Willie Dixon - The Chess Box (2xCD, Comp, RE, RM + Box) (Near Mint (NM or M-))

Willie Dixon - The Chess Box (2xCD, Comp, RE, RM + Box) (Near Mint (NM or M-))

Chess

Regular price $20.00 USD
Sale price $20.00 USD Regular price
Sale Sold out

Media Condition:  Near Mint (NM or M-)
Sleeve Condition: Near Mint (NM or M-)
Country:    US  
Released:  

Genre:       Blues
Style:         Chicago Blues

Comments:
*** BUY ANY 4 RECORD for ONLY $5.00 Shipping & Handling fee *** *NO BOX*. cd's look new
 

Notes:

Packaged in a LP size box with (2) CD's in jewel cases and includes a 12-page booklet with lengthy liner notes (including insights from Willie Dixon) and complete session information.
All of the recordings, including several rare and previously unreleased tracks, are digitally remastered from original mono and stereo Chess masters.

Tracks 1-2 & 2-13 are previously unreleased
Tracks 1-6 & 2-8 are previously unreleased on album
Tracks 1-5, 1-11, 1-17 & 2-5 are previously unreleased on U.S. album
Track 2-15 is from "Fathers And Sons"

Track 1-1 Recorded in Chicago, January 25, 1955 / Originally released as Checker single 811
Track 1-2 Probably recorded in Chicago, 1951 / Previously unreleased
Track 1-3 Recorded in Chicago, 1953 / Originally released as Chess single 1541
Track 1-4 Recorded in Chicago, 1955 / Originally releases as Chess single 1608
Track 1-5 Probably recorded in Chicago, 1953 or 1954 / Originally released as Checker single 828 (as by Willie Dixon & His All Stars)
Track 1-6 Probably recorded in Chicago, 1951 / Originally released as Checker single 851
Track 1-7 Recorded in Chicago, January, 1954 / Originally released as Chess single 1560
Track 1-8 Recorded in Chicago, May 25, 1954 / Originally released as Chess single 1575
Track 1-9 Recorded in Chicago, late 1954 / Originally released as Checker 805
Track 1-10 Recorded in Chicago, June, 1954 / Originally released as Checker single 798
Track 1-11 Recorded in Chicago, February 3, 1955 / Originally released as Chess single 1602
Track 1-12 Recorded in Chicago, July, 1955 / Originally released as Checker single 827
Track 1-13 Recorded in Chicago, September 1, 1954 / Originally released as Chess single 1578
Track 1-14 Recorded in Los Angeles, January 13, 1955 / Originally released as Checker single 820
Track 1-15 Recorded in Chicago, April 13, 1954 / Originally released as Chess single 1571
Track 1-16 Recorded in Chicago, February 9, 1956 / Originally released as Checker single 841
Track 1-17 Recorded in Chicago, 1956 / Originally released as Checker single 851
Track 1-18 Recorded in Chicago, May or July, 1955 / Originally released as Checker 822
Track 2-1 Recorded in Chicago, 1960 / Originally released as Chess 1762
Track 2-2 Recorded in Chicago, September 29, 1069 / Originally released as Chess single 1775
Track 2-3 Recorded in Chicago, 1962 / Originally released as Checker single 1019
Track 2-4 Recorded in Chicago, December, 1961 / Originally released as Chess single 1823
Track 2-5 Recorded in Chicago, October 12, 1962 / Originally released as Chess single 1839
Track 2-6 Recorded in Chicago, 1961 / Originally released as Chess single 1804
Track 2-7 Recorded in Chicago, 1960 / Originally released as Chess single 1777
Track 2-8 Recorded in Chicago, February 5, 1963 / Originally released as Checker single 1081
Track 2-9 Recorded in Chicago, August 14, 1963 / Originally released as Chess single 1890
Track 2-10 Recorded in Chicago, June, 1962 / Originally released on Chess single 1827
Track 2-11 Recorded in Chicago, January 11, 1963 / Originally released as Chess single 1134
Track 2-12, 2-16 Recorded in Chicago, August 14, 1963 / Originally released as Chess single 1870
Track 2-13 Probably recorded in New York City, 1964 / Previously unreleased
Track 2-14 Recorded in Chicago, 1965 / Originally released as Checker single 1135
Track 2-15 Recorded live at the Super Cosmic Joy-Scout Jamboree, April 24, 1965 / Originally released on Chess album 2-127
Track 2-17 Probably recorded in Chicago, late 1968 / Originally released as Checker LPS 3011
Track 2-18 Recorded in Chicago, 1967 / Originally released as Checker single 1191

© 1988 ℗ 1988

Manufactured in U.S.A.

