Celine Dion* - All The Way... A Decade Of Song (CD, Comp) (Near Mint (NM or M-))

Celine Dion* - All The Way... A Decade Of Song (CD, Comp) (Near Mint (NM or M-))

Epic,550 Music,Epic,550 Music

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Media Condition:  Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)
Country:    US  
Released:  
16 Nov 1999
Genre:       Rock, Pop
Style:         Soft Rock, Vocal, Ballad
Location:   

Comments:

 

Notes:

© 1999 Sony Music Entertainment (Canada) Inc./℗ 1990, 1992, 1993, 1996, 1997, 1998, 1999 Sony Music Entertainment (Canada) Inc.

1: EMI Songs Musikverlag (GEMA) / EMI April Music Inc. (ASCAP)
Produced for Chartmaker Inc.
Recorded at The Enterprise, Ground Control, Record Plant
Mixed for Hum Inc. Productions
Mixed at Record Plant, L.A.

2: Realsongs (ASCAP)
Recorded at Criterion Studios, Village Recorders, Music Grinder, Ocean Way Studios
Mixed at Can Am Studios

3: Walt Disney Music Company (ASCAP) / Wonderland Music Company, Inc. (BMI)
Recorded at The Plant Recording Studios, Sausalito, CA.
Vocals Recorded at The Power Station, N.Y.
Mixed at Record Plant, L.A.

4: Realsongs / Touchstone Pictures Music & Songs, Inc. (ASCAP)
Produced and Arranged for Chartmaker Inc.
Lead Vocal recorded for Hum Inc. Productions
Recorded at Chartmaker Studios, Capitol Studios, Rumbo Recorders
Mixed for Hum Inc. Productions
Mixed at Record Plant

5: Lost Boys Music (BMI)
Recorded at The Hit Factory, NYC

6: Realsongs (ASCAP)
Recorded and Mixed at Cove City Sound Studios, Long Island, NY

7: Peermusic Ltd. on behalf of One Four Three Music (BMI) / Universal-MCA Music Publishing, a div. of Universal Studios, Inc. / Boozetunes (ASCAP)
Produced for Chartmaker Inc.
Recorded at Chartmaker Studios, L.A., Record Plant L.A.
Mixed for Hum Inc. Productions
Mixed at Record Plant L.A.

8: Famous Music Corp., on behalf of TCF Music Publishing, Inc. (ASCAP) / Irving Music, Inc. on behalf of Blue Sky Rider Songs / Ensign Music Corp. on behalf of Fox Film Music Corporation (BMI)
Recorded at Wallyworld CA, The Hit Factory, N.Y.
Mixed for Hum Inc. Productions
Mixed at The Hit Factory, N.Y.

9: Zomba Songs Inc. / R. Kelly Publishing, Inc., admin. by Zomba Songs Inc. (BMI)
Recorded at Battery Studios, Chicago; Le Studio Morin-Heights; Chicago Recording Co.; Cove City Sound Studios, L.I., New York; The Dream Factory, NYC; Right Track Studios, NYC; Nervious Music, NYC; Hit Factory, N.Y.
Mixed for Hum Inc. Productions
Mixed at The Hit Factory, N.Y.
R. Kelly appears courtesy of Jive Records

10: Produced for Cheiron Productions
Recorded and mixed at Cheiron Studios, Stockholm, Sweden
Lead vocal recorded at Paradise Sounds, FL
© 1999 Zomba Enterprises, Inc. / Grantsville Publishing Ltd. All rights administered by Zomba Enterprises, Inc. (ASCAP)

11: Shania Twain appears courtesy of Mercury Records
© 1995 Out Of Pocket Productions Ltd. All rights administered by Zomba Enterprises, Inc. (ASCAP) for the U.S. and Canada.

12: Produced and Arranged for Chartmaker Inc.
Recorded at Chartmaker Studios, L.A., Paradise Sounds, FL
Mixed at Record Plant, L.A.
© 1962 Stormking Music, Inc. (BMI)

13: Arranged for Chartmaker Inc.
Recorded at Chartmaker Studios, L.A., Paradise Sounds, FL
Mixed at Record Plant
© 1957 (Renewed) Maraville Music Corp. (ASCAP)

14: Produced for Chartmaker, Inc.
Recorded at FLM Studios L.A., Todd-AO L.A., Paradise Sounds, FL
Mixed at Record Plant
© 1999 Touchstone Music & Songs Inc. / Horner Music / New Columbia Pictures, Inc. (ASCAP). All rights on behalf of New Columbia Pictures, Inc. administered by Sony / ATV Tunes LLC / Blue Sky Rider Songs, all rights administered by Irving Music, Inc. / Buena Vista Music Co. / Colpix Music, Inc. (BMI). All rights on behalf of Colpix Music, Inc. administered by Sony / ATV Songs LLC.

