The Moody Blues With The London Festival Orchestra Conducted By Peter Knight - Days Of Future Passed (SACD, Hybrid, Multichannel, Album, RM + CD, Comp +) (Mint (M))

The Moody Blues With The London Festival Orchestra Conducted By Peter Knight - Days Of Future Passed (SACD, Hybrid, Multichannel, Album, RM + CD, Comp +) (Mint (M))

Deram

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Media Condition:  Mint (M)
Sleeve Condition: Mint (M)
Country:    UK, Europe & US  
Released:  
2006
Genre:       Rock, Classical
Style:         Symphonic Rock, Psychedelic Rock, Classic Rock
Location:   

Comments:

 

Notes:

8-panel Digipack with two transparent trays at the center, a gatefold sleeve for the booklet on the left side, 20 page booklet, transparent/white plastic slipcase with DELUXE Edition lettering, black hype sticker with white font (release details) and white hype sticker with black font (Disc Made In Germany).

Originally released as Deram SML707 in November 1967.

Album stereo mix remastered from the original master tapes at Logical Box Studios, Genova, Italy.
5.1 Surround mix manipulated from the original Quadraphonic Masters and bonus tracks remastering at the Audio Archiving Company, London.

Disc Two (CD):
tracks 1 and 2: recorded at Decca Studios West Heampstead on 24th October 1967,
tracks 3 and 4: recorded at Decca Studios West Heampstead on 26th October 1967,
track 5: recorded on 8th October 1967, A-side and track 10: recorded on 17th July 1967, B-side of single released as Deram DM 161 in November 1967,
track 6: A-side and track 7: B-side of single released as Decca F12607 in May 1967, recorded 30th March 1967, 
track 8: A-side and track 9: B-side of single released as Decca F12670 in September 1967, recorded on 17th July 1967,
track 11: recorded at Decca Studios, West Heampstead on 19th May 1967,
track 12: recorded at Decca Studios, West Heampstead on 29th June 1967,
track 13: BBC radio session for "Saturday Club" - recorded 9th May 1967,
tracks 14 to 16: BBC radio session for "Easybeat" - recorded 20th September 1967,
tracks 17 to 19: BBC radio session for "The David Symonds Show" - recorded 1st January 1968.

Tracks 2-01 to 2-04 and 2-13 to 2-19 previously unreleased.

The copyright in these sound recordings is owned by Decca Records (London) Ltd., a division of Universal Music Operations Ltd.
This compilation:
℗ 2006 Decca Music Group Ltd.
© 2006 Decca Music Group Ltd.
Made in the E.U.

 

. Stereo Remastered Album And 5.1 Surround Sound Mix
1-01. The Day Begins: Inc. Morning Glory 5:51
1-02. Dawn: Dawn Is A Feeling 3:49
1-03. The Morning: Another Morning 3:56
1-04. Lunch Break: Peak Hour 5:29
. The Afternoon 8:23
. Evening 6:40
1-07. The Night: Nights In White Satin 7:26
. Alternate Versions & Outtakes
2-01. Tuesday Afternoon (Alternate Mix) 4:20
2-02. Dawn Is A Feeling (Alternate Version) 2:19
2-03. The Sun Set (Alternate Version Without Orchestra) 2:49
2-04. Twilight Time (Alternate Vocal Mix) 2:27
. 1967 Mono Single Masters
2-05. Nights In White Satin 4:25
2-06. Fly Me High 2:54
2-07. I Really Haven't Got The Time 3:07
2-08. Love And Beauty 2:24
2-09. Leave This Man Alone 2:59
2-10. Cities 2:23
. 1967 Studio Recordings
2-11. Long Summer Days 3:13
2-12. Please Think About It 3:40
. BBC Radio Sessions
2-13. Don't Let Me Be Misunderstood 2:23
2-14. Love And Beauty 2:12
2-15. Leave This Man Alone 2:52
2-16. Peak Hour 3:22
2-17. Nights In White Satin 3:48
2-18. Fly Me High 2:45
2-19. Twilight Time 2:08

 

Barcode and Other Identifiers:

Barcode 6 02498 321508
Barcode 0602498321508
Label Code LC 00171
Label Code LC 00268
Rights Society BIEM/SABAM
Other 983 215-1
Other 983 215-2
Matrix / Runout 51785157/UNIVERSAL 983215-1 D 22
Matrix / Runout 51785158/UNIVERSAL 983215-1 22
Matrix / Runout 06024 983 215-2 01 * 51703490
Matrix / Runout Made in Germany by EDC
Mastering SID Code IFPI LV26
Mould SID Code IFPI 0145
Matrix / Runout 51785157/UNIVERSAL 983215-1 D 21
Matrix / Runout 51785158/UNIVERSAL 983215-1 22
Mastering SID Code IFPI LB45
Mould SID Code IFPI 07M6
Matrix / Runout 06024 983 215-2 01 * 51703490
Matrix / Runout Made in Germany by EDC B
Mastering SID Code IFPI LV26
Mould SID Code IFPI 0119
Matrix / Runout 51785157/UNIVERSAL 983215-1 D 22
Matrix / Runout 51785158/UNIVERSAL 983215-1 21
Mastering SID Code IFPI LB45
Mould SID Code IFPI 07M4
Matrix / Runout 06024 983 215-2 01 * 51703490
Matrix / Runout Made in Germany by EDC D
Mastering SID Code IFPI LV26
Mould SID Code IFPI 0125
Matrix / Runout 51785158/UNIVERSAL 983215-1 22
Mastering SID Code IFPI LB 45
Matrix / Runout 51785157/UNIVERSAL 983215-1 D 22
Mastering SID Code IFPI LB 45
Mould SID Code IFPI 07M4
Matrix / Runout [4xUniversal logo] 06024 983 215-2 01 * 51703490
Mastering SID Code IFPI LV26
Mould SID Code IFPI 0131
Matrix / Runout 51785157/UNIVERSAL 983215-1 D 22
Matrix / Runout 51785158/UNIVERSAL 983215-1 22
Mastering SID Code IFPI LB 45
Mould SID Code IFPI 07M6
Matrix / Runout [4xUniversal logo] 06024 983 215-2 01 * 51703490
Matrix / Runout Made in Germany by EDC B
Mastering SID Code IFPI LV26
Mould SID Code IFPI 0147

 

Record Company Universal Music Catalogue
Phonographic Copyright (p) Decca Music Group Limited
Copyright (c) Decca Music Group Limited
Published By Essex Music International, Inc.
Published By Sparta Florida Music Group Ltd.
Published By Westminster Music Ltd.
Published By Johnsongs
Published By Tyler Music Ltd.
Recorded At Decca Studios
Remastered At Logical Box Studios
Mixed At The Audio Archiving Company
Remastered At The Audio Archiving Company
Designed At Waldo's Design & Dream Emporium
Glass Mastered At Sonopress Arvato
Glass Mastered At Sonopress Arvato
Made By EDC, Germany

Data provided by Discogs

In stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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All items are meticulously serviced and restored to meet factory specifications

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We pack with precision and ship in brand new, appropriately sized, boxes.

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