Michael Hedges - Live On The Double Planet (LP, Album) (Very Good Plus (VG+))

Michael Hedges - Live On The Double Planet (LP, Album) (Very Good Plus (VG+))

Windham Hill Records

Regular price $20.00 USD
Sale price $20.00 USD Regular price
Sale Sold out

Media Condition:  Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
Country:    US  
Released:  
1987
Genre:       Rock, Folk World & Country
Style:         Acoustic, Folk

Comments:
*** BUY ANY 4 RECORD for ONLY $5.00 Shipping & Handling fee *** includes original inner sleeve and insert
 

Notes:

Recorded live by Hilleary Burgess April/May 1987 Track B2 recorded by Harry Andronis and David Bianco July 1986 Tracks A1, A5: Recorded in Orono, Maine at the Hutchins Concert Hall, University Of Maine Track A2: Recorded in Lawrence, Kansas at Liberty Hall Track A3, B4: Recorded in Auburn, Alabama at Auburn University Track A4: Recorded in Manchester, New Hampshire at the Palace Theater Track A6: Recorded in Ft. Lauderdale, Florida at Musician's Exchange Track B1: Recorded in Columbia, South Carolina at the Caroline Coliseum, USC Track B2: Recorded in Hollywood, California at SIR Track B3: Recorded in Virginia Beach, Virginia at the Virginia Beach Pavillion Track B5: Recorded in Toronto, Ontario at the Bathurst St. Theater All compositions published by Naked Ear Music (BMI) except track B2 published by Windham Hill Music (BMI) / Naked Ear Music (BMI), track A2 published by Windham Hill Music (BMI) / 1980 Music, Inc. (JASRAC), track A1 published by Dwarf Music (ASCAP), track A5 published by Controversy Music (ASCAP) / Sister Fate Music (ASCAP) / administered by Girlsongs (ASCAP), and track B5 published by Blackwood Music Inc. under license from ATV Music (Maclen) (BMI). All compositions written by Michael Hedges are administered by Windham Hill Music (BMI) © ℗ 1987 Windham Hill Records Printed in the U.S.A.

 

A1. All Along The Watchtower 2:58
A2. Because It's There 3:13
A3. Silent Anticipations 3:01
A4. Ready Or Not 3:51
A5. A Love Bizarre 4:28
A6. Breakfast In The Field 2:17
B1. Rikki's Shuffle 3:07
B2. Woman Of The World 4:28
B3. The Double Planet 3:21
B4. The Funky Avocado 3:20
B5. Come Together 5:08

 

Barcode and Other Identifiers:

Barcode 0 1934-11066-1 6
Barcode 019341106616
Matrix / Runout WH-1066-A ̶I̶N̶T̶L̶ SH1 [Allied 'ɑ' logo] △17223 1-2
Matrix / Runout WH-1066-B SH1 [Allied 'ɑ' logo] △17223-X 1-2
Matrix / Runout WH-1066-A ̶I̶N̶T̶L̶ SH1 [Allied 'ɑ' logo] △17223 1-1 SM 1-1 24270
Matrix / Runout WH-1066-B SH1 [Allied 'ɑ' logo] △17223-X 1-2 24347
Matrix / Runout WH-1066-A-SH3 [Allied 'ɑ' logo] △17223 1-2 24346
Matrix / Runout WH-1066-B SH3 [Allied 'ɑ' logo] △17223-X 1-2 24347
Matrix / Runout WH-1066-A SH3 [Allied 'ɑ' logo] △17223 1-1 SM1-2
Matrix / Runout WH-1066-B SH3 [Allied 'ɑ' logo] △17223-X 1-3
Matrix / Runout WH-1066-A ̶I̶N̶T̶L̶ SH1 [Allied 'ɑ' logo] △17223 1-3
Matrix / Runout WH-1066-B SH1 [Allied 'ɑ' logo] △17223-X 1-2
Rights Society BMI
Rights Society JASRAC
Rights Society ASCAP

 

Copyright (c) Windham Hill Records
Phonographic Copyright (p) Windham Hill Records
Manufactured By Windham Hill Productions Inc.
Distributed By A&M Records, Inc.
Copyright (c) Naked Ear Music
Copyright (c) Windham Hill Music
Published By Naked Ear Music
Published By Windham Hill Music
Published By 1980 Music Inc.
Published By Dwarf Music
Published By Controversy Music
Published By Sister Fate Music
Published By Girlsongs
Published By Blackwood Music Inc.
Licensed From ATV Music (Maclen)
Recorded At Hutchins Concert Hall, University Of Maine
Recorded At Liberty Hall, Lawrence, Kansas
Recorded At Auburn University, Alabama
Recorded At Palace Theater, Manchester, New Hampshire
Recorded At Musicians Exchange, Ft. Lauderdale
Recorded At Carolina Coliseum, Columbia, South Carolina
Recorded At SIR, Hollywood, California
Recorded At Virginia Beach Pavilion
Recorded At Bathurst Street Theater, Toronto
Mixed At Speech & Hearing Clinic
Mastered At Bernie Grundman Mastering
Mastered At Sheffield Lab Matrix
Pressed By Allied Record Company

Data provided by Discogs

Out of stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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