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Kendrick Lamar - Good Kid, M.A.A.D City (2xLP, Album, Dlx, RE) (Very Good Plus (VG+))

Kendrick Lamar - Good Kid, M.A.A.D City (2xLP, Album, Dlx, RE) (Very Good Plus (VG+))

Interscope Records,Aftermath Entertainment,Top Dawg Entertainment

$35.00 USD
$35.00 USD
Sale Sold out
Shipping calculated at checkout.

Media Condition:  Very Good Plus (VG+)
Sleeve Condition: Near Mint (NM or M-)
Country:    US  
Released:  2020
Genre:       Hip Hop
Style:         Conscious
Location:   

Comments:
*** BUY ANY 4 RECORD for ONLY $5.00 Shipping & Handling fee ***
 

Notes:

Track A1: WB Music Corp., TDE Music, Hard Working Black Folks Publishing (ASCAP) West Coast Livin Publishing (ASCAP) Henderworks Music Publishing (BMI) Produced for Tha Bizness Productions LLC Recorded at Patchwerk Recording Studios, Atlanta, GA and TDE Red Room, Carson, CA Track A2: WB Music Corp., TDE Music, Hard Working Black Folks Publishing (ASCAP) TDE Music, Beat Bully Productions (ASCAP) EMI Blackwood Music Inc./Edition MFD Publishing/EMI Music Publishing Denmark A/S (BMI) Publishing Designee of Liv Lykke Produced for TDE Music Recorded at TDE Red Room, Carson CA Contains portions of "Tiden Flyver" published by EMI Blackwood Music Inc./Edition MFD Publishing/EMI Music Publishing Denmark A/S (BMI) and Publishing Designee of Liv Lykke. Contains elements of the master recording "Tiden Flyver" performed by Boom Clap Bachelors. Licensed Courtesy Music For Dreams, Denmark. Track A3: WB Music Corp.,TDE Music, Hard Working Black Folks Publishing (ASCAP) Hit-Boy Music, U Can't Teach Bein' The Shhh/Songs of Universal (BMI) Produced for Hitboy Music/Very Good Beats Inc. Recorded at TDE Red Room, Carson, CA Track A4: WB Music Corp., TDE Music, Hard Working Black Folks Publishing (ASCAP) EMI Music Publishing Scandinavia Recorded at TDE Red Room, Carson CA Track B1: WB Music Corp., TDE Music, Hard Working Black Folks Publishing (ASCAP) SESAC affiliate Dahi Productions - writers number 379845 (SESAC) TDE Music (BMI) Chrysalis Music (ASCAP) Recorded at TDE Red Room, Carson, CA Contains elements of "Silver Soul" ©2010 Chrysalis Music (ASCAP) All Rights Administered by Chrysalis Music Group Inc., a BMG Chrysalis company. Contains a sample of "Silver Soul" as performed by Beach House. Courtesy of Sub Pop Records. Jay Rock appears courtesy of Top Dawg Entertainment/Strange Music Track B2: WB Music Corp., TDE Music, Hard Working Black Folks Publishing (ASCAP) Elijah Molina Publishing, Kobalt (SESAC) Live Write LLC / EMI Blackwood Music, Inc. (BMI) EMI April Music, Inc. (ASCAP) Flyte Tyme Tunes, Inc (ASCAP) Black Ice Publishing (BMI) Recorded at TDE Red Room, Carson, CA Contains excerpts from "Any Time Any Place" published by EMI April Music, Inc. (ASCAP), Flyte Tyme Tunes, Inc. (ASCAP), Black Ice Publishing (BMI). Contains excerpts from "Any Time Any Place" as performed by Janet Jackson. Used courtesy of Virgin UK, under license from EMI Music Marketing. Drake appears courtesy of Aspire Music Group/Young Money Entertainment/Cash Money Records. Track B3: WB Music Corp., TDE Music, Hard Working Black Folks Publishing (ASCAP) EMI April