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Various - Vans Warped Tour (2004 Tour Compilation) (2xCD, Comp) (Very Good Plus (VG+))

Various - Vans Warped Tour (2004 Tour Compilation) (2xCD, Comp) (Very Good Plus (VG+))

SideOneDummy Records

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Media Condition:  Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
Country:    US  
Released:  2004
Genre:       Hip Hop, Rock
Style:         Alternative Rock, Indie Rock, Emo, Ska, Hardcore, Hard Rock, Nu Metal
Location:   comp cds

Comments:

 

Notes:

This CD was released in 2004 in the United States to coincide with the Warped Tour. It features studio records from the artists who were billed for the tour.

A small catalogue of SideOneDummy releases is included, separate from the 2-page booklet.

Track 1-1: Universal Tunes, A.D.O. Songs Of Universal, Inc./Bianco Meow Music, SESAC. From "The Catalyst" Drive-Thru/Geffen Records.
Track 1-2: NOFX Music, BMI. Fat Wreck Chords.
Track 1-3: TwentySixF Music, BMI/26F Gellert Hill Music, ASCAP. SideOneDummy.
Track 1-4: Fat Wreck Chords.
Track 1-5: Quiet City Music, LTD/Marches and maneuvers LTD/EMI (ASCAP). Island/Def Jam Records.
Track 1-6: Dome O'Chrome, ASCAP/Drum Ogre, BMI/Nerdcore Music, BMI/Schwinn Tone, ASCAP. Fat Wreck Chords.
Track 1-7: Lando Hour Publishing, ASCAP. Epitaph Records.
Track 1-8: Bromuda Music, ASCAP. Capitol Records.
Track 1-9: Pound Foolish, BMI/Wixen Music Publishing, Inc., BMI. Epitaph Records.
Track 1-10: Sound In Motion LLP, ASCAP/Chrysalis Music ASCAP. Epitaph Records.
Track 1-11: Ant Turn That Snare Down, ASCAP/Upside Down Heart Music, ASCAP. Rhymesayers Ent./Epitaph Records.
Track 1-12: 97 Miles Music, ASCAP. From the album "Palm Trees and Power Lines." Artemis Records.
Track 1-13: Block Out The World Music, ASCAP. SideOneDummy Records.
Track 1-14: Go Betty Go (BMI). SideOneDummy Records.
Track 1-15: 1208 Publishing, ASCAP. Epitaph Records.
Track 1-16: xlocalsmusic, BMI. Epitaph Records.
Track 1-17: Fat Wreck Chords.
Track 1-18: Now You Fleas, Music, ASCAP. SideOneDummy Records.
Track 1-19: Stutterfly Music, BMI. Maverick Records.
Track 1-21: Letter Kills Music, BMI. Island/Def Jam Recordings.
Track 1-22: Lightweight Holiday Music, BMI. Porterhouse Records.
Track 1-24: R2 Music/Sweet Redemption Publishing, SOCAN. Universal Records under license from Universal Music Enterprises and Virgin/EMI Music Canada.
Track 1-25: PB & Mayo Music (ASCAP); I Love Leroy Songs (ASCAP); Rocksham Music (ASCAP); Pure Jizz Music (ASCAP). Hopeless/Sub City.
Track 1-26: Side One Dummy Records.
Track 2-1: Epitaph Records.
Track 2-2: EMI April Music Inc, and 21:1 Music. Epic Records.
Track 2-3: SideOneDummy.
Track 2-4: Vagrant Records.
Track 2-5: Victory Records.
Track 2-6: Warner/Chappell Music Inc. (ASCAP)/Wet Wheelie Music/High-Maintenance Music/Stinky Music/Drop Out Music(SOCAN). Lava Records.
Track 2-7: The Bag.On.Line Adventures/Michael The4-tracker/Stanley Magio/Point Me At The Sky, SESAC. Equal Vision Records.
Track 2-8: Yes, have some music, SESAC. SideOneDummy.
Track 2-9: FATA Music Publishing, ASCAP. Vagrant Records.
Track 2-10: Westbeach Music, BMI/Songs Of Universal, Inc., BMI. Epitaph Records,
Track 2-11: Mad Pursuit, LLC, ASCAP. Epitaph Records.
Track 2-12: Ultra Bill Lugg, ASCAP. Drive-Thru Records 2003.
Track 2-13: Equal Vision.
Track 2-14: BYO Records.
Track 2-15: Wixen Music Publishing, Inc., BMI. Epitaph Records.
Track 2-16: Travis Allen (ASCAP). Capitol Records.
Track 2-17: The Real McKenzies, SOCAN. Honest Don's.
Track 2-18: Smelvis Records.
Track 2-19: Down (BMI). Vagrant Records.
Track 2-20: 2003 Uncle Bert Music, BMI. BYO Records.
Track 2-21: Dead Baby Kickball Publishing, ASCAP. Epitaph Records.
Track 2-22: Chronic Future Music, BMI. Interscope Records.
Track 2-23: Hazen Street Music, BMI. D.C. Flag Records.
Track 2-24: Hopeless Records.
Track 2-25: Pujo Music, Guava Lane Music & The Dude Music, ASCAP. Volcom Records.
Track 2-26: Vin Keys Publishing, BMI. Noize Pollution Records.

