Pink Floyd - Echoes (The Best Of Pink Floyd) (2xCD, Comp, RM, O-c) (Very Good (VG))

Pink Floyd - Echoes (The Best Of Pink Floyd) (2xCD, Comp, RM, O-c) (Very Good (VG))

Capitol Records

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Media Condition:  Very Good (VG)
Sleeve Condition: Very Good Plus (VG+)
Country:    US  
Released:  
2001
Genre:       Rock
Style:         Psychedelic Rock, Classic Rock, Prog Rock, Art Rock
Location:   

Comments:

 

Notes:

2-disc jewel case in an o-card with a clear tray and 32-page booklet

[Booklet, Disc 1 side
To compile this album, the original analogue master tapes were played back on custom tape machines built by The Mastering Lab (1/4inch) and Tim de Paravicini (1/2inch).  Custom valve EQ was by Esoteric Audio Research.  24 bit Analogue to Digital converters by dB Technologies fed the SADiE workstation.  Monitoring DACS were by dCS.

© 2001 Pink Floyd Music Ltd. under exclusive license to EMI Records Ltd.
Printed in U.S.A.

Track 1-1
Taken from
The Piper At The Gates Of Dawn
Released 
1967
© 1967 TRO Essex Music, Inc

Track 1-2
© 1967 TRO Essex Music, Inc
Released 
1967

Track 1-3
© 1979 Roger Waters Music Overseas Ltd (Artemis BV)
Taken from 
The Wall
Released 
1979

Track 1-4
© 1979 Roger Waters Music Overseas Ltd (Artemis BV)
Taken from 
The Wall
Released 
1979

Track 1-5
Taken from
Meddle
Released 
1971
© 1971 TRO - Hampshire House Publishing Corp

Track 1-6
© 1979 Roger Waters Music Overseas Ltd (Artemis BV)
Taken from 
The Wall
Released 
1979

Track 1-7
© 1994 Pink Floyd Music Publishers, Inc
Taken from
The Division Bell
Released
1994

Track 1-8
© 1973 TRO - Hampshire House Publishing Corp
Taken from
The Dark Side Of The Moon
Released
1973

Track 1-9
Taken from
A Saucerful Of Secrets
Released
1968
© 1967 TRO Essex Music International, Inc

Track 1-10
© 1973 TRO - Hampshire House Publishing Corp
Taken from
The Dark Side Of The Moon
Released
1973

Track 1-11
Taken from
The Division Bell
Released
1994
© 1994 Pink Floyd Music Publishers, Inc

Track 1-12
Taken from 
Animals
Released 
1977
© 1977 Roger Waters Music Overseas Ltd (Artemis BV)

Track 1-13
© 1987 Pink Floyd Music Publishers, Inc
Taken from
A Momentary Lapse Of Reason
Released 1987

[Booklet, Disc 2 Side
Track 2-1
Taken from
Wish You Were Here
Released 1975
© 1974 Pink Floyd Music Publishers, Inc/Roger Waters Overseas Ltd (Artemis BV)

Track 2-2
© 1973 TRO - Hampshire House Publishing Corp
Taken from
The Dark Side Of The Moon
Released
1973

Track 2-3
Taken from 
The Final Cut
Released 
1983
© 1982 Roger Waters Overseas Ltd (Artemis BV)

Track 2-4
© 1979 Pink Floyd Music Publishers, Inc/Roger Waters Overseas Ltd (Artemis BV)
Taken from
The Wall
Released
1979

Track 2-5
© 1979 Roger Waters Overseas Ltd (Artemis BV)
Taken from
The Wall Movie Soundtrack

Track 2-6
© 1971 TRO - Hampshire House Publishing Corp
Taken from
Meddle
Released
1971

Track 2-7
© 1973 TRO - Hampshire House Publishing Corp
Taken from
The Dark Side Of The Moon
Released
1973

Track 2-8
© 1987 Pink Floyd Music Publishers, Inc
Taken from
A Momentary Lapse Of Reason
Released
1987

Track 2-9
Released 
1967
© 1967 Southern Music Pub. Co. Inc

Track 2-10
Taken from 
Wish You Were Here
Released
1975
© 1975 Pink Floyd Music Publishers, Inc/Roger Waters Overseas Ltd (Artemis BV)

Track 2-11
© 1967 TRO Essex Music, Inc
Taken from
A Saucerful Of Secrets
Released
1968

Track 2-12
Taken from
The Division Bell
Released 
1994
© 1994 Pink Floyd Music Publishers, Inc

Track 2-13
Taken from 
The Piper At The Gates Of Dawn
Released 1967
© 1967 TRO Essex Music, Inc

[Back of jewel case
CD1 Tracks 1-1,1-2,1-5,1-8,1-9,1-10 Digital Remaster ℗ 2001 EMI Recors Ltd. 1-3,1-4,1-6,1-12 Digital Remaster ℗ 2001 Pink Floyd Music Ltd. under exclusive license to EMI Records Ltd. 1-7*,1-11*,1-13* Digital Remaster ℗ 2001 Pink Floyd 1987 Ltd. under exclusive license to EMI Records Ltd. CD 2 Tracks 2-2,2-6,2-9,2-11,2-13 Digital Remaster ℗ 2001 EMI Records Ltd. 2-1,2-3*,2-4,2-5*,2-10 Digital Remaster ℗ 2001 Pink Floyd Music Ltd. under exclusive license to EMI Records Ltd. 2-8*,2-12* Digital Remaster ℗ 2001 Pink Floyd 1987 Ltd. under exclusive license to EMI Records Ltd. © 2001 Pink Floyd Music Ltd. under exclusive license to EMI Records Ltd. *For the world excluding Europe Digital Remaster ℗ 2001 Sony Music Entertainment under license to EMI Records Ltd.
Printed in U.S.A.

