Fully Serviced
All items are meticulously serviced and restored to meet factory specifications
$0.00 USD
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Interscope Records,Ruff Ryders
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
Country: US
Released: 2001
Genre: Hip Hop
Style:
Comments:
*** BUY ANY 4 RECORD for ONLY $5.00 Shipping & Handling fee ***
Notes:
Issued in a standard jewel case with clear tray and a 16-page booklet. Track 1 Recorded at Sony Music Studios Track 2 Blondie Rockwell Publishing/Swizz Beatz Publishing/Icepick Jay Publishing/Dead Game Publishing (ASCAP)/Karima Music, Inc./Warner Chapell (BMI) Produced for Ruff Ryders Productions, Inc. Recorded at The Hit Factory Criteria Mixed at Sony Music Studios Track 3 Blondie Rockwell Publishing/Teflon Hits Publishing/Ryde Or Die Publishing/Icepick Jay Publishing/Dead Game Publishing (ASCAP) Produced for Ruff Ryders Productions, Inc. Recorded at The Hit Factory Mixed at Sony Music Studios Track 4 Blondie Rockwell Publishing/Dead Game Publishing/WB Music Corp./Ain't Nuthin' Goin' On But F*****' Music/Music Of Windswept/Fivecard/Elvismambo Music/Scott Storch Music/TVT/Blackjack Entertainment (ASCAP) Recorded at Record One (Sherman Oaks, CA) Track 5 Blondie Rockwell Publishing/Dead Game Publishing/Blackjack Entertainment/Nasir's Pop's Publishing/Icepick Jay Publishing (ASCAP) Recorded/mixed at Sony Music Studios Track 6 Blondie Rockwell Publishing/Dead Game Publishing/Blackjack Entertainment/Universal-Polygram International Publishing, Inc. (ASCAP) Produced for Blackjack Productions Recorded at The Hit Factory Criteria Mixed at Sony Music Studios Contains a portion of the composition "Over Like A Fat Rat" written by James Calloway, Aaron Davenport & Leroy Jackson. Published by Universal-Polygram International Publishing, Inc. (ASCAP) Track 7 Blondie Rockwell Publishing/Swizz Beatz Publishing/Feelis Publishing/Dead Game Publishing (ASCAP) Produced for Ruff Ryders Productions, Inc. Recorded/mixed at Sony Music Studios Track 8 Recorded at Enterprise Studios Track 9 Blondie Rockwell Publishing/Swizz Beatz Publishing/Throwin' Tantrums Publishing/Paniro's Publishing/Justin Combs Publishing/EMI April Music/Dead Game Publishing (ASCAP)/Ms. Trina/First-N-Gold Publishing (BMI) Produced for Ruff Ryders Productions, Inc. Recorded at The Hit Factory Criteria and The Hit Factory Mixed at Sony Music Studios Track 10 Blondie Rockwell Publishing/Dead Game Publishing/WB Music Corp./Ain't Nuthin' Goin' On But F*****' Music/Scott Storch Music/TVT/Paniro's Publishing/Justin Combs Publishing/EMI April Music (ASCAP) Recorded at Record One (Sherman Oaks, CA) Track 11 Blondie Rockwell Publishing/Boomer X Publishing/Why Oh Publishing/Dead Game Publishing (ASCAP) Produced for Ruff Ryders Productions, Inc. Recorded at Sony Music Studios and Soundtracks Mixed at Sony Music Studios Track 12 Blondie Rockwell Publishing/Swizz Beatz Publishing/Feelis Publishing/Dead Game Publishing (ASCAP)/Paniro's Publishing/Jaewon's Publishing/Sheek Louchion Publishing/Justin Combs Publishing/EMI April Music (ASCAP) Produced for Ruff Ryders Productions, Inc. Recorded at The Hit Factory Criteria and Sony Music Studios Mixed at Sony Music Studios Track 13 Jamrec Music (BMI) Recorded at The Hit Factory Criteria and Sony Music Studios Mixed at Sony Music Studios Features samples from the Dawn Pennn recording "You Don't Love Me (No, No, No)" reproduced under license from Atlantic Recording Corp. by arrangement with Warner Special Products Track 14 Blondie Rockwell Publishing/Dead Game Publishing (ASCAP)/Damon Blackmon Publishing/Sony ATV Music Publishing (ASCAP) Produced for Vacant Lot Productions Recorded at The Hit Factory Criteria Mixed at Sony Music Studios Track 15 Blondie Rockwell Publishing/Why Oh Publishing/Dead Game Publishing/Blackjack Entertainment (ASCAP) Produced for Ruff Ryders Productions, Inc. Co-produced for Blackjack Productions Recorded at The Hit Factory Criteria and Enterprise Studios Mixed at Sony Music Studios Track 16 Blondie Rockwell Publishing/Why Oh Publishing/Dead Game Publishing (ASCAP) Produced for Ruff Ryders Productions, Inc. Recorded at The Hit Factory Criteria Mixed at Sony Music Studios Mastered at Masterdisk Art direction/design: for Ruff Ryder Graphics (Charles "Sleep" Duffy, Denise Trotman & Barry Celestine) and for Facet Creative NY/LA (Drew Fitzgerald) Manufactured and distributed in the United States by Universal Music & Video Distribution, Inc. ©℗2001 Ruff Ryders/Interscope Records. Printed in USA.
