Josh White - Free And Equal Blues (CD, Comp) (Near Mint (NM or M-))

Josh White - Free And Equal Blues (CD, Comp) (Near Mint (NM or M-))

Smithsonian Folkways

Regular price $20.00 USD
Sale price $20.00 USD Regular price
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Media Condition:  Near Mint (NM or M-)
Sleeve Condition: Good Plus (G+)
Country:    US  
Released:  
1998
Genre:       Jazz, Blues
Style:         Country Blues, Gospel
Location:   

Comments:

 

Notes:

Track 1 from Asch 348-2B/Disc LP 117, recorded September 6, 1944.
Track 2 previously unreleased; recorded circa 1945.
Track 3 previously unreleased; from a radio transcription; recorded May 16, 1946.
Track 4 previously unreleased; from Disc LP 117; recorded October 25, 1945.
Track 5 from Asch 346-3B; recorded March 11, 1944.
Track 6 previously unreleased; recorded October 25, 1945.
Track 7 from Disc 3004a (661)/Disc LP 117; recorded circa 1946.
Track 8 previously unreleased; recorded October 25, 1945.
Track 9 previously unreleased; recorded possibly October 25, 1945. 
Track 10 based on the song "Gospel Plow"; from Asch 346-1B/Disc LP 117; recorded March 11, 1944. 
Track 11 previously unreleased; possibly recorded October 25, 1945. 
Track 12 from Asch 348-3A; recorded April 19, 1944. 
Track 13 from Asch 348-3B; recorded September 6, 1944. 
Track 14 from Smithsonian Folkways 40021; recorded October 25, 1945.
Track 15 from Asch 2001A; released on LP as Folkways 2966; recorded December 1944. 
Track 16 previously unreleased; excerpt of theatrical piece, "John Henry"; recorded possibly October 25, 1945. 
Track 17 previously unreleased; excerpt of theatrical piece, "John Henry"; recorded possibly October 25, 1945. 
Track 18 from Asch 432-3A; recorded April 19, 1994. 
Track 19 previously unreleased; recorded June 9, 1944. 
Track 20 from Asch 349-1B/Disc LP 117; recorded June 19, 1944. 
Track 21 from Disc 3004B (661)/Disc LP 117; recorded circa 1946. 
Track 22 from Asch 349-3B; reissued as Smithsonian Folkways 40021; recorded June 19, 1944. 
Track 23 from Disc 3005B (661); recorded circa 1946. 
Track 24 from Asch 550-1B; recorded circa April, 1944. 
Track 25 from Asch 550-1A; recorded April, 1944. 
Track 26 from Asch 348-2A; recorded September 8, 1944.


℗© 1998 Smithsonian Folkways Recordings

 

1. One Meat Ball 3:09
2. In My Time Of Dying 3:13
3. Free And Equal Blues 4:28
4. Number 12 Train 3:37
5. Jim Crow 2:46
6. Landlord 2:35
7. Betty And Dupree 3:44
8. Trouble 2:38
9. Beloved Comrade 2:01
10. Hold On 2:11
11. Jelly Jelly 2:29
12. When I Lay Down 2:35
13. The House I Live In 2:29
14. Fuhrer 3:09
15. Minute Man 2:04
16. Take A Gal Like You 3:08
17. Whatcha Gonna Do 1:12
18. Don't Lie Buddy 2:20
19. Motherless Children 2:28
20. No More Blues (No More Bread Lines) 2:43
21. Mean Mistreatin' Woman 3:09
22. Freedom Road 2:18
23. Miss Otis Regrets 2:57
24. Careless Love 3:21
25. T B Blues 3:20
26. Outskirts Of Town 3:03

 

Barcode and Other Identifiers:

Barcode 093074008126
Label Code LC 9628
Mould SID Code IFPI 2D3E
Matrix / Runout 162032-4W2-8057-A **SFW40081**

 

Phonographic Copyright (p) Smithsonian Folkways Recordings
Copyright (c) Smithsonian Folkways Recordings

Data provided by Discogs

In stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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