No publishing/label information is listed for tracks 1-20 and 1-23.

Track 2-5 is previously unreleased.

Printed on back of booklet:
On the cover: Tim Armstrong of Rancid, Vans Warped Tour July 19, 2003, Dallas, Texas

SideOneDummy & the folks at the Vans Warped Tour have, in an order to help save the forests, printed these booklets with soy based inks on Déjà Vu matte coated paper, made from 10% tree-free fibers hemp and flax, 40% post-consumer waste, 30% pre-consumer waste, and 20% sustainably harvested wood from Living Tree Paper. ([Living Tree Paper webpage URL <[Living Tree Paper webpage URL>).

©+℗ SideOneDummy Records. Made in U.S.A.

 

. Stage 1
1-1. New Found Glory - No News Is Good News 2:55
1-2. NOFX - American Errorist (I Hate Hate Haters) 1:51
1-3. Flogging Molly - To Youth (My Sweet Roisin Dubh) 3:16
1-4. Anti-Flag - Rank-N-File 3:45
1-5. Thursday - Tomorrow I'll Be You 4:03
1-6. Descendents - 'Merican 1:50
1-7. The Bouncing Souls - Anchors Aweigh 2:05
1-8. Yellowcard - Breathing 3:37
1-9. Pennywise - Something To Change 2:37
1-10. Motion City Soundtrack - Capital H 2:50
1-11. Atmosphere (2) - The Keys To Life Vs. 15 Minutes Of Fame 2:38
1-12. Sugarcult - Destination Anywhere 3:42
1-13. Maxeen (2) - Please 3:43
1-14. Go Betty Go - C'mon 3:53
1-15. 1208 - Fall Apart 3:06
1-16. The Matches - Audio Blood 3:19
1-17. The Lawrence Arms - Alert The Audience 2:19
1-18. Avoid One Thing - Armbands And Braids 2:43
1-19. Stutterfly - Gun In Hand 3:23
1-20. Near Miss - Now Rectify 3:14
1-21. Letter Kills - Lights Out 2:55
1-22. Lightweight Holiday - Keep On 3:07
1-23. Denver Harbor - Picture Perfect Wannabe 3:50
1-24. Jersey (3) - Saturday Night 2:55
1-25. Mêlée (2) - The War 3:41
1-26. The Briggs - Waiting In The Shadows 2:32
. Stage 2
2-1. Bad Religion - God's Love 2:31
2-2. Good Charlotte - My Bloody Valentine 3:48
2-3. The Casualties - Tomorrow Belongs To Us 2:51
2-4. Alkaline Trio - Blue Carolina 3:28
2-5. Taking Back Sunday - A Decade Under The Influence (Mike Sapone Demo Version) 4:03
2-6. Simple Plan - Crash And Burn 3:08
2-7. Coheed And Cambria - Three Evils (Embodied In Love And Shadow) 4:33
2-8. Piebald - The Jealous Guy Blues 3:05
2-9. From Autumn To Ashes - The After Dinner Payback 2:49
2-10. Death By Stereo - Beyond The Blinders 3:36
2-11. Matchbook Romance - My Eyes Burn 3:56
2-12. The Early November - Something That Produces Results 2:42
2-13. Fear Before The March Of Flames - On The Bright Side, She Could Choke 3:03
2-14. The Unseen - So Sick Of You 2:04
2-15. Pulley - Stomach Aches 2:47
2-16. The F-Ups - I Don't Know 2:09
2-17. The Real McKenzies - Droppin' Like Flies 1:58
2-18. Left Alone - Heart Riot 1:21
2-19. Down To Earth Approach - Exhibit Of The Year 2:36
2-20. Throw Rag - Space Hump Me 2:12
2-21. From First To Last - Note To Self 3:26
2-22. Chronic Future - Time And Time Again 3:28
2-23. Hazen Street - Are You Ready 2:20
2-24. Amber Pacific - Thoughts Before Me 3:53
2-25. Pepper (9) - Back Home 3:09
2-26. Bleed The Dream - Solace 2:52

