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Beyoncé - B'Day (2xCD, Album, Dlx) (Very Good Plus (VG+))

Beyoncé - B'Day (2xCD, Album, Dlx) (Very Good Plus (VG+))

Columbia,Music World Entertainment (2),Sony BMG

$10.00 USD
$10.00 USD
Sale Sold out
Shipping calculated at checkout.

Media Condition:  Very Good Plus (VG+)
Sleeve Condition: Near Mint (NM or M-)
Country:    Canada  
Released:  2007
Genre:       Hip Hop, Latin, Funk / Soul, Pop, Stage & Screen
Style:         Contemporary R&B, Pop Rap, Ballad, Soundtrack
Location:   

Comments:

 

Notes:

Track 1-01 published by B-Day Publishing / EMI Music Publishing (ASCAP) / Sony ATV Music Publishing / EMI Music Publishing (ASCAP) / Amanda Ghost / Bucks Music Group Limited (ASCAP). Produced for Delirious Blacksmith Management and for Music World Productions, Inc. Additional production for Light Productions. Vocal production for Music World Productions, Inc. Recorded at Sony Music Studios, NYC; Battery Studios, NYC; La Marimonda, Nassau, Bahamas; Futura Productions, Roslindale, MA and The Hit Factory, Miami, FL. Mixed at Chalice Studios, Los Angeles, CA; Oz Recording Studios, Los Angeles, CA and at Supersonic Studios, Miami, FL. Mastered at Sterling Sound, NYC.

Track1-02 published by B-Day Publishing / EMI Music Publishing (ASCAP) / Sony ATV Music Publishing / EMI Music Publishing / Stellar Songs, Ltd., administered by EMI Music Publishing (ASCAP) / Supersaying (BMI) / Zomba Music Publishing. Produced for Delirious Blacksmith Management. and for Music World Productions, Inc. Co-produced for Compound Ent. Recorded at Sony Music Studios, NYC. Mixed for Clean Water Entertainment at Sony Music Studios, NYC. Mastered at Bernie Grundman Mastering, Los Angeles, CA.

Track 1-03 published by B-Day Publishing / EMI Music Publishing (ASCAP) / Waters Of Nazareth Publishing (BMI) / EMI-Blackwood Music Inc. (BMI) / Team S Dot Publishing (BMI) / Songs Of Windswept Pacific (BMI). Produced for Music World Productions, Inc. Recorded at Sony Music Studios, NYC and at The Record Plant Studios, Los Angeles, CA. Mixed for Clear Water Entertainment at Sony Music Studios, NYC. Mastered at Bernie Grundman Mastering, Los Angeles, CA.

Track 1-04 published by B-Day Publishing / EMI Music Publishing (ASCAP) / Waters Of Nazareth Publishing / EMI-Blackwood Music, Inc. (BMI) / Carter Boys Publishing / EMI April Music, Inc. (ASCAP) / Makeba Yoga Flames Music (BMI) / Janice Combs Publishing, Inc. (BMI) / EMI Blackwood Music Inc. (BMI). Produced for Music World Productions, Inc. Recorded at Sony Music Studios, NYC and at The Record Plant Studios, Los Angeles, CA. Mixed for Clear Water Entertainment at Sony Music Studios, NYC. Mastered at Bernie Grundman Mastering, Los Angeles, CA.

Track 1-05 published by 2006 Carter Boys Music (ASCAP) / Reggie Perry Music (ASCAP) / Super Sayin Publishing (BMI), admin. by Zomba Music Publishing / B-Day Publishing / EMI Music Publishing (ASCAP). Produced for Stayfresh Music, Inc. / Rokkworld Music Group and for Music World Productions, Inc. Recorded for Loreal Inc. at Sony Studios, NYC and for Music World Productions, Inc. at Roc The Mic Studios, NYC. Mixed at Oz Recording Studios, Valencia, CA. Mastered at Sterling Sound, NYC.

