Fully Serviced
All items are meticulously serviced and restored to meet factory specifications
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Bizarre Records,Reprise Records
Media Condition: Very Good Plus (VG+)
Sleeve Condition: Good Plus (G+)
Country: US
Released: 1970
Genre: Rock, Non-Music
Style: Folk Rock, Psychedelic Rock, Avantgarde, Spoken Word
Comments:
*** BUY ANY 4 RECORD for ONLY $5.00 Shipping & Handling fee *** Record appears minimally used other than a few sleeve scuffs on either side. Minor spindle wear. Sleeve is G+ w/ full split along bottom seam as well as a half split along the top.
Notes:
From early in 1969 to 1977 Reprise Records (and their parent label Warner Bros. Records) ran a USA & Canada only mail-order promotion on a number of the inner sleeves of their mainstream artist's releases. This was to promote a wide range of less popular artists on compilation albums known as the 'Loss Leader' PRO series, sold at a significantly reduced mail-order price. The black & white cover of this PRO 368 release is a collage of Zappa & Straight artists and the title is "Zappéd" with an accent over the 'e' (unlike a previous /release/1827704similar PRO 368 release with a Zappa photo cover & 'Bizarre' label). This record's label is Reprise Records. Track titles are also different to the earlier release, which did not have the Straight singles. Issues did occasionally appear later in retail outlets, particularly later in Australia. Track sources on this compilation: A1 & A6: From the 1969 Straight label album "Pretties For You" (STS 1051). A6 also released as a single b/w "Living" (ST 101). A2 & B2: From the 1969 Straight label double album "Trout Mask Replica" (2-STS 1053). A3: From the 1969 Straight label album "Farewell Aldebaran" (STS 1052). Also released as a single b/w "Snowblind"(ST 102). A4: From the 1969 Straight label album "Blue Afternoon" (STS 1060). A5: From the Bizarre/Reprise album "An Evening with Wild Man Fischer" (RS 6332 & 2XS 6332). A7: From the 1969 Straight label album "Penrod" (STS 1058). A8: From the 1969 Straight label album "A Most Immaculately Hip Aristocrat" (STS 1054). B1: From the 1969 Straight label album "Lucille Has Messed My Mind Up" (STS 1057). Recorded at Whitney Studios, Glendale 1969. Zappa performed on this & produced under the pseudonym LaMarr Bruister. Not the Zappa version on Joe's Garage Act I. (1979). B3: From the 1969 Bizarre/Reprise label album "Burnt Weeny Sandwich" (RS 6370). B4: From the 1969 Straight label album "Permanent Damage" (STS 1059). Also released as a single "Circular Circulation" b/w "Mercy's Tune" (ST 104). B5: From the 1969 Bizarre/Reprise label album "Hot Rats" (RS 6356). Some of the above albums were subsequently released on other labels, bearing respective catalog numbers for those labels. Runouts are etched.
A1. Alice Cooper - Titanic Overture 1:09
A2. Captain Beefheart, The Magic Band - The Blimp (Mousetrapreplica) 2:04
A3. Judy Henske, Jerry Yester - Horses On A Stick 2:10
A4. Tim Buckley - I Must Have Been Blind 3:40
A5. Wild Man Fischer - Merry-Go-Round 1:56
A6. Alice Cooper - Reflected 3:10
A7. Tim Dawe - Little Boy Blue 2:15
A8. Lord Buckley - The Train 2:24
B1. Jeff Simmons - Lucille Has Messed My Mind Up 3:14
B2. Captain Beefheart, The Magic Band - Old Fart At Play 1:54
B3. The Mothers - Valarie 2:15
B4. GTO's - Do Me In Once And I'll Be Sad, Do Me In Twice And I'll Know Better (Circular Circulation) 2:19
B5. Frank Zappa - Willie The Pimp 9:25
Barcode and Other Identifiers:
Rights Society BMI
Pressing Plant ID S
Matrix / Runout 31,047
Matrix / Runout 31,048
Matrix / Runout 31047 39654-1A (S) PRO 368A A
Matrix / Runout 31048 PRO368 - 1A
Matrix / Runout 31047 ̶3̶9̶6̶5̶4̶ -1A (S) 1 PRO 368A A
Matrix / Runout S 1 31048 PRO368- 1A 1A
Manufactured By Warner Bros. Records
Distributed By Warner Bros. - Seven Arts Records, Inc.
Pressed By Columbia Records Pressing Plant, Santa Maria
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There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.
Why Vintage Audio Still Matters
In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.
Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.
The Philosophy of Refurbishment
Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.
Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.
The Turntable Store refurbishing process.. step by step
Step 1: The Initial Encounter
When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.
Instead:
Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.
Step 2: Deep Cleaning & Control Detox
Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.
The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.
Step 3: Electrical Resurrection
This is where science meets art:
Step 4: Cosmetic Glory
Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.
Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.
Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.
Step 5: Calibration & Sonic Check
After the repair and cleaning, it’s time to dial in the performance:
When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.
Our promise for Audiophile-Level Results
Why It’s Worth It
The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.
And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.
We have a 14-day return policy, which means you have 14 days after receiving your item to request a return.
To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.
To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address:
The Turntable Store
45 Market Square
Manheim PA 17545
If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.
You can always contact us for any return question at theturntablestore@gmail.com.
Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.
Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item.
Unfortunately, we cannot accept returns on sale items or gift cards.
Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.
European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.
Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.
We ensure our customers have the best shopping experience
All items are meticulously serviced and restored to meet factory specifications
We pack with precision and ship in brand new, appropriately sized, boxes.
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