Published By EMI U Catalog Inc.
Published By Diana Music Corp.
Published By Threesome Music Co.
Published By F Sharp Productions Ltd
Published By Colgems-EMI Music Inc.
Published By Sony Tree Publishing Co., Inc.
Published By Beachaven Music Corp.
Published By Jarest Music Co.
Published By Edward B. Marks Music Company
Published By Alley Music Corp.
Published By Trio Music Co., Inc.
Published By Hudson Bay Music Inc.
Published By Burthen Music Co., Inc.
Published By First Artists Music Co.
Published By Stuck On Music
Published By Warner-Tamerlane Publishing Corp.
Published By Stonebridge Music
Published By PolyGram International Publishing, Inc.
Published By Red Bullet Music
Published By Gibb Brothers Music
Published By Careers-BMG Music Publishing, Inc.
Published By EMI April Music Inc.
Published By Emanuel Music
Published By Rilting Music, Inc.
Published By Revelation Music Publishing Corp.
Published By Warm Springs Music
Produced For Barry Gibb Productions
Produced For Karlbhy Productions
Recorded At Nola Recording Studios
Recorded At NBC Studios, New York
Recorded At Group W
Recorded At Shubert Theater, New York, NY
Recorded At CBS-TV
Recorded At The Bon Soir
Recorded At Columbia Recording Studios
Recorded At Columbia 30th Street Studio
Recorded At Central Park, New York
Recorded At Columbia Pictures
Recorded At ABC Television Center
Recorded At Waldorf Astoria Hotel
Recorded At Twentieth Century Fox Studios
Recorded At Paramount Pictures
Recorded At International Hotel
Recorded At Columbia Studios, Hollywood
Recorded At Warner Bros. Studios
Recorded At T.T.G. Studios
Recorded At CBS-TV London
Recorded At United Western Recorders
Recorded At A&M Studios
Recorded At Dorothy Chandler Pavilion
Recorded At MGM Studios
Recorded At Lion Share Recording Studios
Recorded At Lorimar Studios
Remixed At B&J Studio
Mixed At Cherokee Studios
Mixed At Conway Studios
Mastered At Bernie Grundman Mastering
Glass Mastered At DADC
Glass Mastered At DADC
Glass Mastered At DADC
Pressed By DADC

Data provided by Discogs

In stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.
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We strive to provide the best quality customer experience

We ensure our customers have the best shopping experience

Fully Serviced

All items are meticulously serviced and restored to meet factory specifications

Well Cared Shipping

We pack with precision and ship in brand new, appropriately sized, boxes.

Information flow

Be in the know with timely notifications on your order, starting from acceptance to tracking numbers, allowing you to stay connected with your purchase