USA For Africa - We Are The World (Cass, Album) (Near Mint (NM or M-))

USA For Africa - We Are The World (Cass, Album) (Near Mint (NM or M-))

Columbia

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Media Condition:  Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)
Country:    US  
Released:  
1985
Genre:       Electronic, Rock, Pop
Style:         Soft Rock, Pop Rock, Synth-pop, Ballad
Location:   

Comments:

 

Notes:

Beige shell with a textile/canvas pattern, a raised 100 Ꞌ Ꞌ Ꞌ Ꞌ 5’0 Ꞌ Ꞌ Ꞌ Ꞌ 0 tape scale, MADE IN U.S.A. (top right, one side), black direct-to-shell labels & fused assembled.

"We Are The World" mastered by Bernie Grundman at Bernie Grundman Mastering. (C) 1985 Mijac Music (BMI) and Brockman Music (ASCAP). (P) 1985 United Support of Artists for Africa.

"If Only For The Moment, Girl" recorded at Record One, Los Angeles, CA. AMS Courtesy of Livingstone Audio. (C) 1985 Random Notes (ASCAP) and Street Talk Tunes (ASCAP). (P) 1985 CBS Inc.

"Just A Little Closer" recorded and mixed at Studio 55, Los Angeles, CA. (C) 1984 MCA Music, a Div. of MCA, Inc. (ASCAP)/Music Corp. of America, Inc. (BMI). (P) 1985 Planet Records.

"Trapped" recorded live at the Meadowlands, August 6, 1984. Recorded by Toby Scott on the Record Plant (L.A.) remote truck. Assisted by David Bianco, Jim Scott and the Crew. Mixed by Thom Panunzio at Clover Recorders, Los Angeles, CA. (C) 1972 Island Music (BMI). (P) 1985 Bruce Springsteen.

"Tears Are Not Enough" recorded at Manta Sound, Toronto, and Little Mountain Sound Studios, Vancouver. (C) 1985 Foster Frees Music, Inc. (BMI)/Adams Communications, Inc. (BMI)/Calypso Toonz (PROC)/Irving Music, Inc. (BMI). (P) 1985 Northern Lights for Africa Society

"4 The Tears In Your Eyes" recorded at Record Plant, New York, and Black Truck, New Orleans. (C) 1985 Controversy Music (ASCAP). (P) 1985 Warner Bros. Records, Inc.

"Good For Nothing" recorded and mixed at Lion Share Studios, Los Angeles, CA. (C) 1985 Security Hogg Music (ASCAP), Fin de Siecle Musique (ASCAP) and Foster Frees Music, Inc. (BMI). ℗ 1985 Warner Bros. Records, Inc.

"Total Control" recorded at Sunset Sound Studios, Los Angeles, CA. (C) 1979 Frettssongs/Clean Sheets Music (BMI). (P) 1985 Capitol Records Inc.

"A Little More Love" recorded at Lion Share Studios and Sunset Sound, Los Angeles, CA. Mixed by Joe Bogan at Lion Share Studios. (C) 1984 Debdave Music Inc. (BMI)/Briarpatch Music Inc. (BMI)/Good Sport Music (ASCAP)/Montage Music Inc. (ASCAP). (P) 1985 RCA Records

"Trouble In Paradise" recorded live in San Francisco on February 21, 1985. Recorded by Biff Dawes on the Westwood One remote truck. (C) 1979 Hulex Music, Inc. (ASCAP). (P) 1985 Chrysalis Records.

Legal services: Jay Cooper, Ronnie June Dashev, Cooper, Epstein & Hurewitz. Accounting services: Len Freedman, John Rigney and Ann Short, Jess S. Morgan & Company. Photo prints: Hecht Custom Photo. Typesetting: Hs Enough Typographers, Inc. Stats: G2 Graphic Service, Inc. Retouching: Wild & Associates. USA for Africa logo design: Michael Manoogian Logo Design. Color separations: Color Inc.

Kim Mitchell appears courtesy of Alert Records/PolyGram Records Ltd; Bryan Adams, Veronique Beliveau, Paul Hyde and Jeffrey Osborne appear courtesy of A&M Records, Inc.; Corey Hart appears courtesy of Aquarius Records/Capitol Records; Ian Thomas appears courtesy of Anthem Records/Capitol Records; Jeff Lorber and Dionne Warwick appear courtesy of Arista Records; Bette Midler appears courtesy of Atlantic Recording Corp.; Michael Boddicker appears courtesy of Bodifications; Tom Cochrane, Dalbello, Louis Johnson, Frank Mills, Anne Murray, Bruce Murray, Tina Turner and Zappacosta appear courtesy of Capitol Records; Liona Boyd appears courtesy of CBS Records; Bob Geldof appears courtesy of CBS Records/PolyGram Records Ltd.; Huey Lewis & The News appear courtesy of Chrysalis Records; Paul Dean, Bob Dylan, Billy Joel, Doug Johnson, Kenny Loggins, Willie Nelson, Steve Perry, Mike Reno and Bruce Springsteen appear courtesy of Columbia Records; Martha Johnson and Lorraine Segator appear courtesy of Current Records/RCA Records; Bob Magnusson appears courtesy of Discovery/Trend Records; Jane Siberry appears courtesy of Duke Street Records/WEA International, Inc.; Lindsey Buckingham appears courtesy of Elektra/Asylum Records; Mark Holmes, Jackie Jackson, Marlon Jackson, Michael Jackson, Randy Jackson and Tito Jackson appear courtesy of Epic Records; Joni Mitchell and Neil Young appear courtesy of Geffen Records/WEA International, Inc.; Bruce Cockburn appears courtesy of Gold Mountain Records; Lionel Richie, Smokey Robinson and Stevie Wonder appear courtesy of Motown Record Corporation; Paulinho da Costa and Oscar Peterson appear courtesy of Pablo Records; The Pointer Sisters and Greg Phillinganes appear courtesy of Planet Records; Geddy Lee and Baron Longfellow appear courtesy of PolyGram Records Ltd.; Cyndi Lauper and Aldo Nova appear courtesy of Portrait Records; La Toya Jackson appears courtesy of Private I Records; James Ingram and Quincy Jones appear courtesy of Qwest Records; Hall & Oates, Waylon Jennings, Kenny Rogers and Diana Ross appear courtesy of RCA Records; Gordon Deppe and Claude Dubois appear courtesy of Ready Records; Robert Charlebois appears courtesy of Solution Records; Michael Omartian appears courtesy of Sparrow Records; Carroll Baker appears courtesy of Tembo Records; Murray McLauchlan and Carole Pope appear courtesy of True North Records; Chicago, Sheila E., Al Jarreau, Prince & The Revolution, John Robinson and Paul Simon appear courtesy of Warner Bros. Records Inc.; Gordon Lightfoot appears courtesy of WEA International, Inc.

 

A1. USA For Africa - We Are The World
A2. Steve Perry - If Only For The Moment, Girl
A3. Pointer Sisters - Just A Little Closer
A4. Bruce Springsteen & The E-Street Band - Trapped
B1. Northern Lights (6) - Tears Are Not Enough
B2. Prince And The Revolution - 4 The Tears In Your Eyes
B3. Chicago (2) - Good For Nothing
B4. Tina Turner - Total Control
B5. Kenny Rogers - A Little More Love
B6. Huey Lewis & The News - Trouble In Paradise

 

Barcode and Other Identifiers:

Barcode 074644004342
Rights Society BMI
Rights Society ASCAP

 

Data provided by Discogs

In stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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All items are meticulously serviced and restored to meet factory specifications

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We pack with precision and ship in brand new, appropriately sized, boxes.

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