Various - The Force (2xLP, Comp, RP, Smplr, San) (Very Good Plus (VG+))

Various - The Force (2xLP, Comp, RP, Smplr, San) (Very Good Plus (VG+))

Warner Bros. Records

Regular price $10.00 USD
Sale price $10.00 USD Regular price
Sale Sold out
Shipping calculated at checkout.

Media Condition:  Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
Country:    US  
Released:  
1975
Genre:       Rock, Funk / Soul, Folk World & Country
Style:         Pop Rock, Soul, Classic Rock

Comments:
*** BUY ANY 4 RECORD for ONLY $5.00 Shipping & Handling fee *** Previous owner took amazing care of collection.
 

Notes:

1975 first pressing on Palm Tree labels - NO Warner Communications mention in label rimtext. "Warner/Reprise Loss Leaders" inner sleeves. Track A1: Taken from the album "Just a Boy", Warner Bros. album BS 2836, released 1974. Track A2: Taken from the album "WarChild", Chrysalis album CHR 1067, released 1974. Track A3: Taken from the album "Silver Morning", Little David album LD 3000, released 1974. Track A4: Taken from the album "Heroes are Hard to Find", Reprise album MS 2196, released 1974. Track A5: Taken from the album "I'll Be Your Everything", Capricorn album CP 0147, released 1974. Track A6: Taken from the album "Release Yourself", Warner Bros. album BS 2814, released 1974. Track B1: Taken from the album "Hot Wire", Warner Bros. album BS 2828, released 1974. Track B2: Taken from the album "Rock and Roll Outlaws", Bearsville album BR 6956, released 1974. Track B3: Taken from the album "Paper Money", Warner Bros. album BS 2823, released 1974. Track B4: Taken from the album "Todd Rundgren's Utopia", Bearsville album BR 6954, released 1974. Track B5: Taken from the album "Bachman-Turner-Bachman as Brave Belt", Reprise album MS 2210, released 1974. Track B6: Taken from the album "Stormbringer", Purple album PR 2832, released 1974. Track C1: Taken from the album "Where We All Belong", Capricorn album 2C 0145, released 1974. Track C2: Taken from the album "Tarzana Kid", Reprise album MS 2187, released 1974. Track C3: Taken from the single "Hands", Warner Bros. single WB 7721, released 1973. Track C4: Taken from the album "Waitress in the Donut Shop", Reprise album MS 2194, released 1974. Track C5: Taken from the single "Laurel & Hardy", Warner Bros. single WB 7219, released 1968. Track C6: Taken from the album "McGear", Warner Bros. album BS 2825, released 1974. Track D1: Taken from the album "What Were Once Vices Are Now Habits", Warner Bros. album W 2750, released 1974. Track D2: Taken from the album "I've Got My Own Album To Do", Warner Bros. album BS 2819, released 1974. Track D3: Taken from the album "Urban Renewal", Warner Bros. album BS 2834, released 1974. Track D4: Taken from the album "The Gregg Allman Tour", Capricorn album 2C 0141, released 1974. Track D5: Taken from the album "Veedon Fleece", Warner Bros. album BS 2805, released 1974.

 

A1. Leo Sayer - Long Tall Glasses 3:05
A2. Jethro Tull - Bungle In The Jungle 3:34
A3. Kenny Rankin - In The Name Of Love 3:22
A4. Fleetwood Mac - Silver Heels 3:25
A5. Percy Sledge - I'll Be Your Everything 3:19
A6. Graham Central Station - Feel The Need 3:53
B1. Trapeze - Turn It On 5:12
B2. Foghat - Rock & Roll Outlaw 3:48
B3. Montrose (2) - I Got The Fire 3:06
B4. Utopia (5) - Freedom Fighters 4:01
B5. Rob Bachman, C.F. Turner, Randy Bachman - Goodbye, Soul Shy 3:45
B6. Deep Purple - Stormbringer 4:03
C1. The Marshall Tucker Band - This Ol' Cowboy 6:42
C2. John Sebastian - Wild About My Lovin' 3:02
C3. Debbie Dawn - Hands 3:09
C4. Maria Muldaur - It Ain't The Meat, It's The Motion 2:58
C5. Jan & Dean - Laurel & Hardy 2:44
C6. Mike McGear - Norton 2:35
D1. The Doobie Brothers - Black Water 4:17
D2. Ron Wood - I Can Feel The Fire 4:52
D3. Tower Of Power - Only So Much Oil In The Ground 3:00
D4. Gregg Allman - Double Cross 4:26
D5. Van Morrison - Comfort You 4:21

 

Barcode and Other Identifiers:

Matrix / Runout S41,010
Matrix / Runout S41,011
Matrix / Runout S41,012
Matrix / Runout S41,013
Matrix / Runout S 1 5 PRO-596 41010-1B
Matrix / Runout S 1 5 PRO 596 41011-1A
Matrix / Runout 1 5 PRO-596 41012-1B B2
Matrix / Runout 1 S PRO-596 41013-1B A3

 

Copyright (c) Warner Bros. Records Inc.
Phonographic Copyright (p) Chrysalis Records Ltd.
Phonographic Copyright (p) Little David Records Co., Inc.
Phonographic Copyright (p) Capricorn Records Inc.
Phonographic Copyright (p) Warner Bros. Records Inc.
Pressed By Columbia Records Pressing Plant, Santa Maria
Record Company Warner Communications

Data provided by Discogs

In stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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All items are meticulously serviced and restored to meet factory specifications

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We pack with precision and ship in brand new, appropriately sized, boxes.

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