Fully Serviced
All items are meticulously serviced and restored to meet factory specifications
Apple Records,Capitol Records
Media Condition: Near Mint (NM or M-)
Sleeve Condition: Very Good Plus (VG+)
Country: US
Released: 28 Oct 1996
Genre: Rock
Style: Rock & Roll, Pop Rock
Location:
Comments:
3xLP Record Set. Records are all NM. Sleeve and spine are VG+ w/some scuffs and scratches. Light ring wear on back cover. Includes OG Inners.
Notes:
℗ 1996 The copyright of this compilation is owned by Apple Corps Ltd./EMI Records Ltd. © 1996 Apple Corps Ltd. Under exclusive license to EMI Records Ltd. Manufactured by Capitol Records, Inc. Printed in U.S.A. "Beatles", "Apple" and the Apple logos are trademarks of Apple Corps Ltd. A1: Recorded At EMI Studios, London, 22 July 1968 A2: Recorded In Esher, May 1968 A3: Recorded At EMI Studios, London, 18 July 1968 A4 to A9: Recorded In Esher, May 1968 A10: Recorded At EMI Studios, London, 4 And 6 June 1968 A11: Recorded At EMI Studios, London, 3, 4, 5 July 1968 A12: Recorded At EMI Studios, London, 28 June And 22 July 1968 B1: Recorded At EMI Studios, London, 16 July 1968 B2: Recorded At EMI Studios, London, 11 June 1968 B3: Recorded At EMI Studios, London, 19 July 1968 B4: Recorded At EMI Studios, London, 25 July 1968 B5: Recorded At EMI Studios, London, 29 July 1968 B6: Recorded At EMI Studios, London, 8, 9, 12 August 1968 B7: Recorded At EMI Studios, London, 9 August 1968 C1: Recorded At EMI Studios, London, 11, 12, 13, 16, 26 September 1968 C2: Recorded At EMI Studios, London, 15 August 1968 C3: Recorded At EMI Studios, London, 14 August 1968 C4: Recorded At EMI Studios, London, 16 September 1968 C5: Recorded At EMI Studios, London, 8 October 1968 C6: Recorded At EMI Studios, London, 16 September 1968 C7: Recorded At EMI Studios, London, 9 October 1968 C8: Recorded At EMI Studios, London, 13 October 1968 D1: Recorded At Apple Studios, London, 23 January 1969 D2 & D3: Recorded At Apple Studios, London, 22 January 1969 D4: Recorded At Apple Studios, London, 24 January 1969 D5: Recorded At Apple Studios, London, 25 January 1969 D6: Recorded At Apple Studios, London, 24 And 28 January 1969 D7 & E1: Recorded At Apple Studios, London, 26 January 1969 E2: Recorded At Apple Studios, London, 27 January 1969 E3: Recorded At EMI Studios, London, 25 February 1969 E4: Recorded At Apple Studios, London, 29 January 1969 E5: Recorded At Apple Studios (Roof), London, 30 January 1969 E6 & F1: Recorded At EMI Studios, London, 25 February 1969 E7: Recorded At EMI Studios, London, 26 April 1969 E8: Recorded At EMI Studios, London, 9 July 1969 F2: Recorded At EMI Studios, London, 21 July 1969 F3 & F4: Recorded At EMI Studios, London, 24 July 1969 F5: Recorded At EMI Studios, London, 1 And 4 August 1969 F6: Recorded At EMI Studios, London, 25 January 1969 F7: Recorded At EMI Studios, London, 3 January 1970 F8: Recorded At EMI Studios, London, 23 July And 3, 5, 7, 8, 15, 18 August 1969; Final Chord 22 February 1967 All photographs in this album © Apple Corps Ltd. A1, A2, A8, C1, C7 & F1 are presented in MONO Recordings: All tracks ℗ 1996 The Copyright in these sound recordings is owned by EMI Records Ltd., except A2, A4 to A9 ℗ 1996 The Copyright in these sound recordings is owned by George Harrison under license to Apple Corps Ltd. Publishing: A1: George Martin Music A2 to A7, A9, A11 to B3, B5, B7 to D4, E1, E2, E5, E8, F2, F3, F5, F6, F8: SONY/ATV SONGS LLC. All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC., under license from SONY/ATV SONGS LLC. (BMI) A8, B4, D5, E3, E6, F1, F7: Harrisongs Ltd. A10, E7: Startling Music Limited. B6: Ganga Publishing BV (Ganga is represented in the USA and Canada (performance only) by Zero Productions Inc.) (BMI) D7: SONY/ATV SONGS LLC. All Rights Controlled and Administered by EMI BLACKWOOD MUSIC INC., under license from SONY/ATV SONGS LLC. (BMI)/Unichappell Music, Inc. (BMI)/Carl Perkins Music Inc. (BMI) All Rights Administered by Unichappell Music, Inc. (BMI). E4: Southern Music Publishing Co., Inc. and Bienstock Publishing Company. F4: Warner Bros. Inc. (ASCAP)
A1. A Beginning 0:50
A2. Happiness Is A Warm Gun 2:14
A3. Helter Skelter 4:37
A4. Mean Mr. Mustard 1:57
A5. Polythene Pam 1:26
A6. Glass Onion 1:51
A7. Junk 2:24
A8. Piggies 2:01
A9. Honey Pie 1:19
A10. Don't Pass Me By 2:42
A11. Ob-La-Di, Ob-La-Da 2:42
A12. Good Night 2:56
B1. Cry Baby Cry 2:37
B2. Blackbird 2:46
B3. Sexy Sadie 2:18
B4. While My Guitar Gently Weeps 4:06
B5. Hey Jude 3:27
B6. Not Guilty 4:21
B7. Mother Nature's Son 3:17
C1. Glass Onion 2:08
C2. Rocky Raccoon 4:12
C3. What's The New Mary Jane 6:12
. Step Inside Love / Los Paranoias 2:30
C5. I'm So Tired 2:14
C6. I Will 1:55
C7. Why Don't We Do It In The Road 2:15
C8. Julia 1:57
D1. I've Got A Feeling 2:49
D2. She Came In Through The Bathroom Window 3:36
