Emmylou Harris, Linda Ronstadt, Dolly Parton - Trio II (CD, Album) (Near Mint (NM or M-))

Emmylou Harris, Linda Ronstadt, Dolly Parton - Trio II (CD, Album) (Near Mint (NM or M-))

Asylum Records

Regular price $8.00 USD
Sale price $8.00 USD Regular price
Sale Sold out
Shipping calculated at checkout.

Media Condition:  Near Mint (NM or M-)
Sleeve Condition: Fair (F)
Country:    Europe  
Released:  
1999
Genre:       Folk World & Country
Style:         Country, Bluegrass
Location:   

Comments:

 

Notes:

Made in Germany [on CD
Made in Germany by Warner Music Manufacturing Europe [on back cover

℗ & © 2001 Elektra Entertainment Group, a division of Warner Communications Inc.

Publishers: ©
1) 1935 Peer International Corporation (BMI)
2) 1995 Coburn Music Inc. / SIlverhill Music (BMI) (Administered by Ten Ten Group, Inc.)
3) 1973 Velvet Apple Music (BMI)
4) 1970 Broken Arrow Music Corp. (BMI)
5) 1992 Colgems-EMI Music Inc., Sweet Angel Music (ASCAP) / 1988 Criterion Music Corp./MOrrossette Music (ASCAP). All rights for Sweet Angel Music controlled and administered by Colgems-EMI Music Inc.
6) 1990 Happy Valley Music (BMI)
7) 1994 Little Rox Music (ASCAP)
8) 1985 Screen Gems-EMI Music Inc./Black Sheep Music (BMI). All rights controlled and administered by Screen Gems-EMI Music Inc.
9) 1994 Randy Newman Music (ASCAP)
10) 1984 Kieran Kane Music/Sony/ATV Tunes LLC dba Cross Keys Publishing Co. (ASCAP)

Mixed at The Site, Marin County, CA. Additional Mixing at Petewood/Georkel Recording, Williamson County, TN

 

1. Lover's Return 4:00
2. High Sierra 4:21
3. Do I Ever Cross Your Mind 3:16
4. After The Gold Rush 3:31
5. The Blue Train 4:57
6. I Feel The Blues Movin In 4:31
7. You'll Never Be The Sun 4:43
8. He Rode All The Way To Texas 3:07
9. Feels Like Home 4:47
10. When We're Gone, Long Gone 4:00

 

Barcode and Other Identifiers:

Barcode 0 7559-62275-2 0
Barcode 075596227520
Label Code LC 2648
Price Code EW 851
Rights Society GEMA/BIEM
Matrix / Runout [Warner W logo] 755962275-2 01/99
Mastering SID Code IFPI L012
Mould SID Code IFPI 05N5
Matrix / Runout [Warner W logo] 755962275-2 07/99
Mastering SID Code IFPI L012
Mould SID Code IFPI 05Z7
Matrix / Runout [Warner W logo] 755962275-2.2 07/99
Mastering SID Code IFPI L012
Mould SID Code IFPI 05E1

 

Phonographic Copyright (p) Elektra Entertainment Group
Copyright (c) Elektra Entertainment Group
Made By Warner Music Manufacturing Europe
Recorded At The Site
Mixed At The Site
Mixed At Petewood Recording
Mixed At Georkel Recording
Mastered At The Mastering Lab
Published By Peer International Corp.
Published By Coburn Music, Inc.
Published By Silverhill Music
Published By Ten Ten Music Group, Inc.
Published By Velvet Apple Music
Published By Broken Arrow Music Corp.
Published By Colgems-EMI Music Inc.
Published By Sweet Angel Music
Published By Criterion Music Corp.
Published By Morrisette Music
Published By Happy Valley Music
Published By Little Rox Music
Published By Screen Gems-EMI Music Inc.
Published By Black Sheep Music
Published By Randy Newman Music
Published By Kieran Kane Music
Published By Sony/ATV Tunes LLC
Published By Cross Keys Publishing Co.

Data provided by Discogs

In stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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All items are meticulously serviced and restored to meet factory specifications

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