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The Beatles - Live At The BBC (2xCD, Comp, Mono, RM, EMI) (Very Good Plus (VG+))

The Beatles - Live At The BBC (2xCD, Comp, Mono, RM, EMI) (Very Good Plus (VG+))

Capitol Records,Apple Records

$4.00 USD
$4.00 USD
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Media Condition:  Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
Country:    US  
Released:  06 Dec 1994
Genre:       Rock
Style:         Pop Rock, Beat
Location:   

Comments:

 

Notes:

Issued in a standard double-disc jewel case with a 48-page booklet. Some copies also included an Official Beatles Merchandise mini-catalog (cat # C2-31796). 

Track 1-1 recorded 9 October 1963.
Track 1-2 recorded at BBC Paris Theatre, London, 28 February 1964. 
Tracks 1-3, 2-9, 2-18 and 2-19 recorded at Playhouse Theatre, London, 17 November 1964 (for Top Gear).
Tracks 1-4, 1-20, 1-21, 1-24, 1-26, 1-28, 2-15, 2-16, 2-24 and 2-33 recorded at BBC Paris Theatre, London, 16 July 1963 (for Pop Go The Beatles).
Track 1-5 recorded at Aeolian Hall Studios, London, 3 September 1963 (for Pop Go The Beatles).
Track 1-6 recorded at Playhouse Theatre, London, 22 January 1963 (for Saturday Club).
Track 1-7 recorded at BBC Paris Theatre, London, 4 April 1963 (for Side By Side).
Tracks 1-8, 1-10, 1-14 and 2-29 recorded at BBC Paris Theatre, London, 1 June 1963 (for Pop Go The Beatles).
Tracks 1-9, 2-30, 2-32 and 2-34 recorded at Playhouse Theatre, Manchester, 1 August 1963 (for Pop Go The Beatles).
Tracks 1-11 and 1-12 recorded at Playhouse Theatre, London, 19 June 1963 (for Easy Beat).
Tracks 1-15 to 1-19 recorded at Maida Vale Studios, London, 2 July 1963 (for Pop Go The Beatles).
Track 1-23 recorded at Playhouse Theatre, London, 30 July 1963 (for Saturday Club).
Tracks 1-25, 1-30, 2-10 to 2-14, 2-17, 2-26 and 2-35 recorded at Aeolian Hall Studios, London, 10 July 1963 (for Pop Go The Beatles).
Track 1-27 recorded at Playhouse Theatre, London, 16 October 1963 (for Easy Beat).
Track 1-29 recorded at Playhouse Theatre, London, 7 February 1964 (for Saturday Club).
Track 1-31 recorded at Playhouse Theatre, London, 7 September 1963 (for Saturday Club).
Tracks 1-32, 1-34, 2-4 to 2-7 recorded at Piccadilly Theatre, London, 28 February 1964 (for From Us To You).
Tracks 2-1 to 2-3, and 2-8 recorded at Broadcasting House, London, 14 July 1964 (for Top Gear).
Tracks 2-20 and 2-21 recorded at Playhouse Theatre, London, 25 November 1964 (for Saturday Club).
Tracks 2-22 and 2-23 recorded at Piccadilly Theatre, London, 26 May 1965 (for The Beatles Invite You To Take A Ticket To Ride).
Track 2-27 recorded at BBC Paris Theatre, London, 1 May 1964 (for From Us To You).

All music selections are previously unreleased variations or previously unreleased songs, except 1-12, 1-14, 1-23, 1-25 to 1-27, 1-32, 1-34, 2-2, 2-4, 2-6 to 2-9, 2-18 to 2-24, 2-26, 2-33, and 2-35, according to information obtained from the booklet.

Publishers:
Track 1-25 Ambassador Music Ltd.
Track 1-28 Boosey & Hawkes Music Publishers Ltd / SDRM / Copyright Control
Track 1-24 Bourne Music Ltd.
Track 1-4 Campbell Connelly & Co. Ltd.
Track 1-15 Carlin Music Corp.
Tracks 1-8, 1-17, 1-19, 1-20, 2-12, 2-17, 2-29, 2-30 Copyright Control
Tracks 1-5, 1-16, 1-29, 1-30, 2-6, 2-10, 2-13, 2-21 Jewel Music Publishing Co. Ltd.
Track 1-23 Jobete Music (UK) Ltd.
Tracks 1-10, 2-20, 2-34 Knox Music / Carlin Music Corp
Track 1-14 Ludix Music / Carlin Music Corp
Track 1-9 Marquis Music Ltd.
Track 1-31 MCA Music Ltd.
Tracks 1-34, 2-35 MPL Communications Ltd.
Tracks 1-2, 1-7, 1-12, 1-27, 1-32, 2-2, 2-4, 2-7, 2-8, 2-9, 2-18, 2-19, 2-22 Northern Songs Ltd.
Tracks 1-21, 1-26, 2-16 Peermusic (UK) Ltd
Tracks 1-6, 2-32 Screen Gems-EMI
Track 1-11 Trio Music Co. Ltd.
Track 2-14 Ardmore & Beechwood
Track 2-23 ATV Music
Tracks 2-26, 2-27 Carlin Music Corp
Track 2-24 EMI Music / ATV Music
Track 2-15 MCA Music Ltd. / Carlin Music Corp
Track 2-33 Tro Essex Music Ltd.

