Led Zeppelin - Mothership (2xCD, Comp, RM) (Near Mint (NM or M-))

Led Zeppelin - Mothership (2xCD, Comp, RM) (Near Mint (NM or M-))

Swan Song,Atlantic

Regular price $35.00 USD
Sale price $35.00 USD Regular price
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Media Condition:  Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)
Country:    US  
Released:  
2015
Genre:       Rock, Blues
Style:         Blues Rock, Hard Rock
Location:   

Comments:

 

Notes:

Comes in a 6-panel digifile with a 22 page booklet.

Sticker Description:
The Very Best Of Led Zeppelin Remastered on 2 CDs
Featuring
kashmir ▪ stairway to heaven
whole lotta love ▪ rock and roll
immigrant song ▪ black dog
communication breakdown
dazed and confused
RR2 313148

Recorded At/Mixed At Companies:
Tracks 1-1 to 1-4: Recorded and mixed in October 1968 at Olympic Studios, London
Track 1-5: Recorded in 1969 at Olympic Studios, London • Mixed at A&R Studios, New York, with Eddie Kramer
Track 1-6: Recorded in 1969 at Juggy Sound Studio, New York • Mixed at A&R Studios, New York, with Eddie Kramer
Track 1-7: Recorded in 1969 at A&R Studios, New York • Mixed at A&R Studios, New York, with Eddie Kramer
Track 1-8: Recorded in 1970 at Headley Grange, Hampshire, with The Rolling Stones Mobile Studio • Mixed at Island Studios, London, with Andy Johns
Track 1-9: Recorded in 1970 at Island Studios, London • Mixed at Island Studios, London, with Andy Johns
Track 1-10: Recorded in 1971 at Headley Grange, Hampshire, with The Rolling Stones Mobile Studio • Mixed at Island Studios and Olympic Studios, London, with Andy Johns
Track 1-11: Recorded in 1971 at Headley Grange, Hampshire, with The Rolling Stones Mobile Studio • Mixed at Island Studios, London, with Andy Johns
Track 1-12: Recorded in 1971 at Headley Grange, Hampshire, with The Rolling Stones Mobile Studio • Mixed at Sunset Sound, Los Angeles, with Andy Johns
Track 1-13: Recorded in 1971 at Island Studios, London • Mixed at Island Studios, London, with Andy Johns
Track 2-1: Recorded in 1972 at Stargroves with The Rolling Stones Mobile Studio • Mixed at Olympic Studios, London, with Keith Harwood
Tracks 2-2, 2-3: Recorded in 1972 at Stargroves with The Rolling Stones Mobile Studio • Mixed at Electric Lady, New York, with Eddie Kramer
Track 2-4: Recorded in 1972 at Island Studios, London • Mixed at Olympic Studios, London, with Andy Johns
Tracks 2-5, 2-7: Recorded in 1974 at Headley Grange, Hampshire, with Ronnie Lane's Mobile Studio and at Olympic Studios, London • Mixed at Olympic Studios, London with Keith Harwood
Track 2-6: Recorded in 1972 at Olympic Studios, London • Mixed at Electric Lady, New York, with Eddie Kramer
Tracks 2-8, 2-9: Recorded and mixed in November/December 1975 at Musicland Studios, Munich
Tracks 2-10, 2-11: Recorded and mixed in November/December 1978 at Polar Studios, Stockholm • Mixed at Plumpton Studio

Engineered By:
Tracks 2-5, 2-7: Engineered by Ron Nevison (Mobile) and Keith Harwood (Olympic)

Originally released dates:
Tracks 1-1 to 1-4: Originally released on January 12, 1969, on "LED ZEPPELIN"
Tracks 1-5 to 1-7: Originally released on October 22, 1969, on "LED ZEPPELIN II"
Tracks 1-8, 1-9: Originally released on October 5, 1970, on "LED ZEPPELIN III"
Tracks 1-10 to 1-13: Originally released on November 8, 1971, on the group's untitled fourth album
Tracks 2-1 to 2-4: Originally released on March 23, 1973, on "HOUSES OF THE HOLY"
Tracks 2-5 to 2-7: Originally released on February 24, 1975, on "PHYSICAL GRAFFITI"
Tracks 2-8, 2-9: Originally released on March 31, 1976, on "PRESENCE"
Tracks 2-10, 2-11: Originally released on August 15, 1979, on "IN THROUGH THE OUT DOOR"

Released as a single dates:
Tracks 1-1, 1-2: Released as a single on 3/10/69
Track 1-5: Released as a single on 11/7/69
Track 1-8: Released as a single on 11/5/70
Track 1-10: Released as a single on 2/21/72
Track 1-11: Released as a single on 12/2/71
Track 2-2: Released as a single on 5/24/73
Track 2-3: Released as a single on 9/17/73
Track 2-5: Released as a single on 4/2/75

CDs 1 & 2: Made in U.S.A.

This Compilation ℗ 2015 Atlantic Recording Corporation. a Warner Music Group Company.
© 2015 Mythgem, Ltd. Manufactured & Marketed by Warner Music Group.
3400 W. Olive Ave., Burbank, CA 91505-4614. Printed in U.S.A. FBI Anti-Piracy Warning: Unauthorized
Copying Is Punishable Under Federal Law. RR2 313148

 

1-1. Good Times Bad Times 2:48
1-2. Communication Breakdown 2:29
1-3. Dazed And Confused 6:28
1-4. Babe I'm Gonna Leave You 6:42
1-5. Whole Lotta Love 5:33
1-6. Ramble On 4:22
1-7. Heartbreaker 4:16
1-8. Immigrant Song 2:27
1-9. Since I've Been Loving You 7:24
1-10. Rock And Roll 3:41
1-11. Black Dog 4:55
1-12. When The Levee Breaks 7:10
1-13. Stairway To Heaven 8:02
2-1. The Song Remains The Same 5:32
2-2. Over The Hills And Far Away 4:49
2-3. D'Yer Mak'er 4:24
2-4. No Quarter 7:00
2-5. Trampled Under Foot 5:36
2-6. Houses Of The Holy 4:04
2-7. Kashmir 8:30
2-8. Nobody's Fault But Mine 6:16
2-9. Achilles Last Stand 10:23
2-10. In The Evening 6:51
2-11. All My Love 5:54

 

Barcode and Other Identifiers:

Barcode 0 8122 79509 3 4
Barcode 081227950934
Mastering SID Code ifpi L902
Mould SID Code IFPI LT36
Matrix / Runout 3 RR2 313148.3-2.1 TEXT AF02
Mastering SID Code ifpi L909
Mould SID Code IFPI LT36
Matrix / Runout 3 RR2 313148.3-2.2 TEXT AF02

 

Phonographic Copyright (p) Atlantic Recording Corporation
Copyright (c) Mythgem, Ltd.
Manufactured By Warner Music Group
Marketed By Warner Music Group
Recorded At Olympic Studios
Mixed At Olympic Studios
Mixed At A&R Studios
Recorded At Juggy Sound Studio
Recorded At A&R Studios
Recorded At Headley Grange
Mixed At Island Studios
Recorded At Rolling Stones Mobile
Recorded At Island Studios
Mixed At Sunset Sound
Recorded At Stargroves
Mixed At Electric Lady Studios
Recorded At Ronnie Lane's Mobile Studio
Recorded At Musicland Studios
Mixed At Musicland Studios
Recorded At Polar Studios
Mixed At Polar Studios
Mixed At Plumpton Studio

Data provided by Discogs

In stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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All items are meticulously serviced and restored to meet factory specifications

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