Todd Rundgren - Something / Anything? (2xLP, Album, Ter) (Very Good Plus (VG+))

Todd Rundgren - Something / Anything? (2xLP, Album, Ter) (Very Good Plus (VG+))

Bearsville

Regular price $50.00 USD
Sale price $50.00 USD Regular price
Sale Sold out

Media Condition:  Very Good Plus (VG+)
Sleeve Condition: Good (G)
Country:    US  
Released:  
1972-02-00
Genre:       Rock, Pop
Style:         Power Pop, Pop Rock, Prog Rock, Blues Rock, Classic Rock, Soft Rock

Comments:
***BUY ANY 4 RECORDS for ONLY $5.00 Shipping & Handling fee!*** heavy ringwear. records are VG+. REALLY NICE RECORDS. SEAMS ON COVER ARE SPLIT ABOUT 1/4TH THE WAY DOWN
 

Notes:

Label variation: No "®" next to Bearsville logo on the labels of this version. "T" etched in runouts denotes a Columbia Records Pressing Plant, Terre Haute, pressing. Remainder of runouts etched, except "STERLING" and trailing plating letters (e.g., A, C, H, etc.) stamped. Issued with a quad-fold 11" × 11" poster insert with credits and lyrics. Track D1.1 credited to J. Bradford and Berry Gordy Jr. on insert. Tracks D1.3 to D5 sequence on insert credits different than labels and lyrics. Side D title on insert: "Baby Needs A New Pair Of Snakeskin Boots" A Pop Operetta Track D1.1, D1.2 on insert: Overture - My Roots Track D1.1 on insert: Money - Performed by a group of the same name, circa 1966. Track D1.2 on insert: Messin With the Kid - Performed by a group known as Woody's Truck Stop at the Artists Hut in Philadelphia, late '66. Sides 1, 2, & 3: All tracks recorded at I.D. Sound, Los Angeles. Most vocals recorded at The Record Plant, N.Y. The remaining vocals and the mixing was done at Bearsville. Side 4: Tracks D1.3, D3, and D5 were recorded at The Record Plant, N.Y. Tracks D2 and D4 were recorded at Bearsville Sound. Track D6 was recorded at I.D. Sound. Track publishers on labels: All selections Published by Earmark Music., Inc./Screen Gems-Columbia Music, Inc. - BMI D1.1: Jobete Music Co., Inc./Stone Agate Music Division - BMI D1.3: Open End Music, Inc. BMI D2: Screen Gems-Columbia Music, Inc. BMI Track publishers on insert: Sides 1, 2, & 3: All songs published by Earmark Music/Screen Gems Columbia Music - BMI Side 4: D1.1 published by Jobete Music Inc., copyright 1959. D1.3 published by Open End Music Inc. D3 published by Screen Gems, Columbia Music Inc. All other songs published by Earmark/Screen Gems-Columbia Music Inc.

 

A1. Todd Rundgren - I Saw The Light 2:59
A2. Todd Rundgren - It Wouldn't Have Made Any Difference 3:51
A3. Todd Rundgren - Wolfman Jack 2:55
A4. Todd Rundgren - Cold Morning Light 3:35
A5. Todd Rundgren - It Takes Two To Tango (This Is For The Girls) 2:43
A6. Todd Rundgren - Sweeter Memories 3:32
B1.1. Todd Rundgren - Intro 1:10
B1.2. Todd Rundgren - Breathless 3:15
B2. Todd Rundgren - The Night The Carousel Burned Down 4:32
B3. Todd Rundgren - Saving Grace 4:11
B4. Todd Rundgren - Marlene 3:55
B5. Todd Rundgren - Song Of The Viking 2:37
B6. Todd Rundgren - I Went To The Mirror 4:06
C1. Todd Rundgren - Black Maria 5:18
C2. Todd Rundgren - One More Day (No Word) 3:44
C3. Todd Rundgren - Couldn't I Just Tell You 3:36
C4. Todd Rundgren - Torch Song 2:51
C5. Todd Rundgren - Little Red Lights 4:51
. Baby Needs A New Pair Of Snakeskin Boots (A Pop Operetta)
. Overture - My Roots 2:30
D1.3. Todd Rundgren - Dust In The Wind 3:46
D2. Todd Rundgren - Piss Aaron 3:28
D3. Todd Rundgren - Hello It's Me 4:41
D4. Todd Rundgren - Some Folks Is Even Whiter Than Me 3:57
D5. Todd Rundgren - You Left Me Sore 3:43
D6. Todd Rundgren - Slut 3:35

 

Barcode and Other Identifiers:

Price Code 0698
Rights Society BMI
Matrix / Runout 31,360
Matrix / Runout 31,361
Matrix / Runout 31,362
Matrix / Runout 31,363
Matrix / Runout T1 2BX 2066 31360-1C STERLING LH 2 H 7
Matrix / Runout T1 2BX 2066 31361-C STERLING LH 2 D 10
Matrix / Runout T1 2BX 2066 31362-1C STERLING LH 2 E
Matrix / Runout T1 2BX 2066 31363-1D STERLING LH 3 J 4
Matrix / Runout 2BX 2066 31360-1A STERLING LH 2
Matrix / Runout 2BX 2066 31361-1A STERLING LH 2
Matrix / Runout 2BX 2066 31362-1A STERLING LH 2
Matrix / Runout T1 2BX 2066 31363-1C STERLING LH 2
Matrix / Runout T1 2BX 2066 31360-1C STERLING LH 2 D 31
Matrix / Runout T1 2BX 2066 31361-1C STERLING LH 2 D 35
Matrix / Runout T1 2BX 2066 31362-1C STERLING LH 2 H 3
Matrix / Runout T1 2BX 2066 31363-1D STERLING LH 3 K 5
Matrix / Runout T1 2BX 2066 31360-1C STERLING 2 LH H 17
Matrix / Runout T1 2BX 2066 31361-1C STERLING 2 LH D 28
Matrix / Runout T1 2BX 2066 31362-1C 0 STERLING 2 LH G 10
Matrix / Runout T1 2BX 2066 31363-1D STERLING 3 LH J 9
Matrix / Runout T1 2BX 2066 31360-1C STERLING 2 LH G 27
Matrix / Runout T1 2BX 2066 31361-1D STERLING 3 LH D 11
Matrix / Runout T1 2BX 2066 31362-1C STERLING 2 LH H 7
Matrix / Runout T1 2BX 2066 31363-2-1 A 31
Matrix / Runout T1 2BX 2066 31360-1C STERLING LH 2 C 5
Matrix / Runout T1 2BX 2066 31361-C STERLING LH 2 D 3
Matrix / Runout T1 2BX 2066 31362-1C STERLING LH 2 A 5
Matrix / Runout T1 2BX 2066 31363-1D STERLING LH 3 A 2
Matrix / Runout T1 2BX 2066 31360-1C STERLING LH 2 F 1
Matrix / Runout T1 2BX 2066 31361-1C STERLING LH 2 D 26
Matrix / Runout T1 2BX 2066 31362-1C STERLING LH 2 B 9
Matrix / Runout T1 2BX 2066 31363-1C STERLING LH 2 B 12
Matrix / Runout T1 2BX 2066 31360-1C STERLING 2 LH 2 D14
Matrix / Runout T1 2BX 2066 31361-1C STERLING 2 LH 2 B27
Matrix / Runout T1 2BX 2066 31362-1C STERLING 2 LH B7
Matrix / Runout T1 2BX 2066 31363-1C STERLING 2 LH 2 B25
Matrix / Runout T1 2BX 2066 31360-1C STERLING 2 LH H7
Matrix / Runout T1 2BX 2066 31361-1D C9 STERLING 3 LH
Matrix / Runout T1 2BX 2066 31363-1D STERLING 3 LH H
Matrix / Runout T1 2BX 2066 31362-1C STERLING 2 LH E5
Matrix / Runout T1 2BX 2066 31360-1C STERLING 2 LH H10
Matrix / Runout T1 2BX 2066 31361-1C STERLING 2 LH D 41
Matrix / Runout T1 2BX 2066 31362-1C o STERLING 2 LH G
Matrix / Runout T1 2BX 2066 31363-1D STERLING 3 LH J1

 

Record Company Warner Bros. Inc.
Distributed By Warner Bros. Records Inc.
Phonographic Copyright (p) Warner Bros. Records Inc.
Copyright (c) Warner Bros. Records Inc.
Recorded At The Artists Hut, Philadelphia
Recorded At I.D. Sound
Recorded At Record Plant, N.Y.C.
Recorded At Bearsville Studios
Mixed At Bearsville Studios
Lacquer Cut At Sterling Sound
Pressed By Columbia Records Pressing Plant, Terre Haute
Published By Earmark Music Inc.
Published By Earmark Music
Published By Screen Gems-Columbia Music, Inc.
Published By Screen Gems-Columbia Music
Published By Jobete Music, Inc.
Published By Jobete Music Co., Inc.
Published By Stone Agate Music Division
Published By Open End Music, Inc.

Data provided by Discogs

In stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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All items are meticulously serviced and restored to meet factory specifications

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We pack with precision and ship in brand new, appropriately sized, boxes.

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