Track 1-06 published by B-Day Publishing / EMI Music Publishing (ASCAP) / Solange MWP Publishing (ASCAP), administered by Music World, LLC / Music World Publishing (ASCAP) / Makeba Yoga Flames Music (BMI) / Janice Combs Publishing, Inc. (BMI) / EMI Blackwood Music Inc. (BMI) / Team S Dot Publishing (BMI) / Hitco Music (BMI) / Songs Of Windswept Pacific (BMI) / Angela Beyince Music / EMI April Music, Inc. (ASCAP) / EMI April Music, Inc. (ASCAP) / Carter Boys Publishing (ASCAP) / EMI Longitude Music (BMI). Produced for Back Block Productions and for Music World Productions, Inc. Additional production for Swizz Beatz Productions, Inc. Recorded at Sony Music Studios, NYC. Mixed for Clear Water Entertainment at Sony Music Studios, NYC. Mastered at Bernie Grundman Mastering, Los Angeles, CA. Contains samples from the composition “335492”. Featuring samples from the [a97072 recording “335492”, produced under license from Atlantic Recording Corp. by arrangement with Rhino Entertainment Company, a Warner Music Group company.

Track 1-07 published by N 22nd Publishing / Cherry Lane Pub. (ASCAP) / Super Sayin / Zomba Music Publishing (BMI) / B-Day Publishing / EMI Music Publishing (ASCAP) / Solange MW Publishing (ASCAP), administered by Music World, LLC. Produced for Stadium Productions LLC / Compound Entertainment LLC and for Music World Productions, Inc. Co-produced for Compound Entertainment LLC. Recorded at Roc The Mic, NYC and for Compound Entertainment LLC. Mixed at Oz Recording Studios, Valencia, CA. Mastered at Sterling Sound, NYC.

Track 1-08 published by B-Day Publishing / EMI April Music Inc. (ASCAP) / Roynet Music (ASCAP) / Sony/ATV Songs LLC (BMI). Produced for Music World Productions, Inc. Engineered at Roc The Mic Studios, NYC. Mixed at Oz Recording Studios, Valencia, CA. Mastered at Sterling Sound, NYC. Contains samples from the composition “Kissing You”, published by Roynet Music (ASCAP) / Sony/ATV Songs LLC. The sample of “401610” performed by [a37238 is courtesy of Sony BMG Music Entertainment (UK) Ltd.

Track 1-09 published by B-Day Publishing / EMI Music Publishing (ASCAP) / Solange MWP Publishing (ASCAP), administered by Music World, LLC / Universal Tunes, a division of Songs Of Universal, Inc. (SESAC) / Team S Dot Publishing (BMI) / Hitco Music (BMI) / Songs Of Windswept Pacific (BMI) / Makeba Yoga Flames Music (BMI) / Janice Combs Publishing, Inc. (BMI) / EMI Blackwood Music Inc. (BMI) / Angela Beyince Music (ASCAP) / EMI April Music, Inc. (ASCAP). Produced for Swizz Beatz Productions, Inc.; for Music World Productions, Inc. and for The Practice Team. Recorded at Sony Music Studios, NYC. Mixed for Clear Water Entertainment at Sony Music Studios, NYC. Mastered at Bernie Grundman Mastering, Los Angeles, CA.

Track 1-10 published by B-Day Publishing / EMI Music Publishing (ASCAP) / EMI Blackwood Music, Inc. (BMI) obo itself and Dam Rich (BMI / Angela Beyince Music (ASCAP) / EMI April Music, Inc. (ASCAP) / Makeba Yoga Flames Music (BMI) / Janice Combs Publishing, Inc. (BMI) / EMI Blackwood Music, Inc. (BMI). Produced for Richcraft, Inc. and for Music World Productions, Inc. Recorded at Sony Music Studios, NYC and at Great Divide Studios, Aspen, CO. Mixed for Clear Water Entertainment and for Richcraft, Inc. at Sony Music Studios, NYC. Mastered at Bernie Grundman Mastering, Los Angeles, CA.

