Nirvana - Nevermind (Box, Dlx, Ltd, 30t + CD, Album, RE, RM + 4xCD, Alb) (Mint (M))

Nirvana - Nevermind (Box, Dlx, Ltd, 30t + CD, Album, RE, RM + 4xCD, Alb) (Mint (M))

Geffen Records,UMe,Sub Pop

Regular price $70.00 USD
Sale price $70.00 USD Regular price
Sale Sold out
Shipping calculated at checkout.

Media Condition:  Mint (M)
Sleeve Condition: Mint (M)
Country:    USA & Europe  
Released:  
12 Nov 2021
Genre:       Rock
Style:         Alternative Rock, Grunge
Location:   

Comments:
NEW & SEALED
 

Notes:

Nirvana "Nevermind" 30th Anniversary Deluxe Edition on 5 CD + 1 Blu-ray with 40-page hardcover book. On back cover: "A Geffen Records release. ℗©2021 UMG Recordings, Inc. Distributed by Universal Music Enterprises a Division of UMG Recordings Inc. 2220 Colorado Avenue, Santa Monica, CA 90404 - U.S.A. All rights reserved. Made in Czech Republic. Produced by special arrangement with Sub Pop Records." Blu-ray specs: Video: 1080p Audio: PCM Stereo Region: All Commemorating the 30th anniversary of Nirvana’s seminal 1991 release, the Nevermind Super Deluxe contains 5 CDs showcasing the newly remastered album from the original analog tapes along with 4 complete concerts from the Nevermind tour from Amsterdam, Netherlands; Del Mar, California; Melbourne, Australia and Tokyo, Japan. Additionally, a Blu-ray of the complete and newly remastered in HD Live in Amsterdam concert video is included along with a 40-page hardcover book with unreleased photos.

 

. Nevermind (Original Album Remastered)
CD1-1. Smells Like Teen Spirit 5:01
CD1-2. In Bloom 4:14
CD1-3. Come As You Are 3:39
CD1-4. Breed 3:03
CD1-5. Lithium 4:17
CD1-6. Polly 2:57
CD1-7. Territorial Pissings 2:23
CD1-8. Drain You 3:43
CD1-9. Lounge Act 2:36
CD1-10. Stay Away 3:32
CD1-11. On A Plain 3:16
CD1-12. Something In The Way
. Live In Amsterdam, Netherlands (Paradiso November 25, 1991)
CD2-1. Drain You
CD2-2. Aneurysm
CD2-3. School
CD2-4. Floyd The Barber
CD2-5. Smells Like Teen Spirit
CD2-6. About A Girl
CD2-7. Polly
CD2-8. Lithium
CD2-9. Sliver
CD2-10. Breed
CD2-11. Come As You Are
CD2-12. Been A Son
CD2-13. Negative Creep
CD2-14. On A Plain
CD2-15. Blew
CD2-16. Love Buzz
CD2-17. Territorial Pissings
. Live In Del Mar, California (Pat O'Brien Pavilion, December 28, 1991)
CD3-1. Drain You
CD3-2. Aneurysm
CD3-3. School
CD3-4. Floyd The Barber
CD3-5. Smells Like Teen Spirit
CD3-6. About A Girl
CD3-7. Polly
CD3-8. Sliver
CD3-9. Breed
CD3-10. Come As You Are
CD3-11. Lithium
CD3-12. Territorial Pissings
. Live In Melbourne, Australia For Triple J (The Palace, February 1, 1992)
CD4-1. Aneurysm
CD4-2. Drain You
CD4-3. School
CD4-4. Sliver
CD4-5. About A Girl
CD4-6. Come As You Are
CD4-7. Lithium
CD4-8. Breed
CD4-9. Polly
CD4-10. Lounge Act
CD4-11. In Bloom
CD4-12. Love Buzz
CD4-13. Smells Like Teen Spirit
CD4-14. Feedback Jam
CD4-15. Negative Creep
CD4-16. On A Plain
CD4-17. Blew
. Live In Tokyo Japan (Nakano Sunplaza February 19, 1992)
CD5-1. Negative Creep
CD5-2. Been A Son
CD5-3. On A Plain
CD5-4. Blew
CD5-5. Come As You Are
CD5-6. Lithium
CD5-7. Breed
CD5-8. Sliver
CD5-9. Drain You
CD5-10. About A Girl
CD5-11. School
CD5-12. Aneurysm
CD5-13. Love Buzz
CD5-14. Polly
CD5-15. Territorial Pissings
CD5-16. Smells Like Teen Spirit
. Live In Amsterdam, Netherlands (Paradiso, November 25, 1991)
BD-1. Drain You
BD-2. Aneurysm
BD-3. School
BD-4. Floyd The Barber
BD-5. Smells Like Teen Spirit
BD-6. About A Girl
BD-7. Polly
BD-8. Lithium
BD-9. Sliver
BD-10. Breed
BD-11. Come As You Are
BD-12. Been A Son
BD-13. Negative Creep
BD-14. On A Plain
BD-15. Blew
BD-16. Love Buzz
BD-17. Territorial Pissings

 

Barcode and Other Identifiers:

Barcode 602438461882
Barcode 6 02438 46188 2
Rights Society SESAC
Rights Society PRS
Rights Society BMI

 

Phonographic Copyright (p) UMG Recordings, Inc.
Copyright (c) UMG Recordings, Inc.
Distributed By Universal Music Enterprises
Recorded At Sound City Studios
Recorded At Paradiso Amsterdam
Recorded At Pat O'Brien Pavilion
Recorded At The Palace, Melbourne
Recorded At Nakano Sun Plaza
Published By The End Of Music
Mastered At Sterling Sound
Mixed At Scream Studios
Published By BMG Rights Management (UK) Limited
Published By Songs Of Kobalt Music Publishing
Published By Murky Slough Music
Published By Irving Music
Licensed From Sub Pop
Licensed From Australian Broadcasting Corporation
Licensed To UMG Recordings, Inc.
Phonographic Copyright (p) Australian Broadcasting Corporation
Phonographic Copyright (p) VPRO
Recorded At Live At The Wireless
Recorded By Westwood One

Data provided by Discogs

In stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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All items are meticulously serviced and restored to meet factory specifications

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We pack with precision and ship in brand new, appropriately sized, boxes.

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