Fully Serviced
All items are meticulously serviced and restored to meet factory specifications
A&M Records,BMG Direct Marketing, Inc.
Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)
Country: US
Released: 1999
Genre: Rock
Style: Classic Rock, Blues Rock, Psychedelic Rock
Location:
Comments:
Notes:
Packaged with 24 page booklet Disc One: Track 1: Taken from [r=3666114 Tracks 2 to 8: Taken from 60721 Tracks 9 to 14: Taken from 60797 Tracks 15 & 16: Taken from 189821 Tracks 17 to 19: Taken from 60754 Disc Two: Tracks 1 to 4: Taken from 234812 / 773931 Tracks 5 to 7: Taken from 60776 Tracks 8 & 9: Taken from 154861 Tracks 10 to 12: Taken from 282532 Track 13: Taken from 60952 Track 14: Taken from 47589 Tracks 15 to 17: Taken from 60813 Track 18: Taken from 256159 1-1: Recorded at Decca Studios, West Hampstead, London on July 24, 1964 Released as Joe Cocker's first UK single, Decca F11974, September 4, 1964 1-2 to 1-8: Recorded at Olympic Studios, London and Trident Studios, London during 1968 Taken from "With A Little Help From My Friends", A&M Records SP-3106, released May 1969 1-2 Released as Joe Cocker's second UK single, Regal Zonophone RZ 3006, March 22, 1968 1-5 Recorded at A&M Studios, Los Angeles, September 1968 1-8 Released as Joe Cocker's third UK single, Regal Zonophone RZ 3013, October 2, 1968 1-9 to 1-14 Taken from "Joe Cocker!", A&M Records SP-4224, released November 1969 1-9 Released as Joe Cocker's fourth UK single, Regal Zonophone RZ 3024, September 1969 1-15 & 1-16 Recorded live March 16, 1970 at A&M Studios during rehearsals for the Mad Dogs & Englishmen tour Released as Joe Cocker's fifth UK single, Regal Zonophone RZ 3027, June 1970 1-17 to 1-19 Recorded on March 27-28, 1970 at Fillmore East, New York Taken from "Mad Dogs & Englishmen", A&M Records SP-6002, released September 1970 2-1 to 2-4 Recorded at Muscle Shoals Studios, Sheffield, Alabama, November 1970, and Island Studios, London, June 1971 Taken from "Joe Cocker" / "Something To Say", A&M Records SP-4368, released November 1972 2-5 to 2-9 Recorded mainly at The Village Recorder, West Los Angeles, Carlifornia, early 1974 Mixed at The Village Recorder, West Los Angeles, California 2-5 to 2-7 Taken from "I Can Stand A Little Rain", A&M Records SP-3175, released August 1974 2-8 & 2-9 Taken from "Jamaica Say You Will", A&M Records SP-4529, released August 1975 2-10 to 2-12 Recorded at Dynamic Sounds, Kingston Jamaica, mid 1975 Mixed at The Village Recorder, West Los Angeles, California Taken from "Stingray", A&M Records SP-4574, released May 1976 2-13 Recorded at Criteria Recording Studios, Miami, Florida, 1977 Mixed at Muscle Shoals Sound, Sheffield, Alabama Taken from "Luxury You Can Afford", Elekta/Asylum Records 6e-145, released September 1978 Produced Under License From Elektra Entertainment Group 2-14 Taken from "Standing Tall", MCA Records, released 1981 2-15 to 2-17 Recorded at Compass Point Studios, Nassau, Bahamas Taken from "Sheffield Steel", Island Records IL 9750, released July 1982 2-18 Taken from the soundtrack album "An Officer And A Gentleman", Island Records 90017, released November 1982
1-01. I'll Cry Instead 1:44
1-02. Marjorine 2:41
1-03. Bye Bye Blackbird 3:30
1-04. Just Like A Woman 5:20
1-05. Feelin' Alright 4:12
1-06. Do I Still Figure In Your Life 4:02
1-07. Don't Let Me Be Misunderstood 4:44
1-08. With A Little Help From My Friends 5:14
1-09. Delta Lady 2:52
1-10. She Came In Through The Bathroom Window 2:40
1-11. Hitchcock Railway 4:41
1-12. Something 3:35
1-13. Dear Landlord 3:26
1-14. Darling Be Home Soon 4:44
1-15. The Letter 4:11
1-16. Space Captain 4:12
1-17. Honky Tonk Women 4:31
1-18. Cry Me A River 3:58
1-19. Let's Get Stoned 7:34
2-01. Pardon Me Sir 3:19
2-02. High Time We Went 4:31
2-03. Black-Eyed Blues 4:38
2-04. Something To Say 5:26
2-05. Put Out The Light 4:13
2-06. I Can Stand A Little Rain 3:34
2-07. You Are So Beautiful 2:46
2-08. I Think It's Gonna Rain Today 4:02
2-09. Jamaica Say You Will 4:17
2-10. The Jealous Kind 3:51
2-11. Catfish 5:24
2-12. A Song For You 6:28
2-13. Fun Time 2:41
2-14. I'm So Glad I'm Standing Hear Today 5:06
2-15. Sweet Little Woman 4:03
2-16. Many Rivers To Cross 3:46
2-17. Talking Back To The Night 4:50
2-18. Up Where We Belong 3:53
Barcode and Other Identifiers:
Barcode D230915
Label Code 069 490 391-2
Label Code 069 490 392-2
Matrix / Runout 069 490 3912 01! H
Mould SID Code IFPI 0399
Matrix / Runout 069 490 3922 01% I
Mould SID Code IFPI 0399
Phonographic Copyright (p) A&M Records
Copyright (c) A&M Records
Pressed By UML
Recorded At Decca Studios
Produced For Tarantula Productions Limited
Recorded At Olympic Studios
Recorded At Trident Studios
Recorded At A&M Studios
Engineered At A&M Studios
Engineered At Sunset Sound
Recorded At Fillmore East
Recorded At Muscle Shoals Sound Studios
Recorded At Island Studios
Recorded At The Village Recorder
Mixed At The Village Recorder
Recorded At Dynamic Sounds Studios
Recorded At Criteria Recording Studios
Mixed At Muscle Shoals Sound Studios
Produced For Crusaders Productions, Inc.
Recorded At Compass Point Studios
Mastered At MCA Music Media Studios
Mastered At Universal Music Studios
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There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.
Why Vintage Audio Still Matters
In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.
Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.
The Philosophy of Refurbishment
Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.
Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.
The Turntable Store refurbishing process.. step by step
Step 1: The Initial Encounter
When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.
Instead:
Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.
Step 2: Deep Cleaning & Control Detox
Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.
The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.
Step 3: Electrical Resurrection
This is where science meets art:
Step 4: Cosmetic Glory
Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.
Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.
Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.
Step 5: Calibration & Sonic Check
After the repair and cleaning, it’s time to dial in the performance:
When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.
Our promise for Audiophile-Level Results
Why It’s Worth It
The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.
And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.
We have a 14-day return policy, which means you have 14 days after receiving your item to request a return.
To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.
To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address:
The Turntable Store
45 Market Square
Manheim PA 17545
If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.
You can always contact us for any return question at theturntablestore@gmail.com.
Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.
Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item.
Unfortunately, we cannot accept returns on sale items or gift cards.
Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.
European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.
Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.
We ensure our customers have the best shopping experience
All items are meticulously serviced and restored to meet factory specifications
We pack with precision and ship in brand new, appropriately sized, boxes.
Be in the know with timely notifications on your order, starting from acceptance to tracking numbers, allowing you to stay connected with your purchase