Music Inc. o/b/o Itself and More Water from Nazareth (ASCAP) Produced for The Neptunes Recorded at TDE Red Room, Carson CA Track B4: WB Music Corp., TDE Music, Hard Working Black Folks Publishing (ASCAP) TDE Music, Beat Bully Productions (ASCAP) THC Music (ASCAP) Bluestamp Tunes (BMI) Produced for TDE Music and THC Recorded At TDE Red Room, Carson CA Track C1: WB Music Corp., TDE Music, Hard Working Black Folks Publishing (ASCAP) Warner-Tamerlane Publishing Corp., Brother Bags Publishing (BMI) Recorded At TDE Red Room, Carson CA Track C2: WB Music Corp., TDE Music, Hard Working Black Folks Publishing (ASCAP) Its Like That (ASCAP) Derrick Hutchins Jr. Publishing (BMI) WB Music Corp. (ASCAP) Recorded at TDE Red Room, Carson CA "Contains elements of "Maybe Tomorrow" WB Music Corp. (ASCAP)." Contains a sample of "Maybe Tomorrow" as performed by Grant Green courtesy of Blue Note Records. Track C3: WB Music Corp., TDE Music, Hard Working Black Folks Publishing (ASCAP) Rose Mac Music (ASCAP) Recorded at At My Mama's House Studio, Los Angeles, CA, TDE Red Room, Carson, CA Track D1: WB Music Corp.,TDE Music, Hard Working Black Folks Publishing (ASCAP) N.Q.C. Music Publishing LLC o/b/o F.O.B. Music Publishing (ASCAP) Music City Associates (BMI) Feedmybabeez Publishing/Almo Music Corp (ASCAP) Produced for F.O.B. Entertainment/N.Q.C. Management LLC Recorded at Encore Studios, Burbank, CA and TDE Red Room Studios, Carson, CA "Compton" contains excerpts from "What's This World Coming To" as performed by Formula IV, courtesy of Sony Music Entertainment. Dr. Dre appears courtesy of Aftermath Records Track D2: WB Music Corp., TDE Music, Hard Working Black Folks Publishing (ASCAP) WB Music Corp., Ain't Nothing Going on but F***n Music (ASCAP) Elijah Molina Publishing, Kobalt (SESAC) Domino Publishing Company of America Inc. (BMI) Recorded at Encore Studios, Burbank, CA & TDE Red Room Studios, Carson, CA Contains elements of "Meet The Frownies" published by Domino Publishing Company of America Inc. (BMI) This track contains a sample of "Meet The Frownies" As performed by Twin Sister. Courtesy of Dead Oceans. Dr. Dre appears courtesy of Aftermath Records Track D3: WB Music Corp., TDE Music, Hard Working Black Folks Publishing (ASCAP) Pizza Publishing (ASCAP) WB Music Corp., Hard Working Black Folks Publishing, Psalms 144:1 (BMI) Recorded at TDE Red Room, Carson, CA Track D4: WB Music Corp., TDE Music, Hard Working Black Folks Publishing (ASCAP) Jacks Love Emporium, EMI Blackwood Music, Inc., Plantlife Experience (BMI) JazLady Publishing o/b/o Jazmine Sullivan (ASCAP) Recorded at TDE Red Room, Carson, CA and Body Music Studios, Miami, FL Mary J. Blige appears courtesy of Matriarch Entertainment/Geffen Records ℗ & © 2012 Aftermath/Interscope Records. Made in the Czech Republic. Distributed in the United States by Universal Music Distribution. Some copies do not have the Made in Canada sticker on back, as pictured. No manufacturing info printed onto jacket. Similar to [r7345404, but has different copyright text and spacing in the text above the barcode on the back of the sleeve. This version does not have a double line break after "kendricklamar.com".