[Disc 1
Tracks 1-1,1-2,1-5,1-8,1-9,1-10 Digital Remaster ℗ 2001 EMI Recors Ltd. 1-3,1-4,1-6,1-12 Digital Remaster ℗ 2001 Pink Floyd Music Ltd. under exclusive license to EMI Records Ltd. 1-7*,1-11*,1-13* Digital Remaster ℗ 2001 Pink Floyd 1987 Ltd. under exclusive license to EMI Records Ltd. • © 2001 Pink Floyd Music Ltd. under exclusive license to EMI Records Ltd. • *For the world excluding Europe Digital Remaster ℗ 2001 Sony Music Entertainment under license to EMI Records Ltd.

Printed in U.S.A.

[Disc 2
Tracks 2-2,2-6,2-9,2-11,2-13 Digital Remaster ℗ 2001 EMI Records Ltd. 2-1,2-3*,2-4,2-5*,2-10 Digital Remaster ℗ 2001 Pink Floyd Music Ltd. under exclusive license to EMI Records Ltd. 2-8*,2-12* Digital Remaster ℗ 2001 Pink Floyd 1987 Ltd. under exclusive license to EMI Records Ltd. • © 2001 Pink Floyd Music Ltd. under exclusive license to EMI Records Ltd. • *For the world excluding Europe Digital Remaster ℗ 2001 Sony Music Entertainment under license to EMI Records Ltd.

Printed in U.S.A.

 

1-1. Astronomy Domine 4:10
1-2. See Emily Play 2:47
1-3. The Happiest Days Of Our Lives 1:38
1-4. Another Brick In The Wall (Part 2) 4:01
1-5. Echoes 16:31
1-6. Hey You 4:40
1-7. Marooned 2:03
1-8. The Great Gig In The Sky 4:40
1-9. Set The Controls For The Heart Of The Sun 5:20
1-10. Money 6:30
1-11. Keep Talking 5:58
1-12. Sheep 9:47
1-13. Sorrow 8:46
2-1. Shine On You Crazy Diamond (Parts 1-7) 17:32
2-2. Time 6:48
2-3. The Fletcher Memorial Home 4:07
2-4. Comfortably Numb 6:54
2-5. When The Tigers Broke Free 3:43
2-6. One Of These Days 5:15
2-7. Us And Them 7:51
2-8. Learning To Fly 4:51
2-9. Arnold Layne 2:53
2-10. Wish You Were Here 5:21
2-11. Jugband Blues 2:56
2-12. High Hopes 7:00
2-13. Bike 3:25

 

Barcode and Other Identifiers:

Barcode 7 2435-36111-2 5
Barcode 0724353611125
Other CDP 7243 5 361112 5-SK1
Other CDP 7243 5 36111 2 4
Other CDP 7243 5 36111 2 3
Matrix / Runout 3-2-5 724353611224 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code IFPI 6100
Matrix / Runout 724353611224 2-12-23 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code IFPI 1672
Matrix / Runout 724353611224 2-1-21 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1678
Matrix / Runout 2-1-30 724353611224 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1678
Matrix / Runout 724353611224: 2-1-23 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code IFPI 1672
Matrix / Runout 724353611224: 2-1-23 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code IFPI 166M
Matrix / Runout 724353611224: MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 166K
Matrix / Runout 3-2-2 724353611224 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code none
Matrix / Runout 3-2-4 724353611224:· MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 167E
Matrix / Runout 724353611224: MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1678
Matrix / Runout M1S5 724 353611323RE1 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code IFPI 6100
Matrix / Runout 3-1-27 724 353611323RE1 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1686
Matrix / Runout 3-1-25 724 353611323RE1 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1690
Matrix / Runout 3-1-18 724 353611323RE1 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1682
Matrix / Runout 724 353611323RE1:: 4-1-21 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1685
Matrix / Runout 4-1-20 724 353611323RE1:: MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1682
Matrix / Runout 724 353611323RE1:: MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1686
Matrix / Runout 8-1-2 724 353611323RE1
Mastering SID Code IFPI L044
Mould SID Code ifpi 1685
Matrix / Runout 8-1-4 724 353611323RE1 MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1684
Matrix / Runout 724 353611323RE1:· MASTERED BY EMI MFG.
Mastering SID Code IFPI L044
Mould SID Code ifpi 1684

 

Licensed To EMI Records Ltd.
Phonographic Copyright (p) EMI Records Ltd.
Phonographic Copyright (p) Pink Floyd Music Ltd.
Phonographic Copyright (p) Pink Floyd (1987) Ltd.
Phonographic Copyright (p) Sony Music Entertainment
Copyright (c) Pink Floyd Music Ltd.
Copyright (c) TRO-Essex Music, Inc.
Copyright (c) Roger Waters Music Overseas Ltd.
Copyright (c) Muziekuitgeverij Artemis B.V.
Copyright (c) TRO-Hampshire House Publishing Corp.
Copyright (c) Pink Floyd Music Publishers Inc.
Copyright (c) Tro-Essex Music International, Inc.
Copyright (c) Southern Music Publishing Co. Inc.
Manufactured By Capitol Records, Inc.
Mastered At das Boot recording
Glass Mastered At EMI MFG.

Data provided by Discogs

In stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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Fully Serviced

All items are meticulously serviced and restored to meet factory specifications

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We pack with precision and ship in brand new, appropriately sized, boxes.

Information flow

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