Released by arrangement with BBC Enterprises Ltd.
℗ 1994 The copyright in these sound recordings is owned by the BBC under exclusive license to EMI Records Ltd.
Digital re-masters ℗ 1994 EMI Records Ltd.
© 1994 Apple Corps Ltd. under exclusive license to EMI Records Ltd.

Printed in the U.S.A.

 

1-1. Beatle Greetings (Speech) 0:14
1-2. From Us To You 0:27
1-3. Riding On A Bus (Speech) 0:54
1-4. I Got A Woman 2:48
1-5. Too Much Monkey Business 2:06
1-6. Keep Your Hands Off My Baby 2:30
1-7. I'll Be On My Way 1:58
1-8. Young Blood 1:57
1-9. A Shot Of Rhythm And Blues 2:15
1-10. Sure To Fall (In Love With You) 2:08
1-11. Some Other Guy 2:01
1-12. Thank You Girl 2:02
1-13. Sha La La La La! (Speech) 0:28
1-14. Baby It's You 2:44
1-15. That's All Right (Mama) 2:54
1-16. Carol 2:35
1-17. Soldier Of Love 2:00
1-18. A Little Rhyme (Speech) 0:26
1-19. Clarabella 2:39
1-20. I'm Gonna Sit Right Down And Cry (Over You) 2:01
1-21. Crying, Waiting, Hoping 2:09
1-22. Dear Wack! (Speech) 0:42
1-23. You Really Got A Hold On Me 2:38
1-24. To Know Her Is To Love Her 2:49
1-25. Taste Of Honey 1:58
1-26. Long Tall Sally 1:53
1-27. I Saw Her Standing There 2:32
1-28. The Honeymoon Song 1:39
1-29. Johnny B Goode 2:51
1-30. Memphis, Tennessee 2:13
1-31. Lucille 1:49
1-32. Can't Buy Me Love 2:06
1-33. From Fluff To You (Speech) 0:28
1-34. Till There Was You 2:13
2-1. Crinsk Dee Night (Speech) 1:04
2-2. A Hard Day's Night 2:24
2-3. Have A Banana! (Speech) 0:22
2-4. I Wanna Be Your Man 2:09
2-5. Just A Rumour (Speech) 0:20
2-6. Roll Over Beethoven 2:16
2-7. All My Loving 2:04
2-8. Things We Said Today 2:18
2-9. She's A Woman 3:15
2-10. Sweet Little Sixteen 2:21
2-11. 1822! 0:10
2-12. Lonesome Tears In My Eyes 2:36
2-13. Nothin' Shakin' 2:59
2-14. The Hippy Hippy Shake 1:49
2-15. Glad All Over 1:52
2-16. I Just Don't Understand 2:47
2-17. So How Come (No One Loves Me) 1:54
2-18. I Feel Fine 2:13
2-19. I'm A Loser 2:33
2-20. Everybody's Trying To Be My Baby 2:21
2-21. Rock And Roll Music 2:01
2-22. Ticket To Ride 2:56
2-23. Dizzy Miss Lizzy 2:42
2-24. Medley: Kansas City / Hey! Hey! Hey! Hey! 2:38
2-25. Set Fire To That Lot! 0:28
2-26. Matchbox 1:57
2-27. I Forgot To Remember To Forget 2:09
2-28. Love These Goon Shows! 0:27
2-29. I Got To Find My Baby 1:56
2-30. Ooh! My Soul 1:37
2-31. Ooh! My Arms 0:36
2-32. Don't Ever Change 2:03
2-33. Slow Down 2:36
2-34. Honey Don't 2:12
2-35. Love Me Do 2:30

 

Barcode and Other Identifiers:

Barcode 7 2438-31796-2 6
Barcode 272438317962
Other 8 31797 2
Other 8 31798 2
Other C2-31796
Matrix / Runout 31797-2 MO L4A28E Y 1-1-7 EMI JAX
Matrix / Runout 31798-2 MO L4A27K Y 1-1-2 EMI JAX
Matrix / Runout 31757-2 MO L4A28E Y 1-1-12 EMI JAX
Matrix / Runout 31798-2 MO L4A27K Y 1-1-4 EMI JAX
Matrix / Runout 31797-2 MO L4A28E Y 1-1-19 EMI JAX
Matrix / Runout 31798-2 MO L4A27K Y 1-1-15 EMI JAX
Matrix / Runout 31797-2 MO S4A28I Y 2-1-5 EMI JAX
Matrix / Runout 31798-2 MO L4A27K Y 1-1-24 EMI JAX
Matrix / Runout 31797-2 MO L4A28E Y 1-1-3 EMI JAX
Matrix / Runout 31798-2 MO L4A27K Y 1-1-2 EMI JAX
Matrix / Runout 31797-2 MO L4A28E Y 1-1-13 EMI JAX
Matrix / Runout 31798-2 MO L4A27K Y 1-1-12 EMI JAX
Matrix / Runout 31797-2 MO L4A28E Y 1-1-4 EMI JAX
Matrix / Runout 31798-2 MO L4A27N Y 2-1-2 EMI JAX
Matrix / Runout 31797-2 MO S4A28I Y 2-1-4 EMI JAX
Matrix / Runout 31798-2 MO L4A27K Y 1-1-1 EMI JAX
Matrix / Runout 31797-2 MO L4A28E Y 1-1-5 EMI JAX
Matrix / Runout 31798-2 MO L4A27K Y 1-1-12 EMI JAX
Matrix / Runout 31797-2 MO L4A28E Y 1-1-2 EMI JAX
Matrix / Runout 31798-2 MO L4A27K Y 1-1-3 EMI JAX
Matrix / Runout 31797-2 MO L4A28E Y 1-1-14 EMI JAX
Matrix / Runout 31798-2 MO L4A27N Y-2-1-6 EMI JAX
Matrix / Runout 31797-2 MO L4A28E Y 1-1-10 EMI JAX
Matrix / Runout 31798-2 MO L4A27K Y 1-1-1 EMI JAX
Matrix / Runout 31797-2 MO S4A28I Y 2-1-2 EMI JAX
Matrix / Runout 31798-2 MO L4A27K Y 1-1-6 EMI JAX
Matrix / Runout 31797-2 MO L4A28E Y 1-1-14 EMI JAX
Matrix / Runout 31798-2 MO L4A27N Y 2-1-10 EMI JAX
Matrix / Runout 31797-2 MO L4A28E Y 1-1-22 EMI JAX
Matrix / Runout 31798-2 MO L4A27N Y 2-1-1 EMI JAX

 

Phonographic Copyright (p) BBC
Licensed To EMI Records Ltd.
Phonographic Copyright (p) EMI Records Ltd.
Copyright (c) Apple Corps Ltd.
Manufactured By Capitol Records, Inc.
Pressed By EMI Jax
Recorded At Paris Theatre, London
Recorded At Playhouse Theatre
Recorded At Aeolian Hall
Recorded At Maida Vale Studios
Recorded At Piccadilly Theatre
Recorded At Broadcasting House, London
Recorded At Playhouse Theatre, Manchester
Published By Ambassador Music Ltd.
Published By Boosey & Hawkes Music Publishers Ltd
Published By Bourne Music Ltd.
Published By Campbell Connelly & Co. Ltd.
Published By Carlin Music Corp.
Published By Copyright Control
Published By Jewel Music Publishing Co. Ltd.
Published By Jobete Music (UK) Ltd.
Published By Knox Music
Published By Carlin Music Corp.
Published By Ludix Music
Published By Marquis Music Ltd.
Published By MCA Music Ltd.
Published By MPL Communications Ltd.
Published By Northern Songs Ltd.
Published By Peermusic (UK) Ltd
Published By Screen Gems-EMI
Published By Trio Music Co. Ltd.
Published By Ardmore & Beechwood
Published By ATV Music
Published By EMI Music
Published By Tro Essex Music Ltd.
Glass Mastered At Sanyo, U.S.A.
Glass Mastered At Sanyo, U.S.A.

Data provided by Discogs

In stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.
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All items are meticulously serviced and restored to meet factory specifications

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We pack with precision and ship in brand new, appropriately sized, boxes.

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