Track 1-11 published by B-Day Publishing / EMI Music Publishing (ASCAP) / EMI Blackwood Music, INc. (BMI) obo itself and Dam Rich (BMI)/ Makeba Yoga Flames Music (BMI) / Janice Combs Publishing Inc. (BMI) / EMI Blackwood Music, Inc. (BMI) / Mutt Music (BMI). Produced for Richcraft, Inc. and for Music World Productions, Inc. Recorded at Sony Music Studios, NYC. Mixed for Clear Water Entertainment and for Richcraft, Inc. at Sony Music Studios, NYC. Mastered at Bernie Grundman Mastering, Los Angeles, CA. Contains excerpts from “[r=2117012”, published by Mutt Music (BMI) and recorded by J Wade & The Soul Searchers, courtesy of Ubiquity Records.

Track 1-12 published by B-Day Publishing / EMI Music Publishing (ASCAP) / EMI Blackwood Music, Inc. (BMI) / 23000 Music Publishing (SOCAN/BMI) / Makeba Yoga Flames Music (BMI) / Janice Combs Publishing, Inc. (BMI) / EMI Blackwood Music Inc. (BMI) / Price Tag (SESAC), administered by International Music Publishing (SESAC) / EMI April Music, Inc. (ASCAP) / Carter Boys Publishing. Produced for Darkchild.com and for Music World Productions, Inc. Recorded at Sony Music Studios, NYC and at The Record Plant, Los Angeles, CA. Mixed for Clear Water Entertainment at Sony Music Studios, NYC. Mastered at Bernie Grundman Mastering, Los Angeles, CA.

Track 1-13 published by B-Day Publishing / EMI Music Publishing (ASCAP) / Universal Tunes, a division of Songs Of Universal, Inc. (SESAC) / Team S Dot Publishing (BMI) / Hitco Music (BMI) / Songs Of Windswept Pacific (BMI). Produced for Swizz Beatz Productions, Inc., for Music World Productions, Inc. and for The Practice Team. Recorded at Sony Music Studios, NYC. Mixed for Clear Water Entertainment and for Swizz Beatz Productions, Inc. at Sony Music Studios, NYC. Mastered at Bernie Grundman Mastering, Los Angeles, CA.

Track 1-14 published by B-Day Publishing / EMI Music Publishing (ASCAP) / Conjunction Music / EMI April Music, Inc. (ASCAP) / Universal Music Corp. (ASCAP) on behalf of Bootleggers Stop (ASCAP) / Warner-Tamerlane Publishing Corp. (BMI) / Todd Mayfield Publishing (BMI), all rights administered by Warner-Tamerlane Publishing (BMI). Produced for Conjunction Productions, LLC and for Music World Productions, Inc. Co-produced for Conjunction Productions, LLC. Vocal production for Music World Productions, Inc. All music for Conjunction Productions, LLC. Recorded at Sony Music Studios, NYC and at Lair Studios, Los Angeles, CA. Pro-Tools editing at Lair Studios, Los Angeles, CA. Mixed for Clear Water Entertainment at Sony Music Studios, NYC. Mastered at Bernie Grundman Mastering, Los Angeles, CA. Contains elements of “Think”, [published by Warner-Tamerlane Publishing Corp. (BMI) / Todd Mayfield Publishing (BMI), all rights administered by Warner-Tamerlane Publishing (BMI). 

Track 1-15 published by B-Day Publishing / EMI Music Publishing (ASCAP) / Miroku Music (ASCAP) / Scotta Rock Music (ASCAP), admin. by Kobalt / Shigshag Music (BMI), admin. by Kobalt / SKG Songs (ASCAP) / Songs Of SKG (BMI). Recorded for Underdog Entertainment at Underlab, Los Angeles, CA. Mixed at Brandon’s Way, Los Angeles, CA. Mastered at Bernie Grundman Mastering, Los Angeles, CA. Written and recorded for the motion picture “Dreamgirls”.

Track 2-01 published by B-Day Publishing / EMI Music Publishing (ASCAP) / Monster Music. Produced for Music World Productions, Inc. Recorded at The Beach House Recording Studios, Miami Beach, FL and Roc The Mic, NYC. Mixed at The Beach House Recording Studios, Miami, Beach, FL. Mastered at Sony Music Studios, NYC.

Track 2-02 published by B-Day Publishing / EMI Music Publishing (ASCAP) / Miroku Music (ASCAP) / Scotta Rock Music (ASCAP), admin. by Kobalt / Shigshag Music (BMI), admin. by Kobalt. Produced for Music World Productions, Inc. Recorded at Sony Music Studios, NYC and The Beach House Studios, Miami, FL. Mastered at Sterling Sound, NYC.

