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Various - Woodstock 94 (2xCD, Album) (Very Good Plus (VG+))

Various - Woodstock 94 (2xCD, Album) (Very Good Plus (VG+))

A&M Records,A&M Records,A&M Records

$10.00 USD
$10.00 USD
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Media Condition:  Very Good Plus (VG+)
Sleeve Condition: Very Good Plus (VG+)
Country:    US  
Released:  08 Nov 1994
Genre:       Hip Hop, Rock
Style:         Alternative Rock, Rock & Roll, Industrial, Pop Rap, Heavy Metal, Arena Rock, Classic Rock
Location:   

Comments:

 

Notes:

Early issue without any SID codes in the matrix or hub.

Pressing plant variant.  According to a sticker placed directly on the rear insert, the discs were made in Austria.
No pressing plant is indicated in the matrix, however an asterisk stamped in the hub of CD2 on some variants
may be a plant ID. Not currently known which plant it might refer to, if any.

Recorded Live at Woodstock 1994.
Remote recording facilities: Effanel, Manhattan Center, Remote Recording Services & Record Plant

Album assembled in Pro Tools system courtesy of Digidesign
Recorded exclusively on 3M 275LE digital mastering tape

Assembled at Mix This!, Pacific Palisades, CA
Mastered at Gateway Mastering, Portland, ME

Disc 1
Track 1 published by Loco de Amor Music/Audible Sun Music, admin. by Loco de Amor (BMI). Mixed at Encore Studio, Burbank, CA. Live appear courtesy of  Radioactive Records, J.V.
Track 2 published by Blues Traveler Publishing Corporation, admin. by Irving Music, Inc. (BMI). Mixed at River Sound, New York, NY. Blues Traveler appear courtesy of A&M Records, Inc.
Track 3 published by M.L.E. Music, admin by Almo Music Corp (ASCAP). Mixed at Mix This!, Pacific Palisades, CA. Melissa Etheridge appears courtesy of Island Records.
Track 4 published by Songs of PolyGram International, Inc. (BMI). Mixed at Image Recording, Hollywood, CA. Joe Cocker appears courtesy of Epic Records.
Track 6 published by Songs of PolyGram International, Inc. (BMI). Mixed at Mix This!, Pacific, Palisades, CA. the cranberries appear courtesy of Island Records.
Track 7 published by EMI April Music Inc./Heavy Melon Music (ASCAP). Mixed at Soundtrack Recording Studios, New York, NY. Blind Melon appear courtesy of Capitol Records, Inc.
Track 8 published by WB Music Corp./Green Daze Music (ASCAP) all rights admin. by WB Music Corp. Mixed at Mad Hatter Studios, Los Angeles, CA. Green Day appear courtesy of Reprise Records.
Track 9 published by Bed of Nails, Inc./Tyran Music/Sons of K-Oss Music, Inc. (ASCAP)/Unichappell Music Inc./Iza Music Corp./Kakalaka Music/Jabulani Music (BMI), admin. by The Clyde Otis Music Group/STM Music, Inc. (BMI)/Next Plateau Music, Inc. (ASCAP). Featuring samples from "I'm Blue" courtesy of Atlantic Recording Corp. by arrangement with Warner Special Products, Inc. Contains elements of I'm Blue (Ike Turner) Unichappell Music, Inc. (BMI) and Placid Music Corp. (BMI) All rights on behalf of Placid Music administered by Unichappell Music, Inc. (BMI). Mixed at The Music Palace Recording Studios, West Hempstead, NY. Salt-N-Pepa appear courtesy of London Records
Track 11 published by Moebetoblame Music (BMI). Mixed at Ocean Way Recording, Hollywood, CA. Red Hot Chili Peppers appear courtesy of Warner Bros. Records Inc.
Track 12 published by EMI Virgin Songs, Inc./I'll Hit You Back Music (BMI). Mixed at The Record Plant Recording Studios, Hollywood, CA. Porno for Pyros appear courtesy of Warner Bros. Records Inc.
Track 13 published by Sturgeon (BMI). Mixed at The Plant Recording Studios, Sausalito, CA. Primus appear courtesy of Interscope Records.
Track 14 published by PolyGram International Publishing, Inc./Cockster Music (ASCAP). Mixed at Mix This!, Pacific Palisades, CA. Jackyl appears courtesy of Geffen Records.
Track 15 Draw The Line published by Daksel Music Corporation/Song and Dance Music Co./Vindaloo Productions, Inc. (BMI), admin. by Unichappell Music, Inc. (BMI). F.I.N.E. published by EMI April Music, Inc./Swag Song Music, Inc./Desmobile Music Co. Inc. (ASCAP). Mixed at Bosstown Recording Studios, Atlanta, GA.
Track 17 published by Leaving Hope Music/TVT Music (ASCAP). Mixed at Power Station, New York NY. Nine Inch Nails appear courtesy of Nothing/TVT/Interscope Records.