 

1-1. Little Walter - My Babe 2:40
1-2. The Big Three Trio - Violent Love 2:20
1-3. Eddie Boyd - Third Degree 3:13
1-4. Willie Mabon - Seventh Son 2:52
1-5. Willie Dixon - Crazy For My Baby 2:49
1-6. Willie Dixon - Pain In My Heart 3:18
1-7. Muddy Waters - Hoochie Coochie Man 2:45
1-8. Howlin' Wolf - Evil 2:52
1-9. Little Walter & His Jukes - Mellow Down Easy 2:40
1-10. Jimmy Witherspoon - When The Lights Go Out 2:50
1-11. Muddy Waters - Young Fashioned Ways 2:59
1-12. Bo Diddley - Pretty Thing 2:49
1-13. Muddy Waters - I'm Ready 3:02
1-14. Lowell Fulson - Do Me Right 2:52
1-15. Muddy Waters - I Just Want To Make Love To You 2:50
1-16. Lowell Fulson - Tollin' Bells 3:04
1-17. Willie Dixon - 29 Ways 2:08
1-18. Willie Dixon - Walkin' The Blues 3:01
2-1. Howlin' Wolf - Spoonful 2:45
2-2. Otis Rush - You Know My Love 2:40
2-3. Bo Diddley - You Can't Judge A Book By Its Cover 3:08
2-4. Howlin' Wolf - I Ain't Superstitious 2:52
2-5. Muddy Waters - You Need Love 2:39
2-6. Howlin' Wolf - Little Red Rooster 2:25
2-7. Howlin' Wolf - Back Door Man 2:48
2-8. Little Walter - Dead Presidents 2:45
2-9. Howlin' Wolf - Hidden Charms 2:21
2-10. Muddy Waters - You Shook Me 2:40
2-11. Sonny Boy Williamson (2) - Bring It On Home 2:33
2-12. Howlin' Wolf - 300 Pounds Of Joy 3:02
2-13. Willie Dixon - Weak Brain, Narrow Mind 4:24
2-14. Koko Taylor - Wang Dang Doodle 2:59
2-15. Muddy Waters - The Same Thing 5:54
2-16. Howlin' Wolf - Built For Comfort 2:33
2-17. Little Milton - I Can't Quit You Baby 6:38
2-18. Koko Taylor - Insane Asylum 4:19

 

Barcode and Other Identifiers:

Barcode 0 7673-16500-2 9
Matrix / Runout EDC Logo CHD 216 500CD01 01$ D
Matrix / Runout EDC Logo CHD 216 500CD02 01@ D
Mastering SID Code IFPI L009
Mastering SID Code IFPI L006
Mould SID Code IFPI 0333
Mould SID Code IFPI 0345
SPARS Code AAD
Other MADE IN USA BY UML
Matrix / Runout EDC Logo CHD 216 500CD01 01$ D
Matrix / Runout EDC Logo CHD 216 500CD01 01@ A
Mastering SID Code IFPI L009
Mastering SID Code IFPI L006
Mould SID Code IFPI 0323
Mould SID Code IFPI 0323
Other MADE IN USA BY UML

 

Manufactured By UML
Manufactured For MCA Records, Inc.
Phonographic Copyright (p) MCA Records, Inc.
Copyright (c) MCA Records, Inc.
Designed At DZN, The Design Group

Data provided by Discogs

In stock

There’s something undeniably magnetic about vintage audio gear. The tactile weight of milled aluminum knobs, the warm glow of dial lamps, and—above all—the rich, analog sound that today’s sterile streaming boxes can’t quite replicate. But time is merciless: capacitors dry out, switches oxidize, and those gorgeous walnut cabinets lose their sheen. That’s where the art (and science) of our vintage audio refurbishment comes in.

Why Vintage Audio Still Matters

In the golden era of hi-fi—roughly the mid-1960s through the early 1980s—companies like Marantz, McIntosh, Pioneer, Sansui, and Technics were engaged in an arms race of build quality. This was before cost-cutting plastics and disposable designs; amplifiers were over-engineered, receivers were works of art, and turntables were precision instruments.

Owning one wasn’t just about sound; it was about status and permanence. These machines were built to last a lifetime—or two. The irony? Decades later, they often do, provided they’re given the care they deserve.

The Philosophy of Refurbishment

Refurbishment is not just about fixing; it’s about preserving authenticity while ensuring reliability. The goal is to keep that lush, analog character alive without compromising safety or sound quality.

Some enthusiasts chase museum-level originality—keeping every factory component in place. Others opt for sympathetic modernization, upgrading parts that never existed in the ’70s to improve performance. Both approaches can be valid; it depends on your vision.

