Various - The Most Relaxing Classical Album In The World...Ever! (2xCD, Comp) (Near Mint (NM or M-))

Various - The Most Relaxing Classical Album In The World...Ever! (2xCD, Comp) (Near Mint (NM or M-))

Virgin

Regular price $10.00 USD
Sale price $10.00 USD Regular price
Sale Sold out
Shipping calculated at checkout.

Media Condition:  Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)
Country:    US  
Released:  
1997
Genre:       Classical
Style:         Impressionist, Baroque, Modern, Romantic, Classical
Location:   

Comments:

 

Notes:

Slim Double Jewel Case

Tracklist differs to US version.

These pieces have been excerpted or rearranged to include them in this compilation:
CD1: Tracks 6, 7, 10, 13
CD2: Tracks 2, 6, 15

℗ as shown. The copyright in these sound recordings is owned by EMI Records Ltd except where otherwise stated.
CD1
1: ℗1975/1997*
2: ℗1983
3: ℗1974/1997*
4: ℗1972/1989*
5: ℗1974/1990*
6: ℗1987
7: ℗1971/1987* EMI France
8: ℗1968/1997*
9: ℗1988
10: ℗1959/1997*
11: ℗1963/1993*
12: ℗1995 EMI Electrola GmbH under exclusive licence from JARO Medien GmbH.  Recorded live at the 28th International Oratori-Cantata Festival WRATISLAVIA CANTANS Wroclw 1993
13: ℗1972/1985*
14: ℗1981
15: ℗1971/1986*
16: ℗1997 Virgin Records Ltd.  The voice of Kathleen Ferrier singing 'Blow The Wind Southerly' appears by courtesy of The Decca Record Company Ltd, catalogue no.433475/2
17: ℗1984
18: ℗1968/1997*

CD2
1: ℗1967/1990* EMI Electrola GmbH
2: ℗1974/1986*
3: ℗1980/1997*
4: ℗1987
5: ℗1987 EMI Electrola GmbH
6: ℗1991
7: ℗1965/1989*
8: ℗1992 Central Independent Television plc licensed exclusively to Virgin Records Ltd.
9: ℗1960/1991*
10: ℗1980/1987*
11: ℗1990 Virgin Classics Ltd
12: ℗1970/1995*
13: ℗1963/1986*
14: ℗1984
15: ℗1984
16: ℗1993
17: ℗1985*
18: ℗1984
* Digital remastering ℗ as shown by EMI Records Ltd except where otherwise stated.

This compilation ℗1997 by Circa Records Ltd.  This label copy is the subject matter of copyright protection.

All rights reserved.  ©1997 Circa Records Ltd.  DDD/*ADD
© 1997 Virgin Records Ltd.

Liner notes: © Tony Locantro, 1997

Thanks to: John Duckworth for extra track suggestions & David Tunnicliffe for research on album concept.

Best...Album In The World...Ever! is a registered trademark of Virgin Music Group Ltd.

Inlays: Printed in UK
Discs: Made in U.K.

 

