Dolly Parton, Linda Ronstadt, Emmylou Harris - Trio (LP, Album, Club, Col) (Near Mint (NM or M-))

Dolly Parton, Linda Ronstadt, Emmylou Harris - Trio (LP, Album, Club, Col) (Near Mint (NM or M-))

Warner Bros. Records,Warner Bros. Records

Regular price $85.00 USD
Sale price $85.00 USD Regular price
Sale Sold out
Shipping calculated at checkout.

Media Condition:  Near Mint (NM or M-)
Sleeve Condition: Very Good Plus (VG+)
Country:    US  
Released:  
1987
Genre:       Folk World & Country
Style:         Country
Location:   

Comments:
The industry standard for a “like new” used record. The vinyl is shiny with no visible defects. The sleeve has no crease, seam splits, or cuts. Includes OG Inner Sleeve.
 

Notes:

Columbia House issue, as identified on bottom right of back cover: "Manufactured by Columbia House Under License" and no barcode at top right of back cover.

Issued with printed inner sleeve with lyrics and artwork.

"G" etched in runouts denotes Columbia Records Pressing Plant, Carrollton, GA, pressing.

First catalog # (W1 25491) on labels.
Second catalog # (9 W1-25491) on spine.
Catalog # 25491-1 on inner sleeve.

Artists depicted on cover as: Dolly Parton • Linda Ronstadt • Emmylou Harris

Recorded at The Complex, West Los Angeles, January to November, 1986.
Additional recording: Woodland Studios, Nashville & Ocean Way Recording, Hollywood.
Analog & digital mastering: The Mastering Lab.

Track publishers on labels:
A1: Velvet Apple Music BMI
A2: Sure-Fire Music Publ. BMI
A3: Vogue Music BMI
A4: Peer International Corp. BMI
A5: Velvet Apple Music BMI
A6: Chappell Music ASCAP/Firesign Music Ltd. PRS
B1: Geordie Music Pub. Co. ASCAP
B2: Bill Monroe Music BMI
B3: Garden Court Music Co. ASCAP
B4: Song Yard Music ASCAP
B5: Bubbly Music Inc. Emmylou Songs ASCAP

Track publishers on inner sleeve:
A1: ©Copyright 1971 by Velvet Apple Music All administrative rights controlled by Screen Gems-EMI Music, Inc.
A2: ©1963 by Sure-Fire Music Publishing
A3: ©1958 by Vogue Music (c/o The Welk Music Group)
A4: ©Copyright 1933 by Peer International Corp.
A5: ©Copyright 1986 by Velvet Apple Music All administrative rights controlled by Screen Gems-EMI Music, Inc.
A6: Copyright © 1985 by Linda Thompson/Firesign Music, Ltd.
B1: ©1976 by Geordie Music Pub. Co.
B2: ©1978 by Bill Monroe Music.
B3: ©1981 Garden Court Music Co.
B4: ©Copyright 1980 by Song Yard Music. All administrative rights controlled by Colgems-EMI Music, Inc.
B5: ©1987 by Bubbly Music Inc. and Emmylou Songs

Some track durations listed on inner sleeve differ from labels:
A1: 2:32
A3: 3:47
A4: 3:16
A5: 3:35
A6: 4:22
B1: 2:53
B2: 3:55
B3: 3:27
B4: 3:03
B5: 4:07

 

A1. The Pain Of Loving You 2:32
A2. Making Plans 3:36
A3. To Know Him Is To Love Him 3:48
A4. Hobo's Meditation 3:17
A5. Wildflowers 3:33
A6. Telling Me Lies 4:26
B1. My Dear Companion 2:55
B2. Those Memories Of You 3:58
B3. I've Had Enough 3:30
B4. Rosewood Casket 2:59
B5. Farther Along 4:10

 

Barcode and Other Identifiers:

Barcode none
Rights Society BMI
Rights Society PRS
Rights Society ASCAP
Matrix / Runout W1-25491 A
Matrix / Runout W1-25491 B
Matrix / Runout W1-25491A1-B I G1 A3
Matrix / Runout W1-25491B-1A G1 A6
Matrix / Runout W1-25491A-1B G1
Matrix / Runout W1-25491-B-1C D G1

 

Manufactured By Columbia House
Record Company Warner Communications
Record Company Warner Bros. Records Inc.
Phonographic Copyright (p) Warner Bros. Records Inc.
Copyright (c) Warner Bros. Records Inc.
Phonographic Copyright (p) WEA International Inc.
Copyright (c) WEA International Inc.
Recorded At The Complex
Recorded At Woodland Studios
Recorded At Ocean Way Recording
Mastered At The Mastering Lab
Pressed By Columbia Records Pressing Plant, Carrollton, GA
Published By Velvet Apple Music
Copyright (c) Velvet Apple Music
Published By Screen Gems-EMI Music Inc.
Published By Sure-Fire Music Publishing
Copyright (c) Sure-Fire Music Publishing
Published By Vogue Music
Copyright (c) Vogue Music
Published By Welk Music Group
Published By Peer International Corp.
Copyright (c) Peer International Corp.
Published By Chappell Music
Copyright (c) Linda Thompson
Published By Firesign Music Ltd.
Copyright (c) Firesign Music Ltd.
Published By Geordie Music Pub. Co.
Copyright (c) Geordie Music Pub. Co.
Published By Bill Monroe Music
Copyright (c) Bill Monroe Music
Published By Garden Court Music Co.
Copyright (c) Garden Court Music Co.
Published By Song Yard Music
Copyright (c) Song Yard Music
Published By Bubbly Music Inc.
Copyright (c) Bubbly Music Inc.
Published By Emmylou Songs
Copyright (c) Emmylou Songs

Data provided by Discogs

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There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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All items are meticulously serviced and restored to meet factory specifications

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We pack with precision and ship in brand new, appropriately sized, boxes.

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