D3. Dig A Pony 4:18
D4. Two Of Us 3:27
D5. For You Blue 2:22
D6. Teddy Boy 3:18
. Medley 3:10
E1. The Long And Winding Road 3:40
E2. Oh! Darling 4:08
E3. All Things Must Pass 3:05
E4. Mailman, Bring Me No More Blues 1:55
E5. Get Back 3:08
E6. Old Brown Shoe 3:02
E7. Octopus's Garden 2:49
E8. Maxwell's Silver Hammer 3:49
F1. Something 3:18
F2. Come Together 3:40
F3. Come And Get It 2:29
F4. Ain't She Sweet 2:08
F5. Because 2:23
F6. Let It Be 4:05
F7. I Me Mine 1:47
F8. The End 2:50
Barcode and Other Identifiers:
Barcode 7 2438-34451-1 0
Rights Society BMI
Rights Society ASCAP
Other 1-884409-32-6
Other C1 7243 8 34452 1 9
Other C1 7243 8 34453 1 8
Other C1 7243 8 52494 1 9
Matrix / Runout MASTERED BY CAPITOL "KEV" Y-1-34452-G ̷2̷ 1 1-11
Matrix / Runout MASTERED BY CAPITOL "KEV" Y-2-34452-G1 1-1
Matrix / Runout MASTERED BY CAPITOL "KEV + DB" Y-1-34453-G1 1-2
Matrix / Runout MASTERED BY CAPITOL "LITTLE LOGAN" Y-2-34453-G1 1-1
Matrix / Runout MASTERED BY CAPITOL "RDC3" Y-1-52494-G1 1-1
Matrix / Runout MASTERED BY CAPITOL "RDC3" JODY G. Y-2-52494-G1 1-1
Matrix / Runout Y‧1‧34452‧G ̶2̶ 1 1-1 "KEV" MASTERED BY CAPITOL
Matrix / Runout Y‧2‧34452‧G1 1-1 "KEV" MASTERED BY CAPITOL
Matrix / Runout Y‧1‧34453‧G1 1-2 "KEV + DB" MASTERED BY CAPITOL
Matrix / Runout Y‧2‧34453‧G1 1-1 "LITTLE LOGAN" MASTERED BY CAPITOL
Matrix / Runout Y‧1‧52494‧G1 1-2 "RDC3" MASTERED BY CAPITOL
Matrix / Runout Y‧2‧52494‧G1 1-1 JODY G. "RDC3" MASTERED BY CAPITOL
Phonographic Copyright (p) Apple Corps Ltd.
Phonographic Copyright (p) EMI Records Ltd.
Copyright (c) Apple Corps Ltd.
Licensed To EMI Records Ltd.
Manufactured By Capitol Records, Inc.
Record Company Apple Corps Ltd.
Recorded At EMI Studios, London
Recorded At Kinfauns
Recorded At Apple Studios
Phonographic Copyright (p) George Harrison
Licensed To Apple Corps Ltd.
Published By George Martin Music
Published By Sony/ATV Songs LLC
Published By EMI Blackwood Music Inc.
Licensed From Sony/ATV Songs LLC
Published By Harrisongs Ltd.
Published By Startling Music Ltd.
Published By Ganga Publishing B.V.
Published By Zero Productions, Inc.
Published By Unichappell Music, Inc.
Published By Carl Perkins Music Inc.
Published By Southern Music Publishing Co. Inc.
Published By Bienstock Publishing Co.
Published By Warner Bros. Inc.
Mastered At Capitol Mastering
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There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.
Why Vintage Audio Still Matters
In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.
Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.
The Philosophy of Refurbishment
Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.
Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.
The Turntable Store refurbishing process.. step by step
Step 1: The Initial Encounter
When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.
Instead:
Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.
Step 2: Deep Cleaning & Control Detox
Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.
The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.
Step 3: Electrical Resurrection
This is where science meets art:
Step 4: Cosmetic Glory
Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.
Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.
Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.
Step 5: Calibration & Sonic Check
After the repair and cleaning, it’s time to dial in the performance:
When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.
Our promise for Audiophile-Level Results
Why It’s Worth It
The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.
And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.
We have a 14-day return policy, which means you have 14 days after receiving your item to request a return.
To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.
To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address:
The Turntable Store
45 Market Square
Manheim PA 17545
If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.
You can always contact us for any return question at theturntablestore@gmail.com.
Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.
Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item.
Unfortunately, we cannot accept returns on sale items or gift cards.
Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.
European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.
Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.
We ensure our customers have the best shopping experience
All items are meticulously serviced and restored to meet factory specifications
We pack with precision and ship in brand new, appropriately sized, boxes.
Be in the know with timely notifications on your order, starting from acceptance to tracking numbers, allowing you to stay connected with your purchase