1. Intro 0:18
2. Cowboy 3:15
3. Who's That Girl? 4:42
4. Let Me Blow Ya Mind 3:50
5. 3 Way (Skit) 0:41
6. You Had Me, You Lost Me 4:21
7. Got What You Need 3:52
8. Frontin' (Skit) 0:43
9. Gangsta Bitches 4:24
10. That's What It Is 3:40
11. Scream Double R 3:41
12. Thug In The Street 5:02
13. No, No, No 5:37
14. You Ain't Gettin None 4:11
15. Life Is So Hard 4:55
16. Be Me 4:09
Barcode and Other Identifiers:
Barcode 6 06949 08452 3
Rights Society ASCAP
Rights Society BMI
Matrix / Runout 069 490 8452 01@ AD
Matrix / Runout MADE IN USA BY UML
Mastering SID Code IFPI L006
Mould SID Code IFPI 0351
Phonographic Copyright (p) Ruff Ryders
Copyright (c) Ruff Ryders
Phonographic Copyright (p) Interscope Records
Copyright (c) Interscope Records
Manufactured By Universal Music & Video Distribution, Inc.
Distributed By Universal Music & Video Distribution, Inc.
Recorded At Sony Music Studios, New York City
Recorded At The Hit Factory Criteria
Recorded At The Hit Factory
Recorded At Record One, Los Angeles
Recorded At The Enterprise
Recorded At Soundtrack Studios
Mixed At Sony Music Studios, New York City
Mastered At Masterdisk
Published By Blondie Rockwell Publishing
Published By Swizz Beatz Publishing
Published By Icepick Jay Publishing
Published By Dead Game Publishing
Published By Karima Music Inc.
Published By Warner/Chappell
Published By Teflon Hits Publishing
Published By Ryde Or Die Publishing
Published By WB Music Corp.
Published By Ain't Nuthin' Goin' On But F****n Music
Published By Music Of Windswept
Published By Fivecard
Published By Elvismambo Music
Published By Scott Storch Music
Published By TVT
Published By Blackjack Entertainment
Published By Nasir's Pop's Publishing
Published By Universal - Polygram International Publishing, Inc.
Published By Feelis Publishing
Published By Throwin' Tantrums Publishing
Published By Paniro's Publishing
Published By Justin Combs Publishing
Published By EMI April Music
Published By Ms. Trina
Published By First N Gold Publishing
Published By Boomer X Publishing
Published By Why Oh Publishing
Published By Jae'wons Publishing
Published By Sheek Louchion Publishing
Published By Jamrec Music
Published By Damon Blackman Music
Published By Sony / ATV Music Publishing
Licensed From Atlantic Recording Corporation
Produced For Ruff Ryders Productions, Inc.
Produced For Blackjack Productions
Produced For Vacant Lot Productions
Designed At Ruff Ryders Graphics
Designed At Facet Creative
Made By UML
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There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.
Why Vintage Audio Still Matters
In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.
Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.
The Philosophy of Refurbishment
Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.
Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.
The Turntable Store refurbishing process.. step by step
Step 1: The Initial Encounter
When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.
Instead:
Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.
Step 2: Deep Cleaning & Control Detox
Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.
The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.
Step 3: Electrical Resurrection
This is where science meets art:
Step 4: Cosmetic Glory
Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.
Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.
Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.
Step 5: Calibration & Sonic Check
After the repair and cleaning, it’s time to dial in the performance:
When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.
Our promise for Audiophile-Level Results
Why It’s Worth It
The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.
And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.
We have a 14-day return policy, which means you have 14 days after receiving your item to request a return.
To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.
To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address:
The Turntable Store
45 Market Square
Manheim PA 17545
If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.
You can always contact us for any return question at theturntablestore@gmail.com.
Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.
Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item.
Unfortunately, we cannot accept returns on sale items or gift cards.
Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.
European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.
Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.
We ensure our customers have the best shopping experience
All items are meticulously serviced and restored to meet factory specifications
We pack with precision and ship in brand new, appropriately sized, boxes.
Be in the know with timely notifications on your order, starting from acceptance to tracking numbers, allowing you to stay connected with your purchase