Cambridge Audio MinX Xi * Digital Music System * NEW and SEALED BOX

Cambridge Audio MinX Xi * Digital Music System * NEW and SEALED BOX

Cambridge Audio

Regular price $500.00 USD
Sale price $500.00 USD Regular price
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The new Minx Xi Digital Music System from Cambridge Audio is a hopped up high-end streaming media player that will let you play just about any music source imaginable. It's built on Cambridge Audio's popular NP30 platform and shares a lot of the same controls and features, but it adds a 40W stereo amplifier to make this a small integrated amplifier on steroids. Integrated amp, network music streaming device...the terminology is tough because it does almost everything.

I think we'll stick to what Cambridge recommends and call it a Digital Music System.

Features and Capabilities

This part of the review is tough, because there is a lot that you can do with Cambridge Audio's $899 Minx Xi. It seems to be designed for two primary purposes: To play just about everything and anything you may have in your collection, and to do it with an incredibly impressive level of quality. That's two big areas of discussion, because we're addressing what this unit does, and we're also addressing what's under the hood.

With regard to features, when I say the Minx Xi will play just about anything—well, you can stream music via Bluetooth or the Internet, or listen to a bunch of streaming services, including Spotify, Pandora and Rhapsody. You can even connect to your home network to stream lossless files, and there are two available USB ports for audio you might keep on external storage. If all of that isn't enough, two pairs of analogue stereo RCA inputs are provided along with both optical and coaxial S/PDIF inputs. Lastly, a subwoofer line level out means you can connect a sub to sweeten the output from your speakers.

Cambridge Minx Xi rear panel

Rock on...

On the front there's a four-line display with 20 characters per line. That's a lot of room for detailed information, albeit not as cool as some newer OLED displays we've seen on other similar devices. Still, the Cambridge Audio addresses one of my main pet peeves with modern audio systems—they include hard buttons for critical functions so that, should you lose the remote control, you aren't essentially bricking your music system.

Cambridge Minx Xi OLED

Cambridge Minx Xi Binding postsThe front has a single USB port (the other is on the back panel) and a large select knob that quickly scrolls through items on the front display and lets you push the button to select items. It's also a multi-function knob, so once you're within a selected track it becomes a volume control. The back of the unit has all of the inputs I already talked about, but it also has a BT100 Bluetooth USB adapter (included) and a WiFi antenna that connects via another USB port. Neither interferes with the rear USB port available for music. The Bluetooth system also supports AptX, which delivers much higher quality to the player, approaching lossless quality. The binding posts are of notable quality and are not the cheap plastic style found on many similar products. They actually remove completely to allow for rear-insertion banana connectors—an unusual but effective solution for the European-requirements to remove the center hole in these connectors.

Setup and Configuration

After selecting your language, the next thing to do is get the Cambridge Audio Minx Xi onto your WiFi network (if you have a hardwire connection you can also connect it via the RJ45 port). WiFi setup was a breeze (If you don't have wireless setup, here's an article on how to setup a wireless network), mostly because the 4-line interface throws up all the letters and numbers in alphabetical order and you can cursor around to select your password. This is way easier than, say, a system that forces you to scroll through 26 uppercase letters, another 26 lowercase letters, and then numeric and other characters. Also, instead of forcing you to use the remote to enter login and password info for all connected Internet streaming services, you just log into Stream Magic (www.stream-magic.com) and set up an account to link your player to your streaming media accounts like Rhapsody, Pandora, Sirius XM and others. There's no Spotify, but if you do AptX streaming you can use any audio app you like from your portable device.

Cambridge Minx Xi angled

Listening Tests

For listening tests, I opted to go with a complete Cambridge Audio setup. For speakers, I grabbed a pair of Aero 2's. These speakers run around $500/pair and come in either a Black or Dark Walnut veneer that isn't real fancy. In fact, the speakers are rather vanilla, with boxed corners and a front-firing port that lacks any flaring but does have a rubberized front half that should serve to diffract the audio being output. The driver complement is also unusual in that the Aero 2 uses a system it calls BMR (Balanced Mode Radiator). Instead of a traditional tweeter, the Aero 2 (and other Aero speakers in the line for that matter) use a driver that looks more conventional, but measures just over 1-3/4" across its flat radiator. The BMR can play back frequencies down to roughly 250Hz—far lower than conventional tweeters that drop out around 2.5kHz. This frees up the woofer (which Cambridge says is 6-1/2" but we'd put it at a generous 5-3/4"). The problem, however, is that the highs end up being rather bright and sibilant. On top of that, I saw little benefit for the woofers, with the bass coming across as neither tight nor punchy. Indeed, the 40Hz low frequency response spec for the Aero 2's seems to be a bit off and my own testing showed the lower response to be closer to 50 Hz.

Cambridge Minx Xi Aero 2

I guess it's good that I also had on-hand the Cambridge Audio Aero 9 subwoofer. It helped considerably when running a full system and the enhancement it provided really made the system sound a lot better. Overall, I'd have to say that I really enjoyed the capabilities of the Minx Xi, but I can't recommend the Aero 2 speakers—at least not if you appreciate detailed highs with a lot of finesse and punchy, tight bass. I just don't feel these speakers have it, and there are far too many great options for $500/pair to want to compromise. Don't get me wrong, you'll enjoy the sound, and they image well and the sweet spot is very wide, but I just think you can do better for the money.

The question for this video is: Who do you think makes the best $500 pair of speakers? Let us know below in the comments section and subscribe to our YouTube channel—it will help us continue to bring you more video reviews. Also, please be sure to Like us on Facebook and Google+. We put a lot of info up there that you really don't want to miss.

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There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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