Fully Serviced
All items are meticulously serviced and restored to meet factory specifications
Casablanca,Chronicles
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
Country: Canada
Released: 1993
Genre: Electronic, Funk / Soul
Style: Synth-pop, Disco
Comments:
*** BUY ANY 4 RECORD for ONLY $5.00 Shipping & Handling fee ***
Notes:
Made in Canada Comes in a slipcase. Features a 24-page full color booklet with photos and essays, includes two previously unreleased tracks. Track 1-01: Produced by Pete Bellotte for Say Yes Productions Recorded at Musicland Studios, Munich From the album "Love To Love You Baby" (1975) Tracks 1-02, 1-03: A Say Yes Production by Giorgio Moroder and Pete Bellotte Recorded at Musicland Studios, Munich From the album "A Love Trilogy" (1976) The "Munich Machine": Thor Baldursson, Frank Diez, Keith Forsey, Martin Harrison, Molly Moll, Gary Unwin Track 1-04: Recorded at Musicland Studios, Munich From the album "Four Seasons Of Love" (1976) The "Munich Machine": Thor Baldursson, Keith Forsey, Geoff Bastow, Les Hurdle, Nick Woodland, Dino Solero Tracks 1-05, 1-06: Recorded at Musicland Studios, Munich and Arco Studios, Munich From the album "I Remember Yesterday" (1977) Tracks 1-07 to 1-09: Recorded at Musicland Studios, Munich From the album "Once Upon A Time ..." (1977) Track 1-10: From the Original Motion Picture Soundtrack "Thank God It's Friday" (1978) Tracks 1-11, 1-12: Recorded and mixed at Westlake Studios, Los Angeles and Rusk Sound Studios, Los Angeles From the album "Live And More" (1978) and "The Dance Collection" (1987) Tracks 1-13 to 1-16: Recorded and mixed at Rusk Sound Studios, Los Angeles From the album "Bad Girls" (1979) Track 2-01: Recorded at Village Recorders and Rusk Sound Studios, Los Angeles From the album "On The Radio" (1979) Jay Graydon incorrectly credited as Jeff Graydon Track 2-02: Recorded at Rusk Sound Studios, Burbank Studios, Westlank Audio, Allen Zentz Recording, and the Record Plant, New York From the album "On The Radio" (1979) Tracks 2-03, 2-04: Recorded and mixed at Westlake Audio, Los Angeles From the album "The Wanderer" (1980) Tracks 2-05, 2-06: From the unreleased album "I'm A Rainbow" (1981) Update: the 1981 unreleased album was finally released in 1996 on CD "I'm A Rainbow" Tracks 2-07, 2-08: Recorded and mixed at Westlake Audio, Los Angeles From the album "Donna Summer" (1982) Tracks 2-09, 2-10: Recorded and mixed at Lion Share Studios, Los Angeles, Hollywood Sound Recorders, Hollywood, Rhema Studios, Beverly Hills From the album "She Works Hard For The Money" (1983) Tracks 2-11, 2-12: Recorded at Lion Share Studios, Los Angeles, United Western Studios, Hollywood, and Rhema Studios, Los Angeles From the album "Cats Without Claws" (1984) Track 2-13: Recorded at Oasis Studio and Union Studio (Munich) From the album "All Systems Go" (1987) Tracks 2-14, 2-15: Recorded at PWL, London. From the album "Another Place And Time" (1989) Licensed courtesy of Atlantic Recording Corporation Mike Stock incorrectly credited as Mike Scott on backing vocals Tracks 2-16, 2-17: From the album "Mistaken Identity" (1991) Licensed courtesy of Atlantic Recording Corporation The Heart Strings: Suzie Schumway, Sally Schumway, Suzanne Ornstein, Ann Labin, Cath Metz Track 2-18: From the album "Forever Dancing" (1992) Licensed courtesy of Giorgio Moroder
1-01. Love To Love You Baby (Single Version) 3:21
1-02. Could It Be Magic (Single Version) 3:54
1-03. Try Me, I Know We Can Make It (Single Version) 4:46
1-04. Spring Affair (Single Version) 4:02
1-05. Love's Unkind 4:26
1-06. I Feel Love 5:51
1-07. Once Upon A Time 4:00
1-08. Rumour Has It 4:54
1-09. I Love You 4:41
1-10. Last Dance 4:57
1-11. MacArthur Park (Promotional Single Version) 6:25
1-12. Heaven Knows (Single Version) 3:52
1-13. Hot Stuff (12" Version) 6:46
1-14. Bad Girls (12" Version) 4:56
1-15. Dim All The Lights 4:23
1-16. Sunset People 6:24
2-01. No More Tears (Enough Is Enough) 4:41
2-02. On The Radio 5:50
2-03. The Wanderer 3:45
2-04. Cold Love 3:38
2-05. I'm A Rainbow 4:04
2-06. Don't Cry For Me Argentina 4:20
2-07. Love Is In Control (Finger On The Trigger) 4:19
2-08. State Of Independence 5:49
2-09. She Works Hard For The Money 5:18
2-10. Unconditional Love 4:41
2-11. There Goes My Baby 4:06
2-12. Supernatural Love 3:34
2-13. All Systems Go 4:10
2-14. This Time I Know It's For Real 3:36
2-15. I Don't Wanna Get Hurt 3:26
2-16. When Love Cries 5:14
2-17. Friends Unknown 3:44
2-18. Carry On 3:41
Barcode and Other Identifiers:
Barcode 7 7749-900308 8 02
Matrix / Runout #931129F 314518144-2/1 MFG BY CINRAM
Matrix / Runout #930930FF 314518144-2/2 MFG BY CINRAM
Other CRC
Distributed By Columbia House
Manufactured By Columbia House
Phonographic Copyright (p) PolyGram Records, Inc.
Copyright (c) PolyGram Records, Inc.
Glass Mastered At Cinram
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There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.
Why Vintage Audio Still Matters
In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.
Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.
The Philosophy of Refurbishment
Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.
Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.
The Turntable Store refurbishing process.. step by step
Step 1: The Initial Encounter
When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.
Instead:
Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.
Step 2: Deep Cleaning & Control Detox
Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.
The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.
Step 3: Electrical Resurrection
This is where science meets art:
Step 4: Cosmetic Glory
Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.
Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.
Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.
Step 5: Calibration & Sonic Check
After the repair and cleaning, it’s time to dial in the performance:
When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.
Our promise for Audiophile-Level Results
Why It’s Worth It
The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.
And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.
We have a 14-day return policy, which means you have 14 days after receiving your item to request a return.
To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.
To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address:
The Turntable Store
45 Market Square
Manheim PA 17545
If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.
You can always contact us for any return question at theturntablestore@gmail.com.
Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.
Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item.
Unfortunately, we cannot accept returns on sale items or gift cards.
Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.
European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.
Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.
We ensure our customers have the best shopping experience
All items are meticulously serviced and restored to meet factory specifications
We pack with precision and ship in brand new, appropriately sized, boxes.
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