Mellow Man Ace - The Brother With Two Tongues (CD, Album) (Very Good Plus (VG+))

Mellow Man Ace - The Brother With Two Tongues (CD, Album) (Very Good Plus (VG+))

Capitol Records

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Media Condition:  Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
Country:    US  
Released:  
1992
Genre:       Hip Hop
Style:         Jazzy Hip-Hop

Comments:
GREAT CONDITION! mild wear on CD case ***BUY ANY 4 RECORDS for ONLY $5.00 Shipping & Handling fee!***
 

Notes:

Issued in a standard jewel case with 8-panel foldout insert. Track 13 is an unlisted 'hidden' bonus track. Track 1 Published by Latin Connection/Mack-Frama-Lama (ASCAP/BMI) Recorded at Image Recording, Los Angeles, California Mixed at Ameraycan Studios, North Hollywood, California Track 2 Published by Latin Connection (ASCAP) Contains sample from "N.T." (Gene Redd, Sr./Gene Redd, Jr./Roy Hanoy/Cleveland Horne/Robert & Ronald Bell/Robert Michens/Dennis Homas//Richard Westfield/George Brown/Claydes Smith) published by Warner-Tamerlane Pub. Corp./Stephayne Music (BMI). All rights adm. by Warner-Tamerlane Pub. Corp. Under license from Polygram Special Products, a division of Polygram Group Distribution, Inc. and "La La Peace Song" (Johnny Bristol/Elizabeth Martin) published by Bushka Music (ASCAP) Recorded and mixed at Echo Sound, Los Angeles, California Track 3 Published by Latin Connection (ASCAP) Contains sample from "It's Nasty" (Glover/Robinson/Chase) published by Sugar Hill Music Publishing (BMI), used courtesy of Sugar Hill Records, and "Genius Of Love" (Stanley/Belew/Frantz/Weymouth) published by Ackee Music, Inc. o/b/o Metered Music, Inc. (ASCAP), used courtesy of Warner Special Products, Inc. and "La Di Da Di" (Doug E. Fresh/Slick Rick) published by Entertaining Music/Danica/Slick Rick Music (BMI) used courtesy of Danya Records Recorded and mixed at Echo Sound, Los Angeles, California Track 4 Published by Latin Connection/Mo Knows Music (ASCAP/BMI) Contains sample from "Fat Mama" (Herbie Hancock) published by Hancock Music (BMI) used courtesy of Warner Special Products, Inc. Recorded and mixed at Digital Sound & Picture, Los Angeles, California Tracks 5, 6 Published by Latin Connection/Lauren Loves My Music (ASCAP) Recorded and mixed at Echo Sound, Los Angeles, California Track 7 Published by Latin Connection/Mack-Frama-Lama (ASCAP/BMI) Recorded and mixed at PR Production Studio, Los Angeles, California Track 8 Published by Latin Connection/Lauren Loves My Music/Dos Hermanos (ASCAP) Contains sample from "Funk You Up" (S. Robinson/G. Chisholm/A. Brown/C. Cook) published by Sugar Hill Music Publishing (BMI), used courtesy of Sugar Hill Records Recorded and mixed at Digital Sound & Picture, Los Angeles, California Track 9 Published by Latin Connection (ASCAP) Contains sample from "Sing A Simple Song" (Sylvester Stewart) published by Mijac Music. All rights adm. by Warner-Tamerlane Pub. Corp. Used courtesy of Columbia Records Recorded and mixed at Echo Sound, Los Angeles, California Track 10 Published by Latin Connection/Mo Knows Music (ASCAP/BMI) Recorded and mixed at 38 Fresh, Los Angeles, California Track 11 Published by Latin Connection/Mi Palo Music (ASCAP) Recorded and mixed at Image Recording, Los Angeles, California Track 12 Published by Latin Connection/Lauren Loves My Music (ASCAP) Contains sample from "Strictly Business" (Parrish Smith/Eric Surmon) published by 337 Music (ASCAP) used courtesy of Priority Records Recorded and mixed at Echo Sound, Los Angeles, California Mastered at Bernie Grundman's, Hollywood, California ℗© 1992 Capitol Records, Inc. manufactured by Capitol Records, Inc., a subsidiary of Capitol-EMI Music, Inc., Hollywood and Vine Streets, Hollywod, California. Printed in U.S.A.

 

1. What's It Take To Pull A Hottie (Like You?) 4:22
2. Brother With Two Tongues 4:59
3. Linda 4:27
4. Babalu Bad Boy 3:44
5. Gettin' Funky In The Joint 4:12
6. Hypest From Cypress 6:03
7. Funky Muneca 4:58
8. Boulevard Nights 4:41
9. Me La Pelas 3:48
10. Ricky Ricardo Of Rap 4:40
11. Welcome To My Groove 5:58
12. Mellow Says Hello 4:18
13. Time To Get Busy, Busy 4:03

 

Barcode and Other Identifiers:

Barcode 077779460823
Barcode 0 7777-94608-2 3
Matrix / Runout CPCD 94608 RE1 S2509A 1-1-3 CAPITOL JAX 8 C
Matrix / Runout CPCD 94608 RE1 S2509A 1-1-2 CAPITOL JAX 7 C

 

Record Company Capitol-EMI Music, Inc.
Phonographic Copyright (p) Capitol Records, Inc.
Copyright (c) Capitol Records, Inc.
Manufactured By Capitol Records, Inc.
Glass Mastered At Capitol Jax
Published By Latin Connection (2)
Published By Macka-Frama-Lama
Published By Warner-Tamerlane Publishing Corp.
Published By Stephanye Music
Published By Bushka Music
Published By Sugar Hill Music Publishing
Published By Ackee Music, Inc.
Published By Metered Music, Inc.
Published By Entertaining Music
Published By Danica (2)
Published By Slick Rick Music
Published By Mo Knows Music
Published By Hancock Music
Published By Lauren Loves My Music
Published By Dos Hermanos
Published By Mijac Music
Published By Mi Palo Music
Published By 337 Music
Licensed From PolyGram Special Products
Licensed From PolyGram Group Distribution, Inc.
Recorded At Image Recording Studios
Recorded At Echo Sound
Recorded At Digital Sound Recording, Los Angeles, CA
Recorded At PR Production Studio
Recorded At 38 Fresh
Mixed At Ameraycan Studios
Mixed At Echo Sound
Mixed At Digital Sound Recording, Los Angeles, CA
Mixed At PR Production Studio
Mixed At 38 Fresh
Mixed At Image Recording Studios
Mastered At Bernie Grundman Mastering

Data provided by Discogs

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There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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Fully Serviced

All items are meticulously serviced and restored to meet factory specifications

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We pack with precision and ship in brand new, appropriately sized, boxes.

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