 

Barcode and Other Identifiers:

Barcode 6 03967 12482 8
Barcode 603967124828
Matrix / Runout Z26842 4 SDR2 71248-2.1 RE-1 01 M 1 S 12
Mastering SID Code IFPI L909
Mould SID Code IFPI 2U7G
Matrix / Runout X21198 4 SDR2 71248-2.2 RE-1 01 M 1 S 13
Mastering SID Code IFPI L902
Mould SID Code IFPI 2U3W
Matrix / Runout Z26842 4 SDR2 71248-2.1 RE-1 01 M1S6
Mastering SID Code IFPI L909
Mould SID Code IFPI 2U7M
Matrix / Runout X21198 4 SDR2 71248-2.2 RE-1 01 M1S3 CI
Mastering SID Code IFPI L902
Mould SID Code IFPI 2U3P
Rights Society ASCAP
Rights Society BMI
Rights Society SESAC
Rights Society SOCAN

 

Phonographic Copyright (p) SideOneDummy Records
Copyright (c) SideOneDummy Records
Glass Mastered At Cinram, Olyphant, PA
Pressed By Cinram, Olyphant, PA
Glass Mastered At Cinram, Olyphant, PA
Pressed By Cinram, Olyphant, PA
Published By 1208 Publishing
Published By 21:1 Music
Published By 26F Gellert Hill Music
Published By 97 Miles Music
Published By A.D.O. Songs Of Universal, Inc.
Published By Ant Turn That Snare Down
Published By Bianco Meow Music
Published By Block Out The World Music
Published By Bromuda Music
Published By Chronic Future Music
Published By Chrysalis Music
Published By Dead Baby Kickball Publishing
Published By Dome O'Chrome
Published By Drop Out Music
Published By Drum Ogre Music
Published By EMI
Published By EMI April Music Inc.
Published By FATA Music Publishing
Published By Guava Lane Music
Published By Hazen Street Music
Published By High-Maintenance Music
Published By I Love Leroy Songs
Published By Lando Hour Publishing
Published By Letter Kills Music
Published By Lightweight Holiday Music
Published By Mad Pursuit LLC
Published By Marches And Maneuvers, LTD
Published By Michael The4-Tracker
Published By Nerdcore Music
Published By Nofx Music
Published By Now You Fleas Music
Published By PB & Mayo Music
Published By Point Me At The Sky
Published By Pound Foolish
Published By Pujo Music
Published By Pure Jizz Music
Published By Quiet City Music
Published By R2 Music
Published By Rocksham Music
Published By Schwinn Tone
Published By Songs of Universal, Inc.
Published By Sound In Motion LLP
Published By Stanley Magio
Published By Stinky Music
Published By Stutterfly
Published By Sweet Redemption Publishing
Published By The Bag.On.Line Adventures
Published By The Dude Music
Published By The Real McKenzies
Published By Twentysixf Music
Published By Ultra Bill Lugg
Published By Uncle Bert Music
Published By Universal Tunes
Published By Upside Down Heart Music
Published By Vin Keys Publishing
Published By Warner/Chappell Music, Inc.
Published By Westbeach Music
Published By Wet Wheelie Music
Published By Wixen Music Publishing, Inc.
Published By xlocalsmusic
Published By Yes, Have Some Music
Licensed From EMI Music Canada
Licensed From Universal Music Enterprises
Licensed From Virgin Music Canada

Data provided by Discogs

In stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.
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Fully Serviced

All items are meticulously serviced and restored to meet factory specifications

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We pack with precision and ship in brand new, appropriately sized, boxes.

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