 

A1. Sherane a.k.a Master Splinter’s Daughter
A2. Bitch, Don’t Kill My Vibe
A3. Backseat Freestyle
A4. The Art Of Peer Pressure
B1. Money Trees
B2. Poetic Justice
B3. Good Kid
B4. M.A.A.d City
C1. Swimming Pools (Drank) (Extended Version)
C2. Sing About Me, I'm Dying Of Thirst
C3. Real
D1. Compton
D2. The Recipe (Bonus Track)
D3. Black Boy Fly (Bonus Track)
D4. Now Or Never (Bonus Track)

 

Barcode and Other Identifiers:

Barcode 6 02537 19226 7
Barcode 602537192267
Matrix / Runout 53720470-A 131483E1/AE
Matrix / Runout 53720470-B 131483E2/AD
Matrix / Runout 53720471-A 131483E3/AK
Matrix / Runout 53720471-B 131483E4/X
Matrix / Runout 53720470-A 131483E1/AR
Matrix / Runout 53720470-B 131483E2/0
Matrix / Runout 53720471-A 131483E3/AZ
Matrix / Runout 53720471-B 131483E4/AH
Matrix / Runout 53720470-A 131483E1/BB
Matrix / Runout 53720470-B 131483E2/AV
Matrix / Runout 53720471-A 131483E3/BH
Matrix / Runout 53720471-B 131483E4/M
Rights Society ASCAP
Rights Society BMI
Rights Society SESAC

 

Record Company Interscope Records
Licensed From EMI Music Marketing
Licensed From Music For Dreams
Phonographic Copyright (p) Aftermath/Interscope Records
Copyright (c) Aftermath/Interscope Records
Distributed By Universal Music Distribution
Produced For F.O.B. Entertainment
Produced For HitBoy Music
Produced For N.Q.C. Management, LLC
Produced For TDE Music
Produced For Tha Bizness Productions, LLC
Produced For THC Music
Produced For The Neptunes
Produced For Very Good Beats Inc.
Published By Ain't Nuthin' Goin' On But Fu-kin'
Published By Almo Music Corp.
Published By Beat Bully Productions
Published By Black Ice Publishing
Published By Bluestamp Tunes
Published By Brother Bagz Publishing
Published By Chrysalis Music
Copyright (c) Chrysalis Music
Published By Chrysalis Music Group Inc.
Published By Dahi Productions
Published By Derrick Hutchins Jr. Publishing
Published By Domino Publishing Company Of America, Inc.
Published By Edition MFD Publishing
Published By Elijah Molina Publishing
Published By EMI April Music Inc.
Published By EMI Blackwood Music Inc.
Published By EMI Music Publishing Denmark A/S
Published By EMI Music Publishing Scandinavia
Published By F.O.B. Music Publishing
Published By Feedmybabeez Publishing
Published By Flyte Tyme Tunes, Inc.
Published By Hard Workin' Black Folks Publishing
Published By Henderworks Music Publishing
Published By It's Like That
Published By Jacks Love Emporium
Published By JazLady Publishing
Published By Jazmine Sullivan
Published By Kobalt
Published By Live Write LLC
Published By More Water From Nazareth
Published By Music City Associates
Published By N.Q.C. Music Publishing, LLC
Published By Pizza Publishing
Published By Plantlife Experience Music
Published By Psalms 144:1
Published By Publishing Designee Of Liv Lykke
Published By Rose Mac Music
Published By Songs Of Universal
Published By TDE Music
Published By THC Music
Published By Warner-Tamerlane Publishing Corp.
Published By Wb Music Corp.
Published By West Coast Livin' Publishing
Published By You Cant Teach Bein The Shh!
Recorded At Body Music Studios
Recorded At Encore Studios
Recorded At Patchwerk Recording Studios
Recorded At My Mama's House Studio
Recorded At TDE Red Room
Mixed At No Excuses Studios
Mastered At GZ Media
Pressed By Precision Record Pressing
Pressed By GZ Media

Data provided by Discogs

In stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.
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We strive to provide the best quality customer experience

We ensure our customers have the best shopping experience

Fully Serviced

All items are meticulously serviced and restored to meet factory specifications

Well Cared Shipping

We pack with precision and ship in brand new, appropriately sized, boxes.

Information flow

Be in the know with timely notifications on your order, starting from acceptance to tracking numbers, allowing you to stay connected with your purchase