Sony SL-2000 Betamax Portable Recorder - TT-2000 Tuner * Boxes

Sony SL-2000 Betamax Portable Recorder - TT-2000 Tuner * Boxes

Sony

Regular price $300.00 USD
Sale price $300.00 USD Regular price
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THE SL-2000 (ALIAS THE SL-2000)

When Sony introduced the SL-2000 it was immediately recognized by every video publication and technical lab as the finest portable VCR ever made. Everybody who wanted to record video "on the go" had to have one. It was (and still is) a crowning achievement with stellar handling characteristics that surpasses any consumer video tape recorder. Gorgeous and simple it was also totally supported by its maker, Sony. They poured everything that they were famous for into this little jewel. It afforded a new creativity and flexibility previously not available to the consumer, and there was an accessory to accommodate your every creative desire. Portability was its hallmark, but one of the the primary accessories was its equally small and equally impressive tuner/timer. It turned the portable into a full featured, free standing home video recorder. It also charged the removable battery inside the VCR and permitted arm chair control by using the included full function infrared remote, called the Commander. But it didn't stop there (that would have been enough for some VCR manufacturers) no, Sony offered lots of other accessories. For powering the portable VCR there was a 12 volt car adapter, a separate battery charger, a rechargeable battery 4-pack and a rechargeable battery belt. There were also a number of sophisticated cameras that you could use for mobile movie making. To accommodate this new mobility there were several carrying cases, a clamshell sports pack that strapped onto your back, that also supported a camera, and a four wheeled folding cart. There was even an outrageously expensive diving enclosure for underwater videography that held a camera, recorder and two batteries. This plethora of support accessories were advertised by Sony as the "Betamax System" strategy. Sony was very big on coming up with buzzwords that called attention to a feature or benefit the customer would receive from their products. It had work wonders for them with their other products, it should also work with their new Betamax. Another Sony slogan at this same time was the "Betamax, the Sony of VCRs". This put forth the corporate ego that Sony was the best you could get. This bragging was intended to promote Betas quality image but it also had the negative effect of putting the other Beta format makers (Sanyo, NEC,Toshiba, Aiwa and Zenith) in a secondary light in the eyes of consumers. The untouchable excellence of the model SL-2000 didn't help the situation because it has so many great things going for it, one was worthy of a whole new Sony buzzword. A new term that Sony hoped would highlight a smart new feature incorporated into this portable VCR. This newcomer to the list of novel names was "Videola" and when it hit the public it immediately got Sony in trouble. But first what this new feature was and how it was made possible. It was attainable because the reel table assembly inside the SL-2000 was capable of maintaining constant tension at all times, at any speed, at any angle during operation. This allows it to slow scan the tape backwards and forwards in pause while showing a very good, steady picture. This is great for locating editing points when going through different scenes. Even better Sony incorporated this feature into the recording mode when you using a Sony camera. Called "Record Review" it worked this way. When the VCR was in the recording pause mode pressing a button on the camera would cause the tape to travel backwards a short distance and then play back the last few seconds of what you just recorded. After it did this it would then go back into record pause mode. This awesome function was possible because of what Sony called the Videola feature that was built into the SL-2000. (The magnificent SL-2500 home recorder accepts a camera and duplicates this feature.) Sony heavily promoted the SL-2000 and all was going great until a company named Movieola cried foul. Sounds too much like us, they said. Sony was already in one lawsuit over movie rights so they didn't need this. They agreed to change the name of this new super power to "SWING SEARCH" which was pretty clever, really (and sort of accidental). It was a good replacement because you can place your fingers on both of the Swing Search keys on the front of the VCR and press them back and forth during pause, it really was like you were swinging the tape direction back and forth. In the picture above you can see these "VIDEOLA" buttons on the face of the VCRs. Sony only sold a few of the units that had VIDEOLA printed on the front before it was replaced with "SWING SEARCH". Of those early units the very first ones also didn't have the tactile bumps molded into the play, record and videola buttons. The two early designs are shown picture above (Plate 1). Click on the picture and you can see the remotes that came with the companion TT-2000 unit (PLATE 2). The early one has "VIDEOLA" printed beneath the special effects button array, later it changed to "SWING SEARCH". After the name changes and the dust settled the Sony Beta partner, Zenith, decided they wanted this portable to compliment their current home models. Sony had been making their Beta VCRs all along and branding them as Zenith. Of course, they would oblige. It became their model VR9800. Click on the picture (Plate3) and it is shown under the final design SL-2000, which now had Swing Search printed above the control buttons. Below that is the VR9800 and you can see that Zenith called this feature "Video Action". They carried their buzzword over to their other models as well. It's easy to see the similarity in this picture. The VR 9500 was the SL-2000 with just a slightly different button configuration. (Notice there are no tactile bumps on the buttons.) During this time period Zenith was in a good position to reap some great benefits from its Beta association, but things went south pretty quick. Turned out that all the accessories for this awesome new portable had Sony's name on item! Not very many said Zenith on them. Sony was reluctant to duplicate all the accessories for them because of the "Betamax System" strategy. Consumers were wise to the brand swapping, calling it piggybacking. For the small price difference buyers decided having Sony on the front of their VCR was worth more than Zenith. Sales of the VR9800 were good, but not earth shattering like with the Sony version. Zenith didn't take this very well. Also sales of their two home models, both made by Sony to Zenith specifications, were good, but not as stellar as they had hoped. Putting it all together, Zenith abruptly and unexpectedly decided to called it quits for Beta. They were going over to VHS. It was a harsh blow because their association had been close and Zenith was a well respected name in the USA. To make matters worse the desertion wasn't explained very well to the public. Production of the Zenith portables were in full swing at Sony at the time of the collapse. Zenith agreed to accept the inventory of all the remaining completed models. That took care of the home units but Sony had anticipated higher sales of the VR9800. They were now stuck with faceplates that were configured for the Zenith touch pad pattern. So they turned the remaining inventory into a new model with a new color and labelled it the SL-2005. To see it compared to Zenith model it copied click on the picture (PlATE 4). As you can easily see they are the same VCR, only the color and name were different. This new color ended up appealing to an unexpected number of buyers. They liked its darker finish. Sony continued the SL-2005 for a limited period. To see the remotes that came with these two Betas click on the picture (PLATE 5). As you see Swing Search is printed on the Sony SL-2005 remote on the left. Slow motion appears in this location on the Zenith remote on the right. Note also that the remote for the Zenith is named the "Video Action Control". This logo appeared on the remotes of past models as well. There were two other portables that were built at this time that were similar to the SL-2000 and VR 9800 and shared part of their model numbers. They were less sophisticated and cost less, but they still performed well. Their tape transport didn't allow for the Swing Search function. These were the Sony model SL-2001 and the Zenith model VR9500. They too, had their own matching, less expensive, companion tuner/timers, the TT-2001 and the VRT-9500. Most all of the Sony and Zenith accessories were compatible with each other.

©Misterßetamax
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There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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All items are meticulously serviced and restored to meet factory specifications

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