Disc 2
Track 1 published by Creeping Death Music (ASCAP). Mixed at The Warehouse Studio, Vancouver, BC. Metallica appear courtesy of Elektra Entertainment.
Track 2 published by Irving Music, Inc. (BMI). Mixed at Mix This!, Pacific Palisades, CA. Slash appears courtesy of Geffen Records. Paul Rodgers appears courtesy of Victory Records.
Track 3 published by EMI Blackwood Music, Inc. under license from ATV Music Corp. (Maclen Music) (BMI). Mixed at The Castle Recording Studio, Franklin, TN. The Neville Brothers appear courtesy of A&M Records, Inc.
Track 4 published by Ignorant Music (ASCAP)/Zen of Iniquity, admin. by Almo Music Corp. (ASCAP)/Waner-Tamerlane Pub. Corp./Old Crow Music (BMI). Mixed at Mix This!, Pacific Palisades, CA. Sheryl Crow appears courtesy of A&M Records, Inc.
Track 5 published by Stay Straight Music, administered by Warner-Tamerlane Publishing Corp. (BMI). Mixed at Mix This!, Pacific Palisades, CA. Crosby, Stills & Nash appear courtesy of Atlantic Recording Corporation. Credited as written by Joni Mitchell in the book but there's a sticker on the back that says 'Opps! "Deja Vu" was really written by David Crosby'
Track 6 published by Floral Drape Music/Refraction Music, admin. by Rough Trade Publishing Ltd./Gorno Music (ASCAP). Mixed at Mix This!, Pacific Palisades, CA. Violent Femmes appear courtesy of Elektra Entertainment.
Track 7 published by WB Music Corp./Roland/Lentz Music (ASCAP) All rights admin. by WB Music Corp. (ASCAP). Mixed at Mix This!, Pacific Palisades, CA. Collective Soul appear courtesy of Atlantic Recording Corporation.
Track 8 published by Skinny White Butt Music/Maverick Music/WB Music Corp. (ASCAP) All rights administered by WB Music Corp. Mixed at A&M Recording Studios, Hollywood, CA. Candlebox appear courtesy of Maverick Recording Company.
Track 9 published by Soul Assassin Music/MCA Music Publishing,  division of MCA Inc. (ASCAP)/BMG Songs, Inc./Cypress Phunky Music (ASCAP)/Budget Music/Powerforce Music All rights for Budget Music and Powerforce Music administered by Careers-BMG Music Publishing, Inc. (BMI). Contains sample from "Tramp" (Fulson/McCracklin) Powerforce Music and Budget Music (BMI). "Tramp" by Lowell Fulson used courtesy of Virgin Records America, Inc./Ace Records, Ltd/Blues Interaction, Inc. Mixed at Image Recording, Hollywood, CA. Cypress Hill appear courtesy of Ruffhouse/Columbia Records.
Track 10 published by Men O Rok/Archetext, Inc./Imago Music, Inc. (BMI). Mixed at Studio Zeezicht, Holland. Rollins Band appear courtesy of The Imago Recording Company.
Track 11 published by Special Rider Music (ASCAP). Mixed at The Castle Recording Studio, Franklin, TN. Bob Dylan appears courtesy of Columbia Records.
Track 12 published by Songs of PolyGram International, Inc. (BMI). Mixed at Mix This!, Pacific Palisades, CA. Traffic appear courtesy of Virgin Records.
Track 13 published by Pentagon Lipservices Real World (BMI). Mixed at Real World Studios, Wiltshire, England. Peter Gabriel appears courtesy of Geffen Records.

Discs Made in Austria
Printed in the U.S.A.

 

1-1. Live - Selling The Drama 4:37
1-2. Blues Traveler - But Anyway 3:34
1-3. Melissa Etheridge - I'm The Only One 5:30
1-4. Joe Cocker - Feelin' Alright 5:33
1-5. No Artist - (Stage Announcement)
1-6. The Cranberries - Dreams 4:33
1-7. Blind Melon - Soup 3:19
1-8. Green Day - When I Come Around 3:18
1-9. Salt 'N' Pepa - Shoop 5:12
1-10. No Artist - (Stage Announcement)
1-11. Red Hot Chili Peppers - Blood Sugar Sex Magik 5:13
1-12. Porno For Pyros - Porno For Pyros 3:03
1-13. Primus - Those Damned Blue-Collar Tweekers 6:51
1-14. Jackyl - Headed For Destruction 4:50
1-15. Aerosmith - Draw The Line / F.I.N.E. 9:38
1-16. No Artist - (Stage Announcement)
1-17. Nine Inch Nails - Happiness In Slavery 5:42
2-1. Metallica - For Whom The Bell Tolls 6:32
2-2. Paul Rodgers, Slash (3), Jason Bonham, Neal Schon, Andy Fraser - The Hunter 5:20
2-3. The Neville Brothers - Come Together 3:50
2-4. Sheryl Crow - Run, Baby, Run 5:28
2-5. Crosby, Stills & Nash - Deja Vu 7:30
2-6. Violent Femmes - Dance, M.F., Dance! - Kiss Off 6:20
2-7. Collective Soul - Shine 6:12
2-8. Candlebox - Arrow 3:45
2-9. Cypress Hill - How I Could Just Kill A Man 3:27
2-10. Rollins Band - Right Here Too Much 4:59
2-11. Bob Dylan - Highway 61 5:09
2-12. Traffic - Pearly Queen 5:15
2-13. Peter Gabriel - Biko 8:06