1-1. Johann Sebastian Bach - 'Air On G String' (From Suite No. 3 In D, BWV 1068) 3:31
1-2. Edvard Grieg - Morning (From "Peer Gynt" Incidental Music, Op. 23) 4:14
1-3. Johann Pachelbel - Canon In D 4:59
1-4. Johann Sebastian Bach - Jesu, Joy Of Man's Desiring (From Cantata No. 147) 3:28
1-5. Erik Satie - Gymnopédie No. 1 2:48
1-6. Wolfgang Amadeus Mozart - II: Andante (From Piano Concerto No. 21 In C 'Elvira Madigan' K. 467) 5:18
1-7. Léo Delibes - Viens, Malika (From "Lakmé") 4:17
1-8. Gabriel Fauré - In Paradisum (From Requiem, Op. 48) 3:44
1-9. Claude Debussy - Clair De Lune (From "Suite Bergamasque") 4:54
1-10. Felix Mendelssohn-Bartholdy - II: Andante (Violin Concerto In E Minor, Op. 64) 4:26
1-11. Camille Saint-Saëns - The Swan (From "Carnival Of The Animals") 2:48
1-12. Henryk Górecki - II: Lento E Largo - Tranquillissimo (Symphony No. 3 'Symphony Of Sorrowful Songs') 4:28
1-13. Wolfgang Amadeus Mozart - II: Andantino (Flute And Harp Concerto In C K. 299) 3:57
1-14. Antonio Vivaldi - II: Largo (The Four Seasons - Concerto No. 4 In F Minor 'Winter') 2:04
1-15. Sir Edward Elgar - Nimrod (From 'Enigma' Variations, Op. 36) 3:54
1-16. Jocelyn Pook - Blow The Wind - Pie Jesu 2:55
1-17. Sergei Vasilyevich Rachmaninoff - Rhapsody On A Theme Of Paganini - Variation 18 2:57
1-18. Gabriel Fauré - Pavane Op. 50 6:47
2-1. Johann Sebastian Bach - Zion Hört Die Wächter Singen [From Cantata No. 140 'Sleepers, Wake!') 3:25
2-2. Tomaso Albinoni - Adagio In G Minor 5:48
2-3. Luigi Boccherini - Minuet (From String Quintet In E Op. 13 No. 5) 3:53
2-4. Johann Sebastian Bach - II: Largo (Keyboard Concerto No. 5 In F Minor BWV 1056) 3:24
2-5. Jules Massenet - Méditation (From 'Thaïs') 5:02
2-6. Ludwig van Beethoven - I: Adagio Sostenuto (Piano Sonata No. 14 In C Sharp Minor 'Moonlight' Op. 27 No. 2) 3:54
2-7. Jacques Offenbach - Belle Nuit, Ô Nuit D'amour (Barcarolle) (From 'Le Contes D'Hoffmann' = 'The Tales Of Hoffmann') 3:48
2-8. Antonio Vivaldi - II: Andante (Concerto For Two Mandolins In G RV532) 4:19
2-9. Wolfgang Amadeus Mozart - II: Adagio (Opening) (Clarinet Concerto In A K.622) 4:35
2-10. Pietro Mascagni - Intermezzo From 'Cavalleria Rusticana' 3:40
2-11. Antonín Dvořák - I: Moderato (String Serenade Op. 22) 4:39
2-12. Giacomo Puccini - O Mio Babbino Caro (From 'Gianni Schicchi') 2:40
2-13. Ralph Vaughan Williams - Fantasia On 'Greensleeves' (From 'Sir John In Love') 4:37
2-14. Sergei Vasilyevich Rachmaninoff - II: Adagio Sostenuto (Opening) (Piano Concerto No. 2 In C Minor Op. 18) 4:28
2-15. Alexander Borodin - Nocturne (From String Quartet No. 2 In D) 3:56
2-16. Joaquín Rodrigo - II: Adagio (Opening) (Concierto De Aranjuez) 4:44
2:17. Samuel Barber - Adagio For Strings Op. 11a 6:20
2-18. Georges Bizet - Entr'acte To Act III (From 'Carmen') 2:32

 

Barcode and Other Identifiers:

Barcode 7 2438-44890-2 1
Other 7243 8 44890 2 1 (7243 8 44891 2 0)
Other 7243 8 44890 2 1 (7243 8 44892 2 9)
Mastering SID Code IFPI L043
Mastering SID Code IFPI L043
Mould SID Code IFPI 1686
Matrix / Runout 724384489120
Matrix / Runout 724384489229
Other MANUFACTURED BY EMI MFG.
Other 1-1-1
Other 2-1-1

 

Licensed To Virgin Records Ltd.
Phonographic Copyright (p) Circa Records Ltd.
Phonographic Copyright (p) EMI Records Ltd.
Phonographic Copyright (p) EMI France
Phonographic Copyright (p) EMI Electrola GmbH
Phonographic Copyright (p) Virgin Records Ltd.
Phonographic Copyright (p) Central Independent Television plc
Phonographic Copyright (p) Virgin Classics Limited
Copyright (c) Circa Records Ltd.
Copyright (c) Virgin Records Ltd.
Glass Mastered At EMI Swindon
Glass Mastered At EMI Swindon

Data provided by Discogs

In stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

View full details

We strive to provide the best quality customer experience

We ensure our customers have the best shopping experience

Fully Serviced

All items are meticulously serviced and restored to meet factory specifications

Well Cared Shipping

We pack with precision and ship in brand new, appropriately sized, boxes.

Information flow

Be in the know with timely notifications on your order, starting from acceptance to tracking numbers, allowing you to stay connected with your purchase