Fully Serviced
All items are meticulously serviced and restored to meet factory specifications
$0.00 USD
$0.00 USD
Alligator Records,Alligator Records
Media Condition: Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)
Country: USA, Canada & Europe
Released:
Genre: Blues
Style: Electric Blues, Chicago Blues
Comments:
Notes:
Mastered at DMS, New York, N.Y. ℗©1991 Alligator Records & Artist Mgmt., Inc. - P.O.Box 6234 - Chicago, IL 60660 Distributed in Europe by Sonet Records - 78 Stanley Gardens, London, W36SN, U.K. Distributed in Canada by WEA Music of Canada, Ltd. - 1810 Birchmount Rd., Scarborough, Ont. M1P 2J1 Canada Tracks taken from: 1-1: "Hound Dog Taylor and the HouseRockers" (AL 4701), released 1971 1-2: "High Compression" (AL 4737), released 1984 1-3: "Showdown!" (AL 4743), released 1985 1-4: "Crawfish Fiesta" (AL 4718), released 1980 1-5: "I Got What It Takes" (AL 4706), released 1975 1-6: "Georgia Blue" (AL 4765), released 1988 1-7: "Triple Play" (AL 4789), released 1990 1-8: ""I'm In The Wrong Business!" (AL 4757), released 1987 1-9: "Captured Live" (AL 4794), released 1991 1-10: "Walking On Fire" (AL 4795), released 1991 1-11: "Don't Let The Bossman Get You Down!" (AL 4791), released 1991 1-12: "Living Chicago Blues, Vol. I" (AL 7701) released 1978 1-13: "The Reunion Concert" (AL 4760), released 1988 1-14: "Standing My Ground" (AL 4779), released 1989 1-15: "Ace of Harps" (AL 4781), released 1990 1-16: "Dancing On The Bridge" (AL 4747), released 1986 1-17: "Living Chicago Blues, Vol VI" (AL 7706), released 1980 1-18: "Big Walter Horton with Carey Bell" (AL 4702), released 1972 2-1: "Frostbite" (AL 4719), released 19080 2-2: "Two-Fisted Mama!" (AL 4777), released 1989 2-3: "Roughhousin" (AL 4749), released 1986 2-4: "Harp Attack!" (AL 4790), released 1990 2-5: "Live From Austin" (AL 4773), released 1989 2-6: "Years Since Yesterday" (AL 4762), released 1988 2-7: "Playing For Keeps" (AL 4732), released 1983 2-8: "Midnight Son" (AL 4708), released 1976 2-9: "Strike Like Lightning" (AL 4739). released 1985 2-10: "Saffire -The Uppity Blues Women" (AL 4780), released 1990 2-11: "Turn On The Night" (AL 4721), released 1981 2-12: "Edge Of The City" (AL 4758), released 1987 2-13: "Whoopin" (AL 4734), released 1984 2-14: "I'm Here!" (AL 4729), released 1982 2-15: "Somebody Loan Me A Dimes" (AL 4705), released 1974 2-16: "Living Chicago Blues, Vol. III" (AL 7703), released 1978 2-17: "Guitar Slinger" (AL 4735), released 1984 2-12: co-author Fred James is misspelt "Jones".
1-1. Hound Dog Taylor - Give Me Back My Wig 3:31
1-2. James Cotton - No Cuttin' Loose 3:20
1-3. Albert Collins, Johnny Copeland - Black Cat Bone 4:54
1-4. Professor Longhair - Big Chief 3:13
1-5. Koko Taylor - That's Why I'm Crying 4:28
1-6. Tinsley Ellis - Double Eyed Whammy 3:20
1-7. Lucky Peterson - I'm Free 5:18
1-8. A.C. Reed, Stevie Ray Vaughan - These Blues Is Killing Me 3:05
1-9. Little Charlie And The Nightcats - Rain 5:11
1-10. Kenny Neal - Look But Don't Touch 3:16
1-11. Elvin Bishop - Fannie Mae 3:18
1-12. Jimmy Johnson (8) - Serves Me Right To Suffer 3:56
1-13. The Siegel-Schwall Band - Leavin' 3:10
1-14. Clarence "Gatemouth" Brown - Born In Louisiana 3:50
1-15. Charlie Musselwhite - Leaving Your Town 3:15
1-16. Roy Buchanan - Drowning On Dry Land 6:18
1-17. Detroit Junior - If I Hadn't Been High 4:07
1-18. Walter Horton - Trouble In Mind 4:37
2-1. Albert Collins - Brick 4:35
2-2. Katie Webster - Pussycat Moan 6:05
2-3. Lil' Ed And The Blues Imperials - You Don't Exist Any More 4:01
2-4. Carey Bell, Junior Wells - Second Hand Man 4:00
2-5. Delbert McClinton - I've Got Dreams To Remember 4:26
2-6. The Paladins - Going Down To Big Mary's 2:54
2-7. Big Twist And The Mellow Fellows - 300 Pounds Of Heavenly Joy 3:05
2-8. Son Seals - Going Back Home 7:04
2-9. Lonnie Mack - Strike Like Lightning 3:39
2-10. Saffire -The Uppity Blues Women - The Middle Aged Blues Boogie 5:42
2-11. Lonnie Brooks - Eyeballin' 3:42
2-12. The Kinsey Report - Full Moon On Main Street 4:21
2-13. Sonny Terry - Crow Jane 3:46
2-14. Clifton Chenier - I'm The Zydeco Man 2:55
2-15. Fenton Robinson - You Don't Know What Love Is 3:50
2-16. Pinetop Perkins - Blues After Hours 5:01
2-17. Johnny Winter - Boot Hill 3:35
Barcode and Other Identifiers:
Barcode 0208314724272
Barcode 0 20831-4724-2 72
Matrix / Runout DIDX-021736 3 A02
Matrix / Runout DIDX-021736 2 A02
Mould SID Code IFPI 501A
Other CRC
Phonographic Copyright (p) Alligator Records
Phonographic Copyright (p) Artist Management, Inc.
Copyright (c) Alligator Records
Copyright (c) Artist Management, Inc.
Distributed By Sonet Records
Distributed By WEA Music Of Canada, Ltd.
Mastered At DMS, New York
Glass Mastered At DADC
Record Company Columbia House
Couldn't load pickup availability
There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.
Why Vintage Audio Still Matters
In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.
Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.
The Philosophy of Refurbishment
Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.
Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.
The Turntable Store refurbishing process.. step by step
Step 1: The Initial Encounter
When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.
Instead:
Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.
Step 2: Deep Cleaning & Control Detox
Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.
The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.
Step 3: Electrical Resurrection
This is where science meets art:
Step 4: Cosmetic Glory
Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.
Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.
Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.
Step 5: Calibration & Sonic Check
After the repair and cleaning, it’s time to dial in the performance:
When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.
Our promise for Audiophile-Level Results
Why It’s Worth It
The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.
And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.
We have a 14-day return policy, which means you have 14 days after receiving your item to request a return.
To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.
To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address:
The Turntable Store
45 Market Square
Manheim PA 17545
If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.
You can always contact us for any return question at theturntablestore@gmail.com.
Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.
Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item.
Unfortunately, we cannot accept returns on sale items or gift cards.
Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.
European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.
Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.
We ensure our customers have the best shopping experience
All items are meticulously serviced and restored to meet factory specifications
We pack with precision and ship in brand new, appropriately sized, boxes.
Be in the know with timely notifications on your order, starting from acceptance to tracking numbers, allowing you to stay connected with your purchase