The Turntable Store refurbishing process.. step by step

Step 1: The Initial Encounter

When we first meet a 40-year-old amplifier, we resist the urge to plug it in right away. That dusty Marantz 2270 might look gorgeous, but old electrolytics and brittle insulation can short instantly under full voltage.

Instead:

  • We inspect for corrosion, burnt resistors, and leaking capacitors.
  • We use a Variac (variable transformer) to bring up voltage slowly, reforming capacitors rather than shocking them back to life.
  • We check fuses—not just for continuity but for correct ratings.

Tip: A faint musty smell? That’s often the scent of old phenolic boards, not trouble. But a burnt smell? That’s trouble.


Step 2: Deep Cleaning & Control Detox

Dust is the enemy of good sound, that is why we clean the interior carefully with compressed air and a soft brush.

The real magic comes with switches and potentiometers. Over decades, oxidation builds up, causing scratchy controls and dropouts. A deep contact clean in each pot and switch, followed by vigorous cycling, often restores silky-smooth operation.

Step 3: Electrical Resurrection

This is where science meets art:

  • Capacitors: Electrolytic caps often need some attention. We replace out-of-spec caps with high-quality modern equivalents (Nichicon, Panasonic), avoiding over-capacitance unless the power supply can handle it.
  • Resistors: Carbon comp resistors drift over decades. Measure and replace out-of-spec parts.
  • Transistors: Certain vintage transistors (e.g., 2SC458) are notorious for noise. We do swap defective ones for modern low-noise equivalents.
  • Relays & Lamps: Speaker relays oxidize; replace or clean contacts. Dial lamps? Upgrade to warm LEDs for a factory glow without the heat.


Step 4: Cosmetic Glory

Refinishing the walnut cabinet can transform a unit. We do use real wood oil or Danish oil, not polyurethane. We clean the glass dial carefully; those silkscreened letters are fragile.

Knobs? We polish with metal cleaner, but never use abrasives on anodized aluminum.

Faceplate lettering? We avoid harsh chemicals—just mild soap and a microfiber cloth.


Step 5: Calibration & Sonic Check

After the repair and cleaning, it’s time to dial in the performance:

  • We do adjust bias and DC offset on amplifiers for stable operation.
  • On turntables, we re-lube bearings, replace belts, and check speed accuracy.
  • On Cassette Decks and Reel to Reels, we replace belts ( if needed ), we clean and demagnetize the heads before the alignment process ( a must ! ) 

When done right, the result is astonishing: a sound that breathes—liquid mids, velvet highs, and bass with a tactile presence that modern gear rarely matches.


Our promise for Audiophile-Level Results

  • We Avoid Cheap Parts: That $5 eBay capacitor kit? Hard pass. We use reputable brands.
  • We Don’t Over-Polish: Patina is part of the charm. We aim for “well-loved,” not “plastic surgery.”
  • We Upgrade Discreetly: If we must modernize (like adding gold-plated RCA jacks), we keep it tasteful and reversible.


Why It’s Worth It

The payoff isn’t just sonic—it’s emotional. Restoring a 1970s Marantz or Sansui is like bringing a classic car back to life. Every glowing dial lamp, every smooth rotation of a volume knob, connects you to an era when music mattered enough to build machines like this.

And when you drop the needle on your favorite record and hear that warm, enveloping sound, you’ll know: this wasn’t just a repair. It was a resurrection.

We have a 14-day return policy, which means you have 14 days after receiving your item to request a return. 

To be eligible for a return, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

To start a return, you can contact us at theturntablestore@gmail.com. Please note that returns will need to be sent to the following address: 

The Turntable Store
45 Market Square
Manheim PA 17545

If your return is accepted, we’ll send you a return shipping label, as well as instructions on how and where to send your package. Items sent back to us without first requesting a return will not be accepted.

You can always contact us for any return question at theturntablestore@gmail.com.


Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.

Exceptions / non-returnable items
Certain types of items cannot be returned, like turntable needles and custom products (such as special orders or personalized items). We also do not accept returns for hazardous materials, flammable liquids, or gases. Please get in touch if you have questions or concerns about your specific item. 

Unfortunately, we cannot accept returns on sale items or gift cards.

Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.

European Union 14 day cooling off period
Notwithstanding the above, if the merchandise is being shipped into the European Union, you have the right to cancel or return your order within 14 days, for any reason and without a justification. As above, your item must be in the same condition that you received it, unworn or unused, with tags, and in its original packaging. You’ll also need the receipt or proof of purchase.

Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method within 10 business days. Please remember it can take some time for your bank or credit card company to process and post the refund too.
If more than 15 business days have passed since we’ve approved your return, please contact us at theturntablestore@gmail.com.

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All items are meticulously serviced and restored to meet factory specifications

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We pack with precision and ship in brand new, appropriately sized, boxes.

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