Track 2-03 published by B-Day Publishing / EMI Music Publishing (ASCAP) / Supersaying (BMI) / Zomba Music Publishing / Sony ATV Music Publishing / EMI Music Publishing / Stellar Songs Ltd., admin. by EMI Music Publishing (ASCAP). Originally produced for Delirious Blacksmith Management and for Music World Productions, Inc. Co-produced for Compound Ent. Recorded at Sony Music Studios, New York, NY and The Beach House Studios, Miami Beach, FL. Mastered at Sterling Sound, NYC.

Track 2-04 published by B-Day Publishing / EMI Music Publishing (ASCAP) / Sony ATV Music Publishing / EMI Music Publishing (ASCAP) / Amanda Ghost / Bucks Music Group Limited (ASCAP). Originally produced for Delirious Blacksmith Management and for Music World Productions, Inc. Additional production for Light Productions. Vocal production for Music World Productions, Inc. Recorded at Sony Music Studios, NYC; Battery Studios, NYC; La Marimonda, Nassau, Bahamas; Futura Productions, Roslindale, MA and The Hit Factory, Miami, FL. Mixed at Chalice Studios, Los Angeles, CA. Mastered at Sterling Sound, NYC.

Track 2-05 remixed for Light Productions.

Track 2-07 recorded at The Beach House Studios, Miami Beach, FL. Vocals recorded at The Record Plant, Los Angeles, CA. Mixed at The Beach House Studios, Miami Beach, FL. Mastered at Sterling Sound,  NYC.

[a493572 appears courtesy of Sony BMG Mexico. [a21742 appears courtesy of Roc-A-Fella / Def Jam. [a5530 appears courtesy of Epic Records.

Executive produced for Music World Productions, Inc.

On back sleeve:
℗ 2006, 2007 Sony BMG Music Entertainment. © 2007 Sony BMG Music Entertainment. Distributed by / Distribué par Sony BMG Music (Canada) Inc. Printed in / Imprimé au Canada.

On discs and inside booklet:
℗ 2006, 2007 Sony BMG Music Entertainment. © 2007 Sony BMG Music Entertainment. Distributed by / Distribué par Sony BMG Music (Canada) Inc. Made in / Fabnriqué au Canada.

The release is housed in a double digipak with a slot on the back flap to hold the booklet.

On tracks 1-01 and 2-04 publishing entities ‘Amanda Ghost’ and ‘Bucks Music Limited’ appear as ‘Amanda Ghost Bucks Music Limited’. These should be separated with a slash and appear as ‘Amanda Ghost / Bucks Music Limited’ as they are two separate entities.

 

1-01. Beyoncé, Shakira - Beautiful Liar 3:19
1-02. Beyoncé - Irreplaceable 3:47
1-03. Beyoncé - Green Light 3:30
1-04. Beyoncé - Kitty Kat 3:55
1-05. Beyoncé - Welcome To Hollywood 3:18
1-06. Beyoncé, Jay-Z - Upgrade U 4:33
1-07. Beyoncé - Flaws And All 4:08
1-08. Beyoncé - Still In Love (Kissing You)
1-09. Beyoncé - Get Me Bodied (Extended Mix) 6:19
1-10. Beyoncé - Freakum Dress 3:21
1-11. Beyoncé - Suga Mama 3:25
1-12. Beyoncé, Jay-Z - Deja Vu 4:00
1-13. Beyoncé - Ring The Alarm 3:23
1-14. Beyoncé - Resentment 4:42
1-15. Beyoncé - Listen 3:39
. Spanish Disc
2-01. Beyoncé, Alejandro Fernández - Amor Gitano 3:48
2-02. Beyoncé - Listen (Oye) 3:41
2-03. Beyoncé - Irreplaceable (Irreemplazable) 3:47
2-04. Beyoncé - Beautiful Liar (Bello Embustero) 3:20
2-05. Beyoncé, Shakira - Beautiful Liar (Remix) 3:00
2-06. Beyoncé, Sasha (38) - Beautiful Liar (Spanglish) 3:19
2-07. Beyoncé - Irreplaceable (Irreemplazable) (Nortena Remix) 3:50