15: Recorded at The Record Plant, Los Angeles, CA
Recorded at the Hit Factory in New York City
Vocals recorded at Paradise Sounds, West Palm Beach, FL
Mixed at The Record Plant, Los Angeles, CA
© 1999 Realsongs (ASCAP)

16: Arranged for Chartmaker Inc.
Recorded at Chartmaker Studios, L.A., Paradise Sounds FL
Mixed at Record Plant, L.A.
© 1999 Blue Sky Rider Songs, all rights administered by Irving Music, Inc. (BMI) / Luc Plamondon Éditeur / Boventoon BV / Talent Music BV 
 
Custom sticker on front of jewel case.
Sticker reads "Celine's Greatest Hits plus 7 new songs including "That's The Way It Is" K 63760 S1.

Celine appears on front of inlay and disc; Celine Dion appears on sides of back inlay.

Release is packaged in a clear standard jewel case with a clear tray.

 

1. Céline Dion - The Power Of Love 4:48
2. Céline Dion - If You Asked Me To 3:55
3. Céline Dion, Peabo Bryson - Beauty And The Beast 4:04
4. Céline Dion - Because You Loved Me (Theme From "Up Close & Personal") 4:35
5. Céline Dion - It's All Coming Back To Me Now 5:32
6. Céline Dion - Love Can Move Mountains 4:01
7. Céline Dion - To Love You More 4:41
8. Céline Dion - My Heart Will Go On (Love Theme From "Titanic") 4:42
9. Céline Dion, R. Kelly - I'm Your Angel 5:31
10. Céline Dion - That's The Way It Is 4:03
11. Céline Dion - If Walls Could Talk 5:19
12. Céline Dion - The First Time Ever I Saw Your Face 4:09
13. Céline Dion, Frank Sinatra - All The Way 3:53
14. Céline Dion - Then You Look At Me 4:11
15. Céline Dion - I Want You To Need Me 4:36
16. Céline Dion - Live For The One I Love 3:58

 

Barcode and Other Identifiers:

Barcode 0 7464-63760-2 7
Barcode 074646376027
Matrix / Runout DIDP-099349 4
Mastering SID Code IFPI L323
Mould SID Code IFPI 5030
Other K 63760 S1
Rights Society ASCAP
Rights Society BMI
Rights Society GEMA

 

Copyright (c) Sony Music Entertainment (Canada) Inc.
Phonographic Copyright (p) Sony Music Entertainment (Canada) Inc.
Manufactured By Epic
Manufactured By 550 Music
Pressed By DADC
Published By EMI Songs Musikverlag GmbH
Published By EMI April Music Inc.
Published By Realsongs
Published By Walt Disney Music Company
Published By Wonderland Music Company, Inc.
Published By Touchstone Pictures Music & Songs, Inc.
Published By Lost Boys Music
Published By Peermusic Ltd.
Published By Universal-MCA Music Publishing
Published By Famous Music Corporation
Published By Irving Music, Inc.
Published By Ensign Music Corp.
Published By Zomba Songs Inc.
Published By R. Kelly Publishing, Inc.
Published By Grantsville Publishing Ltd.
Published By Out Of Pocket Productions Ltd.
Published By Stormking Music, Inc.
Published By Maraville Music Corp.
Published By Horner Music
Published By New Columbia Pictures Music, Inc.
Published By Blue Sky Rider Songs
Published By Luc Plamondon Editeur
Published By Talent Music BV
Recorded At The Enterprise
Recorded At Ground Control Studios
Recorded At Record Plant, Los Angeles
Recorded At The Plant Studios
Recorded At Power Station
Recorded At Chartmaker Studios
Recorded At Capitol Studios
Recorded At Rumbo Recorders
Recorded At Wallyworld
Recorded At Battery Studios, Chicago
Recorded At Le Studio
Recorded At Chicago Recording Company
Recorded At Cove City Sound Studios
Recorded At The Dream Factory
Recorded At Right Track Recording
Recorded At Nervious Music
Recorded At The Hit Factory
Recorded At FLM Studios
Recorded At Todd-AO Scoring Stage
Recorded At Paradise Sound Studios, Florida
Recorded At Cheiron Studios
Mixed At Record Plant, Los Angeles
Mixed At The Hit Factory
Mixed At Cheiron Studios
Glass Mastered At DADC

Data provided by Discogs

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There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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All items are meticulously serviced and restored to meet factory specifications

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We pack with precision and ship in brand new, appropriately sized, boxes.

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