Various - 50 Years Of Jazz Guitar (2xLP, Album, Comp, Mono) (Very Good Plus (VG+))

Various - 50 Years Of Jazz Guitar (2xLP, Album, Comp, Mono) (Very Good Plus (VG+))

Columbia,Columbia

Regular price $12.00 USD
Sale price $12.00 USD Regular price
Sale Sold out

Media Condition:  Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
Country:    US  
Released:  
1976
Genre:       Jazz, Blues, Folk World & Country
Style:         Dixieland, Swing, Pacific, Western Swing, Bop, Fusion

Comments:
slightly worn edges and mild ring wear on cover ***BUY ANY 4 RECORDS for ONLY $5.00 Shipping & Handling fee!***
 

Notes:

Gatefold sleeve. CG 33566 on spine and labels. 33566 on back sleeve and inside panel. Promotion copies are marked with a golden promo stamp on the back sleeve. Original catalog numbers, matrix numbers, recording locations and recording dates: A1: OKeh 4412, S. 70054-E, New York, July 1921 A2: OKeh unissued, W.80815-B, St. Louis, 30th April, 1927 A3: OKeh 41134, W.400183-B, New York, 29th March, 1928 A4: OKeh 8627, W.401218-B, New York, 13th October, 1928 A5: OKeh 40843, W.81083-B, New York, 9th May, 1927 A6: OKeh 8743, W.403039-A, New York, 9th October, 1929 A7: Columbia 2076-D, W.149608-2, New York, 20th December, 1929 B1: Columbia 14629-D, W.151624-2, New York, 22th June, 1931 B2: ARC Test Recording, TO.1336-1, New York, 20th November, 1933 B3: Vocalion 2833, LA.208-A, Los Angeles, 19th September, 1934 B4: ARC Test Recording, TO.1483-1, New York, 22th November, 1934 B5: Brunswick 7663, B.19116-1, New York, 27th April, 1936 B6: Vocalion 03614, DAL.212-2, Dallas, 7th June, 1937 B7: Vocalion unissued, SA.2846-1, San Antonio, 30th October, 1937 C1: Varsity 609, M.530-2, New York, 18th June, 1937 C2: Commodore unissued, 22583-1, New York, 18th March, 1938 C3: Columbia unissued take, CO.29027-4, New York, 7th November, 1940 C4: Columbia unissued, H.788-1, Hollywood, 4th April, 1942 C5: Jazz Club Francais JCF 121, ST.1228-1, Paris, Fall 1945 C6: Columbia 37295, CCO.4504-1, Chicago, 26th February, 1946 C7: Columbia CL 929, RHCO.33890-6, Hollywood, 1st August, 1956 D1: Columbia CS 8372, CO.65384-4, Nashville, 27th October, 1960 D2: Columbia CS 8410, 65784, New York, Spring, 1961 D3: Columbia unissued, CO.75525, New York, 12th June, 1962 D4: Columbia unissued, CO.92731, New York, 23rd May, 1967 D5: Columbia KG 31045, CO.111527, New York, 9th December, 1971 D6: Columbia KG 31067, CO.110899, New York, 14th August, 1971

 

A1. Sam Moore (4) - Chain Gang Blues 2:49
A2. Lonnie Johnson (2) - Four Hands Are Better Than Two 3:10
A3. Eddie Lang - Add A Little Wiggle 2:49
A4. The Chocolate Dandies - Paducah 2:55
A5. Frankie Trumbauer And His Orchestra - I'm Coming Virginia 3:05
A6. Blind Willie Dunn, Lonnie Johnson (2) - Deep Minor Rhythm Stomp 3:00
A7. King Nawahi's Hawaiians - Hawaiian Capers 2:52
B1. The New Orleans Wild Cats - Brown Baby 2:49
B2. The Five Cousins - I've Got The World On A String 3:26
B3. Candy And Coco - Kingfish Blues 2:45
B4. Dick McDonough - Honeysuckle Rose 2:34
B5. Frankie Trumbauer And His Orchestra - S'Wonderful 2:45
B6. Bob Wills & His Texas Playboys - White Heat 2:40
B7. Kitty Gray & Her Wampus Cats - Baton Rouge Rag 2:25
C1. Joe Sodja's Swingtette - Limehouse Blues 2:54
C2. Kansas City Five - Love Me Or Leave Me 2:46
C3. Benny Goodman Sextet - Wholly Cats 3:02
C4. Slim Gaillard & His Flat Foot Floogie Boys - Palm Springs Jump 2:36
C5. Jazz Club Mystery Hot Band - If Dreams Come True 2:46
C6. Memphis Minnie - I'm So Glad 2:42
C7. George Van Eps - I Never Knew 2:34
D1. Hank Garland - Move 4:23
D2. Elliot-Burrell Quintet - Poll Tax 3:45
D3. Herb Ellis And The All-Stars - Herb's Here 4:56
D4. George Benson - Doin' The Thing 2:40
D5. Charlie Byrd - Jitterbug Waltz 4:44
D6. Mahavishnu Orchestra - The Dance Of Maya 7:12

 

Barcode and Other Identifiers:

Other C 33567
Other C 33568
Matrix / Runout P AL 33567-1C 2
Matrix / Runout P BL 33567-1C A
Matrix / Runout P AL 33568-1D S1 B 1
Matrix / Runout P BL 33568-2B S1 c2

 

Copyright (c) CBS Inc.
Phonographic Copyright (p) CBS Inc.
Record Company CBS Inc.
Manufactured By Columbia Records
Manufactured By CBS Inc.

Data provided by Discogs

Out of stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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All items are meticulously serviced and restored to meet factory specifications

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We pack with precision and ship in brand new, appropriately sized, boxes.

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