 

Barcode and Other Identifiers:

Barcode 8 2876-89492-2 1
Barcode 828768949221
Matrix / Runout 82876894922 disc 1 S12961
Mastering SID Code IFPI LW60
Mould SID Code IFPI 6717
Mould SID Code 6713
Matrix / Runout 82876894922 disc 2 S12962
Mastering SID Code IFPI LW60
Mastering SID Code IFPI 6717
Mould SID Code 6713

 

Record Company Warner Music Group
Distributed By Sony BMG Music (Canada) Inc.
Phonographic Copyright (p) Sony BMG Music Entertainment
Copyright (c) Sony BMG Music Entertainment
Licensed From Atlantic Recording Corporation
Licensed From Sony BMG Music Entertainment (UK) Ltd.
Licensed From Ubiquity Records
Licensed Through Rhino Entertainment Company
Published By B-Day Publishing
Published By EMI Music Publishing
Published By Sony / ATV Music Publishing
Published By Amanda Ghost Music
Published By Bucks Music Group Ltd.
Published By Stellar Songs Ltd.
Published By Supersaying
Published By Zomba Music Publishing
Published By Waters Of Nazareth Publishing
Published By EMI Blackwood Music Inc.
Published By Team S Dot Publishing
Published By Songs Of Windswept Pacific
Published By Carter Boys Publishing
Published By EMI April Music Inc.
Published By Makeba Yoga Flames Music
Published By Janice Combs Publishing, Inc.
Published By Reggie Perry Music
Published By Super Sayin Publishing
Published By Solange MWP Publishing
Published By Music World, LLC
Published By Hitco Music
Published By Angela Beyince Music
Published By EMI Longitude Music
Published By N 22nd Publishing
Published By Cherry Lane Publishing
Published By Solange MW Publishing
Published By Roynet Music
Published By Sony/ATV Songs LLC
Published By Universal Tunes
Published By Songs Of Universal, Inc.
Published By Dam Rich Music
Published By Mutt Music
Published By 23000 Music Publishing
Published By Price Tag
Published By International Music Publishing
Published By Conjunction Music
Published By Universal Music Corp.
Published By Bootleggers Stop
Published By Warner-Tamerlane Publishing Corp.
Published By Todd Mayfield Publishing
Published By Warner-Tamerlane Publishing
Published By Miroku Music
Published By Scotta Rock Muic
Published By Kobalt
Published By Shigshag Music
Published By SKG Songs
Published By Monster Music (5)
Recorded At Sony Music Studios, New York City
Recorded At Battery Studios, New York
Recorded At La Marimonda
Recorded At Futura Productions
Recorded At The Hit Factory Criteria
Recorded At Record Plant, Los Angeles
Recorded At Roc The Mic Studios
Recorded At Great Divide Studios
Recorded At The Lair
Recorded At The Underlab
Recorded At Beach House Recording Studios
Mixed At Chalice Recording Studios
Mixed At Oz Recording Studios, Los Angeles
Mixed At Supersonic Studios, Miami, FL
Mixed At Sony Music Studios, New York City
Mixed At Brandon's Way Recording
Mixed At Beach House Recording Studios
Engineered At Roc The Mic Studios
Edited At The Lair
Mastered At Sterling Sound
Mastered At Bernie Grundman Mastering
Mastered At Sony Music Studios, New York City
Produced For Delirious Blacksmith Management
Produced For Music World Productions, Inc.
Produced For Light Productions (2)
Produced For Compound Entertainment (2)
Produced For Stayfresh Music
Produced For Rokkworld Music Group
Produced For Back Block Productions
Produced For Swizz Beatz Productions Inc.
Produced For Stadium Productions, LLC
Produced For Compound Entertainment, LLC
Produced For The Practice Team
Produced For Richcraft Inc.
Produced For Darkchild.com
Produced For Conjunction Productions, LLC

Data provided by Discogs

In stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.
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All items are meticulously serviced and restored to meet factory specifications

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We pack with precision and ship in brand new, appropriately sized, boxes.

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