 

Barcode and Other Identifiers:

Barcode 7 31454-0289-2 9
Other 61454 0290 2
Other 61454 0291 2
Matrix / Runout ✱
Matrix / Runout 314540290-2 15 A12
Matrix / Runout 314-540-291-2 25 A4
Matrix / Runout 314540290-2 15 A8
Matrix / Runout 314-540-291-2 14 A4
Matrix / Runout 314540290-2 15 A5
Matrix / Runout 314540290-2 14 A4
Matrix / Runout 314540290-2 15 A4
Matrix / Runout 314-540-201-2 25 B3
Matrix / Runout 314540290-2 15 A2
Matrix / Runout 314540290-2 25 A5

 

Phonographic Copyright (p) PolyGram Diversified Ventures, Inc.
Copyright (c) PolyGram Diversified Ventures, Inc.
Phonographic Copyright (p) Woodstock Ventures, Inc.
Copyright (c) Woodstock Ventures, Inc.
Manufactured By A&M Records, Inc.
Marketed By A&M Records, Inc.
Recorded At Effanel Music
Recorded At Manhattan Center Studios
Recorded At Remote Recording Services
Recorded At Record Plant
Engineered At Mix This!
Mastered At Gateway Mastering
Mixed At Encore Studios
Mixed At River Sound
Mixed At Mix This!
Mixed At Image Recording Studios
Mixed At Soundtrack Studios
Mixed At Mad Hatter Studios
Mixed At The Music Palace
Mixed At Ocean Way Recording
Mixed At Record Plant, Los Angeles
Mixed At The Plant Studios
Mixed At Bosstown Recording Studios
Mixed At Power Station
Mixed At The Warehouse Studio
Mixed At The Castle Recording Studios
Mixed At A&M Studios
Mixed At Studio Zeezicht
Mixed At Real World Studios
Published By Loco De Amor Music Inc.
Published By Audible Sun Music Inc.
Published By Blues Traveler Publishing Corporation
Published By Irving Music, Inc.
Published By MLE Music
Published By Almo Music Corp.
Published By Songs of PolyGram International, Inc.
Published By EMI April Music Inc.
Published By Heavy Melon Music
Published By WB Music Corp.
Published By Green Daze Music
Published By Bed Of Nails
Published By Tyran Music
Published By Sons Of K-oss Inc.
Published By Unichappell Music, Inc.
Published By Iza Music Corp.
Published By Kakalaka Music (2)
Published By Jabulani Music (2)
Published By The Clyde Otis Music Group, Inc.
Published By STM Music Inc.
Published By Next Plateau Music Inc.
Published By Placid Music
Published By Moebetoblame Music
Published By EMI Virgin Songs, Inc.
Published By I'll Hit You Back Music
Published By Sturgeon
Published By PolyGram International Publishing, Inc.
Published By Cockster Music
Published By Daksel Music Corp.
Published By Song And Dance Music
Published By Vindaloo Productions, Inc.
Published By EMI April Music Inc.
Published By Swag Song Music, Inc.
Published By Desmobile Music Co., Inc.
Published By Leaving Hope Music
Published By TVT Music
Published By Creeping Death Music
Published By EMI Blackwood Music Inc.
Licensed From ATV Music Corp.
Published By Ignorant Music
Published By Zen of Iniquity
Published By Warner-Tamerlane Publishing Corp.
Published By Old Crow Music
Published By Stay Straight Music
Published By Floral Drape Music
Published By Refraction Music
Published By Rough Trade Publishing
Published By Gorno Music
Published By Roland/Lentz Music
Published By Skinny White Butt Music
Published By Maverick Music (2)
Published By Soul Assassins Music
Published By MCA Music Publishing
Published By BMG Songs, Inc.
Published By Cypress Phunky Music
Published By Budget Music
Published By Powerforce Music
Published By Careers-BMG Music Publishing, Inc.
Published By Men-O-Rök
Published By Archetext Music
Published By Imago Music Inc.
Published By Special Rider Music
Published By Pentagon Lipservices Real World

Data provided by Discogs

In stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.
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We ensure our customers have the best shopping experience

Fully Serviced

All items are meticulously serviced and restored to meet factory specifications

Well Cared Shipping

We pack with precision and ship in brand new, appropriately sized, boxes.

Information flow

Be in the know with timely notifications on your order, starting from acceptance to tracking numbers, allowing you to stay connected with your purchase